3 Intermezzi, op. 117

SKU: HL.14017752

ISBN 9781846096594. UPC: 884088442149. 9.0x12.0x0.075 inches.

Auf einem Persischen Markt - Intermezzo-Scene by Albert W.Ketelbey. This edition features an adaption for two four-handed pianos. English edition.

SKU: HL.48182622

UPC: 888680834593. 9.0x12.0x0.095 inches.

Marcel Bitsch: Intermezzo (Tuba & Piano).

SKU: HL.14026062

ISBN 9788759853733. International (more than one language).

Franz Syberg's Praeludium, Intermezzo and Fugato from 1934 for solo Organ.

SKU: HL.14030960

ISBN 9788759889480. Danish.

Intermezzi from the opera Under Himlen was composed by Bent Sorensen in 2003. Scored for 2 Mezzosoparanos and Orchestra. Text by Peter Asmussen. Programme Note: In March 2003, when the Royal Theatre premiered the composer Bent Sorensen's and the dramatist Peter Asmussen's opera Under the Sky, it was not only Bent Sorensen's first opera on the large scale, but also his first work as a music dramatist at all. The challenge of composing an opera came from the general manager of the Danish National Symphony Orchestra/DR, Per Erik Veng, who had asked Asmussen in 1996 whether he would write the libretto for an opera and pick out a composer to work with on it. Asmussen was willing, and he pointed to Bent Sorensen as the composer. Bent Sorensen reacted positively to Per Erik Veng's suggestion of an opera collaboration with Asmussen, and with the opera agreement settled, the Danish National Symphony Orchestra/DR was then offered an independent work. It is related to the opera, but sheds light on it from a different angle - Bent Sorensen himself compares it to a film 'trailer'. The result is Intermezzi, a suite in five movements. Intermezzi is expressly not just a garland of selected episodes from the opera, but an independent work built up in one long symmetrical sequence with instrumental passages in the middle of the first, third and fifth movements as well as the purely instrumental second and fourth movements, as the bearing pillars of the work. Fragments of the story of Ida and Molte (both mezzo-sopranos) are told, but they do not happen in the same order or with the same conclusion as in the opera. In this way Intermezzi becomes a comment on how not everything in the past is necessarily what it seems, or what one at first makes of it. In the first movement Ida sings to Magius that she is carrying Molte's child, while from afar Molte observes the idyllic world from the outside. The second movement is instrumental, while the third begins with Ida's love aria, which merges into a great instrumental passage before the movement ends with Molte's cynical remark that Ida is simply a fairytale, a book one closes. After a brief instrumental fourth movement comes the fifth, where Molte laments his coldness and isolation amidst all the riches, and seduces Ida by urging her to liberate him with her warmth. Jakob Levinsen.

SKU: AY.MIG18

ISBN 9790302116707.

From program notes by Christina Dahl: Schoenfeld has described his Three Intermezzi (for Piano Solo) as one of a very few works he has written simply to please himself. In his words, 'Here is music my hands feel like touching with sounds my ears enjoy perceiving.' Its three movements were written at different times, but coalesced into a single work. The Three Intermezzi explore an interior world devoid of anything ostentatious. Schoenfeld's signature counterpoint--echoing both Bach and Brahms--is evident throughout. The music is intimate, serene and contemplative. 'It's the sort of music I improvise at night with the lights out and the house empty,' he says. The first Intermezzo quotes a bit of a Bach prelude, then develops it in waves and spirals that course up and down the keyboard. The second Intermezzo emerges from a single repeated note into an oscillating minor third and finally into a dark and soulful Sicilienne. The third Intermezzo, as long as the other two combined, explores the boundaries where decidedly crafted music and mediation combine..

SKU: HL.50601295

9.0x12.0x0.108 inches.

“My musical education began with piano instruction, as with most composers of my generation in Central Europe. This interest in the piano has a quite obvious origin: I have been playing the instrument since my childhood and have meanwhile mastered it enough to appear in public as a pianist. Thus for many years I wrote my piano compositions for myself, whilst other pianists took them up in their repertoires only over the course of time. So not only piano sonatas have been written, but also chamber music with piano (2 Cello Sonatas, Piano Trio, Piano Quartets, Piano Quintet, etc.) I finished the Sei intermezzi’in 2013. In this cycle, I wanted to give the interpreter the opportunity to present himself/herself both with technical virtuosity and with sonic beauty in the traditional sense of the word. This beautiful tone’is basically indispensible in all pieces. The Intermezzi form a cycle that conjures up the spirit of classical piano music without engaging itself in the traditional constraints associated with it.”(Krzysztof Meyer).

SKU: HL.14005770

9.0x12.0x0.047 inches.

Char les Villiers Stanford was an Irish composer, music teacher, and conductor. Stanford composed a substantial number of concert works, including seven symphonies, but his best-remembered pieces are his choral works for church performance, chiefly composed in the Anglican tradition. Admitted to Queens College, Cambridge with an Organ scholarship Stanford had written a substantial number of compositions, including vocal music, both sacred and secular, and orchestral works before getting involved with the university's Musical Society. While still an undergraduate, Stanford was appointed organist of Trinity College, Cambridge.

Part of the'Four Intermezzi Op. 189' Intermezzo On An Irish Air for Organ is based on the melody of the well-known 'Londonderry Air'. The traditional Irish tune was first collected in the mid 19th century by Jane Ross, and is recognised all around the world by the Irish Diaspora. Duration ca. 6:20.

SKU: B7.B967

8.5x11 inches.

Although an intermezzo may be found between the acts of a play or an opera, it may also be an independent work. These five intermezzi each have a different character: dramatic, energetic, lyrical, expressive, and emphatic. The movements are Allegro con brio, Lento espressivo, Allegro ritmico, Adagio espressivo, and Allegro appassionato. They may be played individually or in smaller groups.

SKU: HL.275462

Set of parts for Karsten Fundal's 4 Miniatures And 3 Intermezzi (2010). Score WH31277.

SKU: M2.MOS-18510

ISBN 9790203700197.

Die Intermezzi sind kompositorisch so angelegt, dass kein Part nur Begleitung des anderen ist. Beide, Primo und Secondo, stehen in gewisser Eigenwertigkeit zueinander. Die Stucke sind durchweg nach dem Prinzip des doppelten Kontrapunktes gearbeitet, das heisst, die Spieler tauschen ihre jeweiligen Gedanken, Themen und Motive aus, behalten aber ihre Position. Hans-Gunther Allers.

SKU: HL.275461

Karsten Fundal's 4 Miniatures And 3 Intermezzi for 2 Percussion and Piano (2010). 'Selbstportrait im bewegung. Mit Nancarrow, Ligeti , Xenakis und Feldman, und Norgard ist auch dabei.' Written for Evidenza. Dedicated to Mathias Seib''k. Parts: WH31277A.

SKU: HL.14015220

ISBN 9788759869192. English.

SKU: GH.CG-7156P

For string orchestra. Parts avaliable on hire from the publisher.

SKU: HL.14045228

ISBN 9788872077467.

SKU: HL.49008004

ISBN 9790001112383. 9.0x12.0x0.15 inches.

This collection is more than just a continuation of volume 1 (4 Lieder ohne Worte = AVV 131), pieces from both volumes can be mixed and played in different running order. The intermezzi are in irregular metres with strongly accented rhythms. The remaining items are mood pieces with violin and piano part closely interwoven.

SKU: FL.FX071436-1

A must-have for Clarinet. The anglo-Irish composer, Sir Charles Villiers Stanford, composed seven works for clarinet. Of these compositions, the Three Intermezzi Op.13 and the Sonata Op.129 are well-known.

This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.

SKU: FL.FX071436-2

A must-have for Clarinet. The anglo-Irish composer, Sir Charles Villiers Stanford, composed seven works for clarinet. Of these compositions, the Three Intermezzi Op.13 and the Sonata Op.129 are well-known.

This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.

SKU: FL.FX071436-3

A must-have for Clarinet. The anglo-Irish composer, Sir Charles Villiers Stanford, composed seven works for clarinet. Of these compositions, the Three Intermezzi Op.13 and the Sonata Op.129 are well-known.

This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.

SKU: BT.DHP-1125390-140

9x12 inches. English-German-French-Dut ch.

Intermezzo is the second movement of Satoshi Yagisawa’s Clarinet Concerto. The concerto was first performed by Higashi-Hiroshima Wind Ensemble in Hiroshima, Japan in 2010 with guest performer Shinsuke Hashimoto, clarinettist with the Hiroshima Symphony Orchestra and was conducted by Atsushi Kageyama. Inspiration for this work came from the fact that both Satoshi Yagisawa and Shinsuke Hashimoto graduated from Musashino Academia Musicae.Clarinet Concerto>/I> is the pinnacle of Satoshi Yagisawa’s “Concerto Series” which also features his Suite Concertante for Piano and WindOrchestra, Trumpet Concerto, Trombone Concerto, Saxophone Concertino, andConcertino for Solo Percussion and Wind Orchestra.Yagisawa’ s characteristic heartfelt theme in the second movement is especially popular and consequently—entitl ed Intermezzo—i t is often performed independently.Soloist: Grade 4

Intermezzo is het tweede deel van Satoshi Yagisawa’s Clarinet Concerto. Het concert als geheel werd in 2010 onder leiding van dirigent Atsushi Kageyama door het ensemble in première gebracht, samen met gastklarinettist Shinsuke Hashimoto - die werkzaam is bij het Hiroshima Symphony Orchestra. De inspiratiebron voor het werk is het gegeven dat Satoshi Yagisawa en Shinsuke Hashimoto beiden hebben gestudeerd aan de Musashino Academia Musicae.Clarinet Concerto vormt het hoogtepunt van Satoshi Yagisawa’s Concerto Series, waar ook zijn Suite Concertante for Piano and Wind Orchestra, Trumpet Concerto, Trombone Concerto, Saxophone Concertinoen Concertino for solo Percussion and Wind Orchestra deel van uitmaken.Met name Yagisawa’s karakteristieke doorvoelde thema uit het tweede deel is populair. Daarom wordt dat ook vaak als afzonderlijk stuk uitgevoerd, onder de titel Intermezzo.Soloist : Grade 4

Intermezzo ist der zweite Satz aus Satoshi Yagisawas Clarinet Concerto. Dieses wurde vom Bläserensemble Higashi-Hiroshima in Hiroshima (Japan) für das 20. Jahreskonzert in Auftrag gegeben. Es wurde von diesem Ensemble mit dem Gastsolisten Shinsuke Hashimoto, dem Klarinettisten des Hiroshima Symphony Orchestra, unter der Direktion von Atsushi Kageyama uraufgeführt. Satoshi Yagisawa ließ sich zu diesem Werk vom gemeinsamen Abschluss mit Shinsuke Hashimoto an der Academia Musicae Musashino inspirieren. Clarinet Concerto bildet den Höhepunkt von Satoshi Yagisawas Concerto-Reihe“, zu welcher außerdem folgende Werke zählen: Suite Concertante for Piano andWind Orchestra, Trumpet Concerto, Trombone Concerto, Saxophone Concertino sowie das Concertino for Solo Percussion and Wind Orchestra.Das charakteristische, innige Thema aus dem zweiten Satz erfreut sich besonderer Beliebtheit und wird daher als Intermezzo oft einzeln aufgeführt.Solostimme: Schwierigkeitsgrad 4

Intermezzo est le deuxième mouvement extrait du Concerto pour Clarinette de Satoshi Yagisawa. Le concerto a été créé en 2010 par l’Orchestre d’Harmonie d’Higashi-Hiroshima sous la direction d’Atsushi Kageyama avec la participation de Shinsuke Hashimoto, clarinettiste de l’Orchestre Symphonique d’Hiroshima. Cette oeuvre s’inspire du fait que Satoshi Yagisawa et Shinsuke Hashimoto sont tous deux diplômés du Conservatoire de musique de Musashino.Le Concerto pour Clarinette représente l’apogée de la série de concertos de Satoshi Yagisawa, qui comprend aussi une Suite concertante pour piano et orchestre, un Concerto pour trompette, unConcerto pour trombone, un Concertino pour saxophone et un Concertino pour percussion solo et orchestre d’harmonie.En raison de sa grande popularité, le thème émouvant du deuxième mouvement, qui est intitulé Intermezzo, est souvent interprété indépendamment.Soliste: Degré de difficulté 4.