Johann Joachim Quantz: Flute Concerto in G Major: Flute: Instrumental Work

Johann Joachim Quantz's On Playing the Flute has long been recognized as one of the primary sources of information about eighteenth-century performance practice. In spite of its title it is not simply a tutor for the flute but a fully-fledged programme for training musicians of all types with detailed information on intonation ornamentation dynamics the 'duties' of the various accompanying performers including the leader of the orchestra and the principal forms and styles (French Italian and German) of the time. Although Quantz is most often identified as the teacher of Frederick the Great his musical roots were in Dresden the most brilliant musical establishmentin Germany; and his travels and studies in Italy France and England gave him direct experience of most phases of European musical life in the 1720s and 30s. This reissue of the second edition provides a wonderfully complete and detailed picture of musical taste and performance practice in the 18th century and includes a new introduction by Professor Reilly drawing attention to recent research on Quantz. Whether you want to learn to play the flute and be taught by the teacher of Frederick the Great or just to gain a first-hand insight into the history of classical music On Playing the Flute is an essential and entertaining read.

Nr. 1 2 3 4 5 6 8-Johann Joachim Quantz (1697-1773) was one of the most famous flautists of his time. As a composer his repertoire included a significant number of sonatas for flute and continuo. Seven of these compositions arguably ranking amongst the most beautiful flute works from the Baroque era are included in this edition.

These sixteen accomplished pieces by Johann Joachim Quantz form a scholarly and practical edition of studies for solo Flute. Stylistically they demand a variety of expression light and shade and a various articulations. The technical requirements are detailed in the preface and this is a great introduction to some of the more advanced ornaments. Suitable for players of Grades 5-7.

Duets 1-3. Par QUANTZ JOHANN JOACHIM. Quantz' Opus 2 oeuvres légitimé par son autobiographie est contrairement à certains des compositions précoce qui lui sont attribuées. Les duos ont été pour la première fois en 1759 publié donc quelques années après le ' essayer une déclaration de la banquise/ Répertoire / 2 Flûtes Traversières

Carl Philipp Emanuel Bach's Sonata in A minor for solo Flute constitutes a counterpart to the partita of his father Johann Sebastian in the same key. Created in 1747 but unpublished until 1763 it heralds the sentimental style of a new era compared to the ca. 30 years older work of his father. The edition is based on the first edition which is hidden among Piano works by C. Ph. E. Bach and other composers in the anthology 'Musikalisches Mancherley'. A separate edition also published in 1763 proved to be an offspring of the first edition with identical musical text and could be eliminated as source for the edition. But the edition wasalso based on a late 18th-century copy from the Giedde Collection in Copenhagen which is of great significance to the Flute literature. Although it also seems to go back to the first edition it nevertheless turns out to be a contemporary corrective to deficiencies of the first edition in some passages. The practical performance notes of the Kuijken pupil Susanne Schrage not only come close to the musical text by means of the Flute method of Bach's Berlin fellow composer Johann Joachim Quantz but also analyse relevant chapters of 'Versuch über die wahre Art das Clavier zu spielen' by C. Ph. E. Bach himself thus providing interpretational aids right from the composer's perspective.

A collection of Flute music from the Baroque era selected revised and annotated by Louis Moyse. Includes music by Johann Joachim Quantz C.P.E Bach and Frederick the Great.

Johann Joachim Quantz est né en Allemagne en 1697 et est devenu un flûtiste, compositeur, écrivain sur la musique et fabricant de flûte. Sa musique embrassé le style baroque tardif / début de style classique et il a écrit plus de 300 concertos pour flûte dont le Concerto en sol reste le plus populaire aujourd'hui. / Flûte Et Piano / niveau : Elémentaire / Partition

Replaces BA 7404. Par QUANTZ JOHANN JOACHIM. Replaces Ba 7404/ Répertoire / 3 Flûtes Traversières