Matériel : Partition + CD
Worship Band Play-Along Volume 5-The Worship Band Play-Along series is a flexible and innovative tool for worship leaders and bands. Each volume offers five separate correlated book/CD packs: Keyboard Guitar Bass Drumset and Vocal.Bands can use the printed music and chord charts to play live together and members can rehearse at home with the CD tracks. Worship leaders without a band can play/sing along with the CD for a fuller sound. The eight songs in each volume follow a similar theme for easy set selection and the straight-forward arrangements are perfect for bands of any level.The CDs are playable on any CD player and also enhanced so Mac and PC users can adjust the recording to anytempo without changing pitch to learn the songs at their own pace.
SKU: GI.G-10139
English. Text Source: Sight, Archibal Lampman, 1861–1899, alt. Text by Archibald Lampman.
The COVID-19 pandemic lockdown of spring 2020 has affected people’s lives drastically. Gatherings have been stopped, people have been confined to their homes, and physical distancing has become the norm. Composers have responded to these changes in a multitude of ways, for me, it has resulted in the creation of music that uplifts and reconnects people. “The World” sets Archibald Lampman’s powerful poem “Sight,” the words seeming particularly poignant for our times. Working in collaboration with my vocal quartet Anchorae, we invited people from across the world to submit recordings of themselves singing a part of the piece. The resulting recording by the Anchorae Isolation Choir features submissions from three countries, bringing people together through music. —Peter Relph Watch this performance on YouTube .
SKU: ZB.ZE-1214
Affordable single print from THE ULTIMATE GOSPEL CHOIR BOOK 1 for mixed choir (SATB).
SKU: CA.330110
ISBN 9790007168605. Key: E minor. Language: English. Text: Ryman, James. Text by James Ryman.
SKU: UT.TME-1
ISBN 9790215316096. 9 x 12 inches.
P erformance Material on Hire[S olo: SAATB - Str - Bc]Thanks to its patron the Duke Francesco II, Modena became a capital city worldwide for the oratorio genre: renowned maestro di cappella in Ferrara, also Bassani wished to offer to the Duke his own work, setting aside for him the summit of his melodic and dramaturgical inventiveness.Accordi ng to the documents that we have, the performance of Giona was Bassani's debut at the court of Francesco II. Born in Padua around 1650, the composer carried out the main part of his activities in Ferrara, where he was organist (probably from 1667), and maestro di cappella at the Accademia della Morte (from 1683), and subsequently also at the Cathedral (from 1686); he also became a member of the Accademia Filarmonica of Bologna (in 1677) and was committed to Alessandro II Pico, Duke of Mirandola and Marquis of Concordia. In 1712 he moved to Bergamo, where he was maestro di cappella at S. Maria Maggiore; he died there on 1st October 1716. Before his commission in Modena, the <> - as he was often called at that time - had already printed seven instrumental and vocal works as well as a few operas and oratorios.
