Johann Sebastian Bach: Violinsoli Aus Dem Geistlichen Vokalwerk: Violin: Score

for Violoncello and Harpsichord-Three Sonatas For Cello And Piano by Johann Sebastian Bach (1685-1750) edited by Hans Eppstein. Set of performance parts (includes separate pull-out cello part) for cello and piano (or harpsichord). Urtext of the New Bach Edition. 71 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5210)

Johann Sebastian Bach's six suites for solo cello (BWV 1007-1012) are among the most significant compositions for unaccompanied melody instrument and have won a permanent place in the repertoire of every cellist.Joachim Linckelmann has made the first two suites available for performance on the flute. His arrangements exploit the technical possibilities of the instrument while never straying far from the original. ln this form the cello suites will not onIy be a welcome diversion in the literature for solo flute, but pose a genuine challenge to every flautist.· Convincing, straightforward arrangement· Welcome addition to the solo flute repertoire / Flûte / Partition

Johann Sebastian Bach's Sonatas and Partitas for Violin Solo are among the most famous masterpieces of their kind. Unlike the closely related Suites for Violoncello Solo the Violin solos have survived in an autograph manuscript of the composer on the basis of which alone a largely reliable musical text is available. However this manuscript is a copy of previous draft copies or even further fair copies of the composer. Wiener Urtext Edition uses an early copyist's copy from Köthen as a secondary source which has not been valued very highly as a source until now. Despite its closeness to the extant autograph one cannot rule out thepossibility that this copy might be traced back to another original manuscript by Bach. At any rate some obvious mistakes of the extant fair copy can be clarified on the basis of its text; in addition it provides a number of articulations not indicated elsewhere (some even with alternatives) which are examples of how these works can be performed according to their time of origin. In the Notes of Interpretation Dagmar Glüxam explains the relationship between the musical-rhetorical contents of Bach's musical text and their adequate performance thus showing how absurd many a performance instruction of established interpretive editions is.

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition 6 Suites a Violoncello Solo senza Basso qui a été écrite pourVioloncelle. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 5216 . / Violoncelle / Partition

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Suites for Violoncello solo BWV 1007-1012 qui a été écrite pourVioloncelle. Les éditions Wiener Urtext qui ont éditées cette oeuvre l'ont répertoriée sour la référence UT_50133. / Violoncelle / Partition

Nos 1 2 and 3 - Edition for Double Bass-Johann Sebastian Bach's 6 Solo Violoncello Suites BWV 1007–1012 - Vol.1 includes the works Cello Suite No. 1 in G major BWV1007 Cello Suite No. 2 in D minor BWV1008 Cello Suite No. 3 in C major BWV1009.

Kantate Zum 23. Sonntag Nach Trinitatis, Bwv 139, 1724. Par BACH JOHANN SEBASTIAN. Bach's chorale cantata with its opening text 'Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen” (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout - this is followed by a lively tenor aria 'Gott ist mein Freund” (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria 'Das Unglück schlägt auf allen Seiten” (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello./ Répertoire / Chœur Mixte et Piano

Par BACH JOHANN SEBASTIAN. / Classics / Date parution : 2020-10-15/ Recueil / Saxophone Baryton