Matériel : DVD
Parts I & II on DVD-Whether you want to learn a new style be ready for anything that comes up in a jam session or meet the demands of new orchestral scores with ease this DVD will help you develop the necessary right and left-hand skills. Julie Lyonn Liebermann has examined he technical demands of all the modern alternative styles (such as blues swing rock Celtic Cajun Flamenco and more) and organises the most essential skills the fundamentals that you’ll need to progress all onto one insightful DVD with both parts One and Two of her method guide. In part one: The Bow Hand Four essential bow control techniques ten approaches torhythmizing the bow contemporary techniques you can use to navigate the bow so that each note speaks! Part Two: The Left Hand Basic Set-up Thumb Hinge Trampoline Fingers Chromatic Motion Vibrato Ornaments (such as trills slides grace notes turns jazz embellishments and more) Double Stops (Unisons octaves and chords) Playing on chord changes Walking bass lines Slap and more. Overall an interesting insightful comprehensive and enjoyable guide to contemporary string playing on this great value and brilliant DVD guide.
SKU: CF.CAS91
ISBN 9781491142066. UPC: 680160630127. Key: G minor.
This lighthearted quodlibet was commissioned by ASTA and premiered at the 2015 conference. It provides a fabulous tool to introduce your students to key musical themes across time. The score plays off of the musician's nocturnal mind to combine twelve historic themes by condensing and expanding them the way our subconscious mind often toys with daytime experiences. In total, this composition celebrates the string player's full potential: Where loyalty to the written note serves the imagination's creative playground. What is composition, if not a grand improvisation captured in a snapshot?.I am a firm advocate for creative conducting, so I encourage you to experiment with changes in tempi to segue between themes, and/or to take musical liberty with the actual transitions between the themes, as long as there is still a feeling of forward momentum.If you want to fulfill the theatricality of the score, it would be fabulous to look at the audience (with a raised eyebrow, or a smile on your face, or whatever facial expression you think suits these moments in the score) at m. 14 and again at m. 21.In addition, it will help to conduct with wider gestures when themes change or the volume suddenly drops or swells. This will help the audience understand that these sudden changes between themes or dynamics are intended and will also help the students highlight those spots (particularly across the complex thematic shifts between mm. 62 and 94).The grandiosity from m. 110 through the end can be pushed to its zenith, particularly if you control prior forte settings such that the end gets the grand push.CAS91FThemes in String Dreams include:1. Twinkle, Twinkle Little Star2. Second Kreutzer Etude3. Concerto in A Minor, Vivaldi 4. Cello Suite No. 1, Bach5. St. Louis Blues, W.C. Handy 6. Minuet in G, Bach—Julie Lyonn Lieberman,Artistic Director, Strings Without Boundaries www.julielyonn.com | www.stringswithoutboundar ies.com.
About Carl Fischer Concert String Orchestra Series
Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
