Jazz Solo Series for Trombone

En l'espèce est un graphique de swing moyen formidable (enregistré par l'orchestre de Jazz de Clayton-Hamilton sur le coeur et l'âme) présentant un grand sillon, une mélodie accrocheuse et l'artisanat de jazz maître John Clayton. Egalement inclus est un solo de trombone, prenez-non-prisonniers sax soli et espace solo pour la basse. Les départs de choeur shout agréable et tranquilles puis construit à un niveau assourdissant avec l'ensemble roaring ! / Scores

Series: Jazz Vocal SeriesCategory: Jazz EnsembleFormat: Conductor Score and PartsInstrument: Jazz EnsembleLevel: 3 (Medium)Voicing: Vocal FeatureAnother outstanding jazz vocal with jazz ensemble! This chart is totally flexible--it's written in two keys! The higher key usually works for your male vocalist and the lower key for your female vocalist; if not, just switch. It's that easy! In addition to the vocal solo, this swinging Rogers and Hart song has a trombone jazz solo (or optional scat vocal solo) and written written ensemble horn lines for the vocalist, both great opportunities to integrate your vocalist with the ensemble. Dave Wolpe thinks of everything, and he writes some of the best charts in the music business. Very effective! (Female key (low): G below middle C to third line B, treble clef -- Male key (high): B-flat below middle C to fourth line D, treble clef)

Beginner Series-Andrew D. Gordon has created 30: 12bar blues play-a-long backing tracks in various Blues styles keys and tempos such as: Funky Blues Boogie Blues Jazz Blues Minor Blues Country Blues Latin Blues Old Time Jazz Blues Jazz Swing Blues Classic Blues Rock Soulful Blues Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line 12 measures in length designed for the beginner student in mind as a starting point to create your own improvisational solos. Each of the 30 Blues tracks have been recorded first with the solo playing along with the rhythm backing tracks of keyboards guitar bass and drums and immediately following is the play-a-long backing track that cycles through the 12 bar blues progression 12 times generally between 5-8 minutes in length giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz Funk Folk Country Latin Rock Gospel Pop Boogie giving you a well-rounded selection of musical styles based on the Blues. Facebook Twitter Pinterest Google Andrew D. Gordon has created 30: 12bar blues play-a-long backing tracks in various Blues styles keys and tempos such as: Funky Blues Boogie Blues Jazz Blues Minor Blues Country Blues Latin Blues Old Time Jazz Blues Jazz Swing Blues Classic Blues Rock Soulful Blues Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line 12 measures in length designed for the beginner student in mind as a starting point to create your own improvisational solos. Each of the 30 Blues tracks have been recorded first with the solo playing along with the rhythm backing tracks of keyboards guitar bass and drums and immediately following is the play-a-long backing track that cycles through the 12 bar blues progression 12 times generally between 5-8 minutes in length giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz Funk Folk Country Latin Rock Gospel Pop Boogie giving you a well-rounded selection of musical styles based on the Blues. Facebook Twitter Pinterest Google

Par GORDON ANDREW D.. With the continued worldwide success of the book series Ultra Smooth Jazz Grooves that I co-authored with sax player Frank Villafranca based on compositions that we wrote for our band The Super Groovers, I have now authored this series of Smooth Jazz books for the following instruments: Piano/Keyboards, Guitar/Bass, Flute, Clarinet, Violin, Tenor and Alto Saxes, Trumpet and Trombone. Smooth Jazz covers a wide variety of different styles and I have combined elements of Jazz, Rock, Pop, Blues, Latin, GospeL Funk and RandB, Classical, Folk, New Age styles into the examples in the book. Smooth Jazz? is a genre of music that is predominately instrumental, usually very melodic in nature and in most cases features some jazz improvisation. and is usually performed at a medium tempo and tends to feature piano /keyboards, saxophone, trumpet, and guitar as the most common lead instruments playing the melody. Most Smooth Jazz is well produced and has memorable melodies over a backdrop of multiple tracks of rhythm instruments, keyboards, guitar, strings, synth pads, drums and percussion. Each riff has been recorded with the solo melodic instrument along with a rhythm backing track of guitar, keyboards/synths, bass, drums/percussion followed by just the backing tracks for you to practice with. Also included are backing tracks playing the chord progression through 10 times giving you extended time to practice your improvisational skills using the riffs in the book and developing them into your own style. / Date parution : 2022-09-07/ Etude / Trombone

Par . Recorded by The Weeknd, this uptempo pop hit features a catchy melody skillfully passed from section to section, along with powerful spots for the full ensemble. A solo for alto sax (as written or ad lib.) is also included. Our Easy Jazz Ensemble series is written for full band, playable with four saxes, three trumpets, three trombones, and rhythm section. Each arrangement also includes optional parts for flute, clarinet, F horn, and tuba. Full-length recordings are also available online for each arrangement. / Date parution : 2022-05-17/ Répertoire / Jazz Ensemble

Series: Gordon Goodwin SeriesCategory: Jazz EnsembleFormat: Conductor Score and PartsInstrument: Jazz EnsembleLevel: 5.5 (Advanced / Difficult)As recorded on the Silverline Records album XXL (CD and DVD Audio) by Gordon Goodwin's Big Phat Band, this ferocious chart is a totally hot rock-swing-jazz for big band. It will tear it up every performance! Featuring solo space for tenor, trumpet, trombone, or guitar, tons of energy abounds from the first note to the last. Perfect for any experienced band in concert or festival setting.This hot jazz-rock arrangement of the Gordon Goodwin Big Phat Band original features a driving bass line and solo sections for alto sax, tenor sax, and drums. A playable yet high-energy chart, the arrangement features fully notated solos, manageable ranges (lead trumpet to written G5), and a solo section that can be opened up for additional players.'The Instrumentalist

Soloist: Sergio de Jesus tromboneBrazilian and Afro-Cuban Jazz Conception is the new exciting series of play-along books by award-winning Brazilian flutist and composer Fernando Brandão and features fifteen original tunes in various Brazilian and Afro-Cuban styles. This edition clearly aims at being more than a simple play-along collection. For each of the tunes a thorough analysis and additional exercises are given. An extensive introduction into the various styles and rhythms of Brazilian and Afro-Cuban music makes these books even more valuable. The rhythm section and soloists are among the most prestigious musicians in contemporary Brazilian music.Rhythm Section: LeandroBraga - piano Adriano Giffoni - bass Xande Figueiredo - drums Zero - percussion.

The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune Cripple Creek and wanted the trombone totake a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart Dick realized that - in addition to the many musicians who do not improvise - there are even jazzmusicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in manymusical styles including; Blues Country American folk Latin-American World music including South American Eastern European and Asian Odd meters (playing in a variety of time signatures) New Age Classical Folk-Rock In short the books are an encyclopedia of virtually every musical style excluding jazz.

Guitar Edition Bcd-The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune Cripple Creek and wanted the trombone totake a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart Dick realized that - in addition to the many musicians who do not improvise - there are even jazzmusicians who don't know how to improvise outside the limits of their own stylistic backgrounds. Fingerstyle and flatpicking techniques demonstrate the use of the guitar as an incredibly versatile instrument that holds itsown in a variety of musical genres. Various guitar tunings are included. All examples are written out in traditional and tablature notation.

Description The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including; Blues Country American folk Latin-American World music including South American, Eastern European and Asian Odd meters (playing in a variety of time signatures) New Age Classical Folk-Rock In short, the books are an encyclopedia of virtually every musical style, excluding jazz.

From the brash slightly irreverent and wildly popular TV series 'Family Guy' here is the supercharged big band style theme adapted by Roger Holmes. The style is medium swing and it features an alto solo along with screaming ensemble hits.InstrumentationBass (x1)Trombone 1 (x1)Trombone 2 (x1)Trombone 3 (x1)Trombone 4 (x1)Drums (x1)Piano (x1)Guitar (x1)Alto Saxophone 1 (x1)Alto Saxophone 2 (x1)Tenor Saxophone 1 (x1)Tenor Saxophone 2 (x1)Baritone Saxophone (x1)Trumpet 1 (x1)Trumpet 2 (x1)Trumpet 3 (x1)Trumpet 4 (x1)

Media : Book/CD Set Author : by Dick Weissman and edited by Dan Fox Level : Beginning-Intermediate Date published : 8/25/2009 Style : Acoustic Music Type : Improvisation Description : The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. Fingerstyle and flatpicking techniques demonstrate the use of the guitar as an incredibly versatile instrument that holds its own in a variety of musical genres. Various guitar tunings are included. All examples are written out in traditional and tablature notation.