Johann Sebastian Bach: Studies By J. S. Bach: Flute: Study

This extraordinary flute repertoire collection is an extraordinary value for the serious flue player/student. In addition to the studies based on the works of Johann Sebastian Bach it includes the following flue repertoire (fluesolo parts only): Bach – Suite in B Minor; Mozart – Concerto in D K. 314; Debussy – L'apres-midi d'un faune; Faure – Fantaisie Op. 79; Bizet – Entr'act of Act IIIof Carmen; Rimsky-Korsakoff – Flight of the Bumble Bee; Chopin – Minute Waltz; Saint-Saens – Romance Op. 37; Ravel – Pavane pour une infante defunte; and more.

Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue

Par BACH JOHANN SEBASTIAN. Ces 24 études ont été transcrits à partir des fugues du Clavier bien tempéré, Livre I, écrite par JSBach en 1722. L'utilisation de chacune des tonalités majeures et mineures douze offert une collection unique pour la période et se présente comme un jalon dans l'histoire de la musique. Bach prévu que l'interprète doit avoir une grande liberté dans l'interprétation de ce travail. Dans cette édition, pour trompette, tempos ont été indiquées en termes généraux plutôt que des indications métronomiques spécifiques. / Niveau : Avancé / Etude / Trompette ou Cornet

Par BACH JOHANN SEBASTIAN. This excellent book of first classics for Piano Solo and Duet is by renowned pianists Fanny Waterman and Marion Harewood. It contains over twenty progressive and graded studies aimed toward the pianist who has begun to master a basic technique, as well as five duets. The Waterman/Harewood Piano Series is devised jointly by world-famous piano teacher Fanny Waterman and her co-founder of the Leeds Piano Competition, Marion Harewood is established as one of the foremost piano methods. The excellence of the musical material and attractive presentation have won universal acclaim. / Répertoire d'Examen / Répertoire / Piano

Das Te Deum Deutsch 'Herr Gott Dich loben wir' for 12-part mixed Chorus a cappella (SSMezMezAATTBarBarBB).The Te Deum in the translation of Martin Luther 1529. Heinz Werner Zimmermann (born 11 August 1930 in Freiburg im Breisgau) is a German composer. Zimmermann had his first composition instruction from 1946 to 1948 with Julius Weismann and studied from 1950 to 1954 in Heidelberg with Wolfgang Fortner as well as at the Kirchenmusikalisches Institut Heidelberg (Institute for Church Music) there. After passing his examinations at the Freiburg Conservatory under Harald Genzmer he became Fortner’s successorin Heidelberg. Here he maintained close contacts with the musicologist Thrasyboulos Georgiades whose rhythm and language studies influenced him the most along with his occupation with American spirituals and jazz. From 1963 to 1976 Heinz Werner Zimmermann was director of the Spandauer Kirchenmusikschule (Spandau school of church-music) in Spandau and then from 1975 to 1996 as successor to Kurt Hessenberg as composition teacher at the Frankfurt University of Music and Performing Arts (Brusniak 2001). Zimmermann’s best-known works are his sacred motets with plucked Double Bass his Organ psalms and his 'Prosalieder'. Among his chief works are his Missa profana the sacred oratorio The Bible of Spirituals as well as his Symphonia sacra. Amongst other honors Zimmermann has been awarded the Music Prizes of the cities of Stuttgart and Berlin a Villa Massimo Stipend in 1965/66 and received in 1982 the Johann Sebastian Bach Prize. The American Wittenberg University in Springfield bestowed upon him an honorary doctorate Zimmermann wrote three American theses including one at the Stanford University in California. (Source: Wikipedia)

Studies with specific technical challenges based on music of the highest quality from movements of the Partitas and 'Well Tempered Clavier' arranged by an experienced flute player and teacher.Grade: 6-8

All the essential and required studies for Classical Guitar are collected here in one handsome volume for Classical Guitar students and instructors. The studies appear on nearly every syllabus from any respected university Classical Guitar program. Newly engraved from early editions, with centuries-old errors now corrected and with minimal editorial annotations, this clear, uncluttered, easy-to-read reference book will be used every day for a lifetime of study. A 'one-stop shopping' repertoire book for every classical guitarist. Includes selected studies by Sor (Opp. 6, 29, 31, 35, 44, 60), Giuliani (Opp. 48, 51, 139),Aguado (from his Nuevo Método para Guitarra) and Carulli (Op. 333), as well as complete editions of Carulli's 24 Preludes, op. 114 - Giuliani's 120 Studies for Right-Hand Development, op. 1a - Carcassi's 25 Melodic and Progressive Etudes, op. 60 - and Coste's 25 Etudes de Genre, op. 38 . Of special interest to the student is the inclusion of carefully chosen audition and recital pieces from Bach, Milán, Tárrega, and Albéniz. / Rép Classique / Recueil / Guitare

J.S. Bach (1685-1750) is one of the most famous composers ever to have lived. As a German composer of the baroque era Bach's music is revered for its technical command artistic beauty and intellectual depth. Henriette Renié's arrangement of Dix Préludes for Harp makes the composer's much loved music even more accessible. The Well-Tempered Clavier by J.S. Bach is a collection of 24 Preludes and Fugues in all 24 major and minor keys composed and intended as studies. Generally the collection is regarded as being among the most influential works in the history of Western classical music.Therefore Renié's arrangement of ten of the Dix Préludes is unmissable to all aspiring advanced harpists.