Once Again

SKU: BR.EB-7430

ISBN 9790004173947. 9 x 12 inches.

Thanks to the increasing concern for historically accurate interpretations of early music, the viola da gamba once again belongs to the more frequently played Instruments. This new edition makes the work accessible again to its original solo Instrument.

SKU: BR.PB-5354

Bach's manuscript leaves several questions unanswered.

ISBN 9790004211533. 9 x 12 inches.

When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.

Bac h's manuscript leaves several questions unanswered.

SKU: BR.EB-10802

The first definitive author's version - In Cooperation with G. Henle Verlag

ISBN 9790201808024. 9.5 x 12 inches.

In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings).

SKU: LO.30-2439L

UPC: 000308121230.

Accla imed arranger Craig Curry has transformed this popular praise and worship song into a terrific choral anthem for worship. The thoughtful text invites believers to visit the cross once again to reflect upon Christ’s wondrous love for humanity. Opening with an optional solo verse, the choral texture gradually thickens by verse until the rich and full choral acclamation on the final refrain. A gentle contemporary pop groove in the accompaniment supports the regular syncopation in the vocals and provides a solid foundation for soloist and full choir alike. Instrumentation: Keyboard, Guitar, Bass, and Drums.

SKU: LO.99-2456L

UPC: 000308121247.

Accla imed arranger Craig Curry has transformed this popular praise and worship song into a terrific choral anthem for worship. The thoughtful text invites believers to visit the cross once again to reflect upon Christ’s wondrous love for humanity. Opening with an optional solo verse, the choral texture gradually thickens by verse until the rich and full choral acclamation on the final refrain. A gentle contemporary pop groove in the accompaniment supports the regular syncopation in the vocals and provides a solid foundation for soloist and full choir alike.

SKU: BR.PB-5297

Haydn's C major Concerto now in a new, up-to-date edition

EB 8634 (edition for violin and piano) with cadenzas by Thomas Zehetmair

ISBN 9790004211755. 10 x 12.5 inches.

Haydn's Violin Concerto in C major has always been closely linked to Breitkopf & Hartel, which began selling copies of the work back in 1769. The first edition came out in 1909 and helped secure the work a broad dissemination and lasting popularity. Strangely enough, this first edition is one of the most important sources today, since its own source a copy of Haydn's autograph, perhaps the autograph itself was lost at the end of World War II. Although other copies from Haydn's time were made, they are textually less reliable. Walter Heinz Bernstein has created an easily playable and pleasant-sounding piano score on the basis of the first edition, whereby he has respected the early classical continuo practice. As he did earlier in the G major Concerto (EB 8606), Thomas Zehetmair has once again accepted the challenging task of embellishing the solo part with stylistically accurate cadenzas and flourishes. This delightful concerto is thus now available in a modern edition.The piano-harpsichord part by Walter Heinz Bernstein features a continuo part in keeping with the late Baroque performing tradition and offers a much cleaner, unfettered realization.(Stringendo)< br>
Haydn's C major Concerto now in a new, up-to-date edition.