2 Italian Duets

Compositeur : Bach, Johann Sebastian Instrumentation : Piano solo Editeur Musicologique : Steglich, Rudolf Couverture Reliée Contenu : Italian Concerto BWV 971 Goldberg Variations BWV 988 French Overture BWV 831 Four Duets BWV 802-805

Symphony No 4 ('Italian') Second Movement-Easy Mendelssohn Piano Duetsis a collection of Piano duet arrangements with optional practice backing tracks and performances on the accompanying CD. All highly playable.

Great singers whose compositions also won the respect of their contemporaries: Rossini's favorite tenor, Manuel Garci; his daughter, Maria Malibran, the most brilliant diva of her age; and the younger daughter, Pauline Viardot, famous opera singer and voice teacher. All three used profound knowledge of music and of bel canto to create songs in French, Spanish, and Italian.

An anthology of some of the best recorder music from the early Renaissance Baroque Rococo Classic and early Romantic periods. The music of historically well-known as well as lesser-known and obscure composers has beenincluded. Solos duets some trios and quartets from the various periods and schools (German Italian French and English) have been chosen because of their musical content and charm primarily and because they illustrate andtypify the musical values of the eras in which they were composed. In some instances keys have been transposed signature and bar lines have been added. Separate movements taken from sonatas and suites have been included aswell in addition to some thematic material. The arrangements are primarily for the descant or soprano recorder. The alto tenor and bass recorders are included however in duets trios and quartets. Phrasing breath markshave been indicated for use at the player's discretion.

The Flatpicking Sourcebook is a comprehensive collection that teaches the fundamental techniques involved in this important playing method. Written by Italian virtuoso Beppe Gambetta this weighty bookcovers all the essentials along with examples in standard notation tab and downloadable demonstrations. Flatpicking is a Guitar technique that involves playing with a plectrum as opposed to the fingers. Amaster of this technique and many styles of music Beppe Gambetta is your guide in this newly-translated edition of his definitive guide to playing in this style.  From the fundamentals- left and right hand techniques plectrum grip - all the way to solo pieces duets and ensemble arrangements this is both a fantastic introduction to Flatpicking Guitar and a useful resource for moreexperienced players looking for a reference work. Other essential topics in The Flatpicking Sourcebook are warm-ups strumming crosspicking scales improvisation open tunings anddifferent arrangements. Not only will Gambetta teach you how to flatpick you will get important practice with the 75 exercises licks solo pieces and other arrangements also demonstrating the full extent of thisfascinating and rich style. The accompanying download card includes demonstrations of all the material by Beppe Gambetta himself letting you hear a true master show you how it'sdone. This thorough and authoritative Flatpicking Sourcebook is a detailed guide to the techniques and fundamentals of an inimitable style passed down through generations ofgenius musicians.

A fresh approach-Flute Sight-Reading 1 aims to establish good practice and provide an early introduction to the essential skill of sight-reading. Sight-reading in some form should become a regular part of a student's routine each time they get out the flute and this book aims to establish the habit early in a student’s learning process. There are 8 sections which in a logical sequence gradually introduce new notes rhythms articulations dynamics and Italian terms - much as you would find in a beginner's flute method. The emphasis is on providing idiomatic tunes and structures rather than sterile sight-reading exercises. Each section contains several solo examples beginning withonly three notes and concludes with duets and accompanied pieces allowing the student to gain experience of sight-reading within the context of ensemble playing.

Saxophone Sight-Reading 1 aims to establish good practice and provide an early introduction to the essential skill of sight-reading.Sight-reading in some form should become a regular part of a student's routine each time they get out the saxophone and this book aims to establish the habit early in a student's learning process. There are 8 sections which in a logical sequence gradually introduce new notes rhythms articulations dynamics and Italian terms - much as you would find in a beginner's saxophone method. The emphasis is on providing idiomatic tunes and structures rather than sterile sight-reading exercises. Each sectioncontains several solo examples beginning with only three notes and concludes with duets and accompanied pieces allowing the student to gain experience of sight-reading within the context of ensemble playing.