3 Intermezzi Op. 117

SKU: HL.14017752

ISBN 9781846096594. UPC: 884088442149. 9.0x12.0x0.075 inches.

Auf einem Persischen Markt - Intermezzo-Scene by Albert W.Ketelbey. This edition features an adaption for two four-handed pianos. English edition.

SKU: HL.48182622

UPC: 888680834593. 9.0x12.0x0.095 inches.

Marcel Bitsch: Intermezzo (Tuba & Piano).

SKU: HL.14026062

ISBN 9788759853733. International (more than one language).

Franz Syberg's Praeludium, Intermezzo and Fugato from 1934 for solo Organ.

SKU: HL.14030960

ISBN 9788759889480. Danish.

Intermezzi from the opera Under Himlen was composed by Bent Sorensen in 2003. Scored for 2 Mezzosoparanos and Orchestra. Text by Peter Asmussen. Programme Note: In March 2003, when the Royal Theatre premiered the composer Bent Sorensen's and the dramatist Peter Asmussen's opera Under the Sky, it was not only Bent Sorensen's first opera on the large scale, but also his first work as a music dramatist at all. The challenge of composing an opera came from the general manager of the Danish National Symphony Orchestra/DR, Per Erik Veng, who had asked Asmussen in 1996 whether he would write the libretto for an opera and pick out a composer to work with on it. Asmussen was willing, and he pointed to Bent Sorensen as the composer. Bent Sorensen reacted positively to Per Erik Veng's suggestion of an opera collaboration with Asmussen, and with the opera agreement settled, the Danish National Symphony Orchestra/DR was then offered an independent work. It is related to the opera, but sheds light on it from a different angle - Bent Sorensen himself compares it to a film 'trailer'. The result is Intermezzi, a suite in five movements. Intermezzi is expressly not just a garland of selected episodes from the opera, but an independent work built up in one long symmetrical sequence with instrumental passages in the middle of the first, third and fifth movements as well as the purely instrumental second and fourth movements, as the bearing pillars of the work. Fragments of the story of Ida and Molte (both mezzo-sopranos) are told, but they do not happen in the same order or with the same conclusion as in the opera. In this way Intermezzi becomes a comment on how not everything in the past is necessarily what it seems, or what one at first makes of it. In the first movement Ida sings to Magius that she is carrying Molte's child, while from afar Molte observes the idyllic world from the outside. The second movement is instrumental, while the third begins with Ida's love aria, which merges into a great instrumental passage before the movement ends with Molte's cynical remark that Ida is simply a fairytale, a book one closes. After a brief instrumental fourth movement comes the fifth, where Molte laments his coldness and isolation amidst all the riches, and seduces Ida by urging her to liberate him with her warmth. Jakob Levinsen.

SKU: AY.MIG18

ISBN 9790302116707.

From program notes by Christina Dahl: Schoenfeld has described his Three Intermezzi (for Piano Solo) as one of a very few works he has written simply to please himself. In his words, 'Here is music my hands feel like touching with sounds my ears enjoy perceiving.' Its three movements were written at different times, but coalesced into a single work. The Three Intermezzi explore an interior world devoid of anything ostentatious. Schoenfeld's signature counterpoint--echoing both Bach and Brahms--is evident throughout. The music is intimate, serene and contemplative. 'It's the sort of music I improvise at night with the lights out and the house empty,' he says. The first Intermezzo quotes a bit of a Bach prelude, then develops it in waves and spirals that course up and down the keyboard. The second Intermezzo emerges from a single repeated note into an oscillating minor third and finally into a dark and soulful Sicilienne. The third Intermezzo, as long as the other two combined, explores the boundaries where decidedly crafted music and mediation combine..

SKU: HL.50601295

9.0x12.0x0.108 inches.

“My musical education began with piano instruction, as with most composers of my generation in Central Europe. This interest in the piano has a quite obvious origin: I have been playing the instrument since my childhood and have meanwhile mastered it enough to appear in public as a pianist. Thus for many years I wrote my piano compositions for myself, whilst other pianists took them up in their repertoires only over the course of time. So not only piano sonatas have been written, but also chamber music with piano (2 Cello Sonatas, Piano Trio, Piano Quartets, Piano Quintet, etc.) I finished the Sei intermezzi’in 2013. In this cycle, I wanted to give the interpreter the opportunity to present himself/herself both with technical virtuosity and with sonic beauty in the traditional sense of the word. This beautiful tone’is basically indispensible in all pieces. The Intermezzi form a cycle that conjures up the spirit of classical piano music without engaging itself in the traditional constraints associated with it.”(Krzysztof Meyer).

SKU: HL.14005770

9.0x12.0x0.047 inches.

Char les Villiers Stanford was an Irish composer, music teacher, and conductor. Stanford composed a substantial number of concert works, including seven symphonies, but his best-remembered pieces are his choral works for church performance, chiefly composed in the Anglican tradition. Admitted to Queens College, Cambridge with an Organ scholarship Stanford had written a substantial number of compositions, including vocal music, both sacred and secular, and orchestral works before getting involved with the university's Musical Society. While still an undergraduate, Stanford was appointed organist of Trinity College, Cambridge.

Part of the'Four Intermezzi Op. 189' Intermezzo On An Irish Air for Organ is based on the melody of the well-known 'Londonderry Air'. The traditional Irish tune was first collected in the mid 19th century by Jane Ross, and is recognised all around the world by the Irish Diaspora. Duration ca. 6:20.

SKU: B7.B967

8.5x11 inches.

Although an intermezzo may be found between the acts of a play or an opera, it may also be an independent work. These five intermezzi each have a different character: dramatic, energetic, lyrical, expressive, and emphatic. The movements are Allegro con brio, Lento espressivo, Allegro ritmico, Adagio espressivo, and Allegro appassionato. They may be played individually or in smaller groups.

SKU: M2.MOS-18510

ISBN 9790203700197.

Die Intermezzi sind kompositorisch so angelegt, dass kein Part nur Begleitung des anderen ist. Beide, Primo und Secondo, stehen in gewisser Eigenwertigkeit zueinander. Die Stucke sind durchweg nach dem Prinzip des doppelten Kontrapunktes gearbeitet, das heisst, die Spieler tauschen ihre jeweiligen Gedanken, Themen und Motive aus, behalten aber ihre Position. Hans-Gunther Allers.