Matériel : Octavo
SKU: HP.K322
UPC: 763628140953. By Giovanni P. da Palestrina.
Kyrie fromMissa Brevis by Giovanni P. da Palestrina For SATB voices, unaccompaniedFor SATB voices, unaccompanie.
SKU: CA.3602005
ISBN 9790007112615. Language: Latin.
In the tradition of Protestant missa brevis compositions, the music of this Mass was written in the so-called stile antico following 16th-century models and known as Palestrina style. The surviving copy, in the Duben Collection, dates from 1675. Buxtehude adopted the strict form of the stile antico, contrapuntal polyphony without instrumental accompaniment for various compositions of the same period, including Mit Fried und Freud ich fahr dahin BuxWV 76, written on the death of his father. The Missa brevis consists of the Kyrie and Gloria of the Ordinarium, so it is a Lutheran Mass; in 17th-century Protestant services these sections of the Mass were sung in Latin. Score available separately - see item CA.3602000.
SKU: CA.4064205
ISBN 9790007075187. Key: C major. Language: Latin.
The Missa brevis in C Major, for 4 vocal parts and organ, was long considered one of young Mozart's excercises in The Italian style of church music. Karl Pfannhauser, after his studies of Leopold Mozart's masses, was the first to discover that the C-major fragment had been incorporated into the latter's Missa solemnis in C Major. As Mozart was only 8 years old at the time his father wrote this mass, he cannot be deemed the composer of the fragmentary C-major mass that is listed as KV 115. The mass contains only the Kyrie, Gloria, Credo and Sanctus, the last of which breaks off in bar 9. For the present edition our aim was to draw upon Leopold's own works for the missing parts. Score available separately - see item CA.4064200.
SKU: CA.1080403
ISBN 9790007191375. Text language: Latin.
Its musical variety is key to the appeal of the Missa brevis. From a fughetta in the Kyrie to the quartal harmonies of the Gloria with its dialog between soloists and chorus to the rhythmically striking passages in the Sanctus there is everything an experienced choir could wish for. The final Agnus Dei gloriously presents both soloists and the choir with a compelling and dramatic call for peace. Festivly supported by the brass and the organ, the Missa brevis is an exciting and rewarding piece for the choral repertoire. Score available separately - see item CA.1080400.
SKU: CA.1080409
ISBN 9790007191382. Text language: Latin.
Its musical variety is key to the appeal of the Missa brevis. From a fughetta in the Kyrie to the quartal harmonies of the Gloria with its dialog between soloists and chorus to the rhythmically striking passages in the Sanctus there is everything an experienced choir could wish for. The final Agnus Dei gloriously presents both soloists and the choir with a compelling and dramatic call for peace. Festivly supported by the brass and the organ, the Missa brevis is an exciting and rewarding piece for the choral repertoire. Score and parts available separately - see item CA.1080400.
SKU: CA.1080400
ISBN 9790007165055. Text language: Latin.
Its musical variety is key to the appeal of the Missa brevis. From a fughetta in the Kyrie to the quartal harmonies of the Gloria with its dialog between soloists and chorus to the rhythmically striking passages in the Sanctus there is everything an experienced choir could wish for. The final Agnus Dei gloriously presents both soloists and the choir with a compelling and dramatic call for peace. Festivly supported by the brass and the organ, the Missa brevis is an exciting and rewarding piece for the choral repertoire.
SKU: HL.49014463
ISBN 9790220129704. English.
SKU: HL.49014464
ISBN 9790220130045. English.
SKU: CA.5180103
ISBN 9790007186180. Language: Latin.
When Wolfgang Amadeus Mozart returned to Salzburg in January 1779 from his journey to Paris, his luggage contained a single church music work - an unfinished Kyrie in E flat major (KV 296a) together with sketches for the Sanctus and Benedictus (KV 296c). In 2015, at the suggestion of the late Armin Kircher, Johann Simon Kreuzpointner set about compiling a five-movement setting of the mass from this material, also drawing on an unfinished cantata in E flat major (KV 429). For the orchestration and text underlay, Kreuzpointner took his cue from Mozart's church music works. With this edition Kreuzpointner, an experienced church musician and composer, created a convincing and stylistically assured work, which he tried out in several performances. The result is a concise setting of the mass, good to sing, which does not present any great difficulties for soloists, chorus, or orchestra. The title Missa brevissima does not come from Mozart, but was chosen because of the brevity of the mass setting with its missing Credo. It also underlines the special status of this setting of the mass. Score available separately - see item CA.5180100.
SKU: CA.5180124
ISBN 9790007243159. Language: Latin.
When Wolfgang Amadeus Mozart returned to Salzburg in January 1779 from his journey to Paris, his luggage contained a single church music work - an unfinished Kyrie in E flat major (KV 296a) together with sketches for the Sanctus and Benedictus (KV 296c). In 2015, at the suggestion of the late Armin Kircher, Johann Simon Kreuzpointner set about compiling a five-movement setting of the mass from this material, also drawing on an unfinished cantata in E flat major (KV 429). For the orchestration and text underlay, Kreuzpointner took his cue from Mozart's church music works. With this edition Kreuzpointner, an experienced church musician and composer, created a convincing and stylistically assured work, which he tried out in several performances. The result is a concise setting of the mass, good to sing, which does not present any great difficulties for soloists, chorus, or orchestra. The title Missa brevissima does not come from Mozart, but was chosen because of the brevity of the mass setting with its missing Credo. It also underlines the special status of this setting of the mass. Score and part available separately - see item CA.5180100.
SKU: CA.5180113
ISBN 9790007225360. Language: Latin.
SKU: CA.5180112
ISBN 9790007225353. Language: Latin.
SKU: CA.5180123
ISBN 9790007243166. Language: Latin.
SKU: CA.5180149
ISBN 9790007225384. Language: Latin.
SKU: CA.5180111
ISBN 9790007225346. Language: Latin.
SKU: CA.5180109
ISBN 9790007225339. Language: Latin.
When Wolfgang Amadeus Mozart returned to Salzburg in January 1779 from his journey to Paris, his luggage contained a single church music work - an unfinished Kyrie in E flat major (KV 296a) together with sketches for the Sanctus and Benedictus (KV 296c). In 2015, at the suggestion of the late Armin Kircher, Johann Simon Kreuzpointner set about compiling a five-movement setting of the mass from this material, also drawing on an unfinished cantata in E flat major (KV 429). For the orchestration and text underlay, Kreuzpointner took his cue from Mozart's church music works. With this edition Kreuzpointner, an experienced church musician and composer, created a convincing and stylistically assured work, which he tried out in several performances. The result is a concise setting of the mass, good to sing, which does not present any great difficulties for soloists, chorus, or orchestra. The title Missa brevissima does not come from Mozart, but was chosen because of the brevity of the mass setting with its missing Credo. It also underlines the special status of this setting of the mass. Score and parts available separately - see item CA.5180100.
SKU: CA.5180119
ISBN 9790007225377. Language: Latin.
SKU: CA.3530715
ISBN 9790007213350. Key: A minor. Language: Latin.
From the music library of Johann Sebastian Bach. Score and part available separately - see item CA.3530700.