SKU: HL.48024054
UPC: 888680678678. 9x12 inches.
A century ago, James Causley Windram, then band director of the 5th Northumberland Fusiliers (and later the Coldstream Guards) asked Gustav Holst if he would transcribe some of the composer's Hymns from the Rig Veda for military band. Always a band advocate, Holst readily agreed. In this thoroughly characteristic suite, two of Windram's settings (Hymn of the Travellers and Battle Hymn) have been edited for modern instrumentation, while a third (Hymn to Manas) has been arranged by Jon Ceander Mitchell from Holst's original choral setting.
SKU: CA.2913300
ISBN 9790007039073.
SKU: CA.2913400
ISBN 9790007039080.
SKU: HL.48024055
UPC: 888680678685. 9.0x12.0x0.079 inches.
A century ago James Causley Windram, then band director of the 5th Northumberland Fusiliers and, later, the Coldstream Guards, asked Gustav Holst if he could transcribe some of the composer's Hymns from the Rig Veda for military band.Always a band advocate,Holst readily agreed. Two of Windram's settings, Hymn of the Travellersand Battle Hymn have been edited for modern instrumentation while a third, Hymn to Manas, has been arranged from Holst's original choral settingby Jon Ceander Mitchell for inclusion in this thoroughly characteristicsuite.
SKU: MB.30762M
ISBN 9781513465692. 8.75x11.75 inches.
Civil War Suite for Classical Guitar is a collection of ten Civil War-era songs arranged in standard notation for the advanced solo classical guitarist. The suite includes music from the Confederacy and the Union, along with soldier's songs, parlor songs, and an African American spiritual. The sequencing of the pieces is designed to create a musical narrative, with songs grouped in a manner that shows various perspectives of the war before ultimately celebrating Union victory. Throughout the suite, extensive passages feature delightful special effects that emulate period instruments such as the banjo, snare drum, and fiddle. Includes access to online audio.
SKU: BT.EMBZ12363
Hungarian.
SKU: HL.4002362
UPC: 073999376876. 9.0x12.0x0.076 inches.
Hymns by Giovanni de Palestrina pre-date those of Bach by over a century and incorporate the great polyphonic tradition of Renaissance writing. The compositions used in this suite are from a collection published in 1589 titled Hymns of the Entire Year, and incorporate antiphonal choral effects that lend themselves particularly well to instrumental settings. John Moss uses richly contrasting tone colors and textures as well as characteristic modal tonalities in this wonderful setting for band. (3:30).
SKU: HL.48023758
UPC: 888680607999. 10.5x14.0x0.113 inches.
All-Night Vigil (Vespers) is a setting of music for a night-long service on the eves of Russian Orthodox holy days, and became one of Rachmaninoff's favorite compositions. Basing the 15 movements of his choral setting on a combination of traditional Russian Orthodox chants, Latin hymns, and original chants by the composer, the work was completed in less than two weeks in 1915. This arrangement utilizes the 1st, 2nd, 7th, 10th, and 12th movements, along with the traditional Amens at the beginning of Movements 1 and 2. Unlike other settings of choral works for wind ensemble, this arrangement is constructed as a complete suite that is intended to allow the performers and audience to experience the power and beauty of the complete Vespers. Dur: c. 16:00 (Recorded by the Florida State University Wind Orchestra - Rick Clary, conductor).
SKU: BT.AMP-108-030
9x12 inches. English-German-French-Dut ch.
This set of variations on the well-known hymn tune Holy, holy, holy! will make a most satisfying addition to the solo repertoire for euphonuim and brass band. It is in the traditional air varié form with an introduction, theme and 3 variations. The original melody (known as Nicaea) was composed by John Bacchus Dykes' especially for Reginald Heber's renowned hymn of praise and became universally popular when it was included in Hymns Ancient and Modern in 1861. A beautiful solo that will test the soloists ability to show true emotion.Deze serie variaties op de bekende hymnemelodie Holy, holy, holy! zal een geliefde aanvulling vormen op het solorepertoire voor euphonium en blaasorkest. Variants on an English Hymn Tune is geschreven in een traditionele air varié-vorm- met een introductie, thema en drie variaties. John Bacchus Dykes’ beroemde melodie Nicaea werd speciaal geschreven voor Reginald Hebers befaamde lofhymne en werd wereldwijd geliefd toen ze in 1861 werd opgenomen in Hymns Ancientand Modern. In deze prachtige solo kunnen solisten laten horen hoe je echte emoties verklankt.Philip Sparke wählte das bekannte englische Kirchenlied Holy, Holy, Holy und schuf daraus eine kreative Reihe von Variationen für Euphonium und Blasorchester. Die Hymne basiert auf die berühmte Melodie Nicaea von John Bacchus Dykes, dessen zahlreiche im 19. Jahrhundert entstandene Kirchenlieder heute noch gesungen werden. Variants on an English Hymn Tune weist eine traditionelle Air Varié-Form mit Einleitung, Thema und drei Variationen auf.John Bacchus Dykes (1823-1876) a composé la mélodie Nicaea pour accompagner le magnifique texte de louange Holy, holy, holy! écrit par Reginald Heber. L'hymne conna?t un succ¬s universel d¬s sa publication dans le psautier Hymns Ancient and Modern en 1861. Philip Sparke a repris cette cél¬bre mélodie pour composer Variants on an English Hymn Tune qui se présente sous la forme traditionnelle d'un air varié dont la structure comporte une introduction, un th¬me et une suite de trois variations sur le th¬me.
SKU: BT.AMP-108-010
English-German-French- Dutch.
This set of variations on the well-known hymn tune ‘Holy, holy, holy!’ will make a most satisfying addition to the solo repertoire for euphonuim and concert band. It is in the traditional air varié form with an introduction, theme and 3 variations. The original melody (known as Nicaea) was composed by John Bacchus Dykes’ especially for Reginald Heber’s renowned hymn of praise and became universally popular when it was included in Hymns Ancient and Modern in 1861. A beautiful solo that will test the soloists ability to show true emotion.Deze serie variaties op de bekende hymnemelodie Holy, holy, holy! zal een geliefde aanvulling vormen op het solorepertoire voor euphonium en blaasorkest. Variants on an English Hymn Tune is geschreven in een traditionele air varié-vorm- met een introductie, thema en drie variaties. John Bacchus Dykes’ beroemde melodie Nicaea werd speciaal geschreven voor Reginald Hebers befaamde lofhymne en werd wereldwijd geliefd toen ze in 1861 werd opgenomen in Hymns Ancientand Modern. In deze prachtige solo kunnen solisten laten horen hoe je echte emoties verklankt.Philip Sparke wählte das bekannte englische Kirchenlied Holy, holy, holy und schuf daraus eine kreative Reihe von Variationen für Euphonium und Blasorchester. Die Hymne basiert auf der berühmten Melodie Nicaea von John Bacchus Dykes, dessen zahlreiche im 19. Jahrhundert entstandenen Kirchenlieder heute noch gesungen werden. Variants on an English Hymn Tune weiste eine traditionelle Air Varié Form mit Einleitung, Thema und drei Variationen auf.John Bacchus Dykes (1823-1876) a composé la mélodie Nicaea pour accompagner le magnifique texte de louange Holy, holy, holy! écrit par Reginald Heber. L’hymne connaît un succès universel dès sa publication dans le psautier Hymns Ancient and Modern en 1861. Philip Sparke a repris cette célèbre mélodie pour composer Variants on an English Hymn Tune qui se présente sous la forme traditionnelle d’un air varié dont la structure comporte une introduction, un thème et une suite de trois variations sur le thème.
SKU: BT.AMP-108-140
This set of variations on the well-known hymn tune ‘Holy, holy, holy!’ will make a most satisfying addition to the solo repertoire for euphonuim and concert band. It is in the traditional air varié form with an introduction, theme and 3 variations. The original melody (known as Nicaea) was composed by John Bacchus Dykes’ especially for Reginald Heber’s renowned hymn of praise and became universally popular when it was included in Hymns Ancient and Modern in 1861. A beautiful solo that will test the soloists ability to show true emotion.Deze serie variaties op de bekende hymnemelodie Holy, holy, holy! zal een geliefde aanvulling vormen op het solorepertoire voor euphonium en blaasorkest. Variants on an English Hymn Tune is geschreven in een traditionele air varié-vorm- met een introductie, thema en drie variaties. John Bacchus Dykes’ beroemde melodie Nicaea werd speciaal geschreven voor Reginald Hebers befaamde lofhymne en werd wereldwijd geliefd toen ze in 1861 werd opgenomen in Hymns Ancientand Modern. In deze prachtige solo kunnen solisten laten horen hoe je echte emoties verklankt.Philip Sparke wählte das bekannte englische Kirchenlied Holy, holy, holy und schuf daraus eine kreative Reihe von Variationen für Euphonium und Blasorchester. Die Hymne basiert auf der berühmten Melodie Nicaea von John Bacchus Dykes, dessen zahlreiche im 19. Jahrhundert entstandenen Kirchenlieder heute noch gesungen werden. Variants on an English Hymn Tune weiste eine traditionelle Air Varié Form mit Einleitung, Thema und drei Variationen auf.John Bacchus Dykes (1823-1876) a composé la mélodie Nicaea pour accompagner le magnifique texte de louange Holy, holy, holy! écrit par Reginald Heber. L’hymne conna?t un succès universel dès sa publication dans le psautier Hymns Ancient and Modern en 1861. Philip Sparke a repris cette célèbre mélodie pour composer Variants on an English Hymn Tune qui se présente sous la forme traditionnelle d’un air varié dont la structure comporte une introduction, un thème et une suite de trois variations sur le thème.
SKU: BT.AMP-108-130
SKU: BT.DHP-1125359-070
9x12 inches. International.
J upiter Hymn is a beautiful, easy-to-play arrangement from the wonderful fourth movement of the seven-part orchestral suite The Planets by Gustav Holst: Jupiter, the Bringer of Jollity. Holst took inspiration for this suite?one of his best-known works?from the astrological aspect of the planets rather than their astronomical or physical characteristics. Holst wrote The Planets at the beginning of the 20th century, at a time when certain features of the work, such as exotic time signatures (5/4), dissonances and unusual instrumentation were uncommon.Jupit er Hymn is een mooie, eenvoudig speelbare bewerking van het schitterende vierde deel uit de zevendelige orkestsuite The Planets van Gustav Holst: â??Jupiter - The Bringer of Jollityâ??. Holst liet zich voor de suite, een van zijn bekendste werken, inspireren door het astrologische karakter van de planeten, en dus niet op de astronomische of fysische eigenschappen. Hij schreef The Planets aan het begin van de 20e eeuw. Voor die tijd in het oog springende bijzonderheden zijn de toepassing van ongebruikelijke instrumenten, de ongewone maatsoorten (5/4) en de dissonante samenklanken.J upiter Hymn ist eine schöne, einfach spielbare Bearbeitung aus dem glanzvollen vierten Satz der siebenteiligen Orchester-Suite The Planets von Gustav Holst: Jupiter - The Bringer of Jollity. Holst lieÃ? sich für dese Suite, die eines seiner bekanntesten Werke ist, von dem astrologischen Aspekt der Planeten inspirieren und nicht von deren astronomischen oder physischen Eigenschaften. Er schrieb The Planets zu Beginn des 20. Jahrhunderts. Auffällig für seine Zeit waren die Verwendung ungebräuchlicher Instrumente, ungewöhnlicher Taktarten (5/4) und Dissonanzen.Ju piter Hymn est un arrangement délicieusement accessible du quatrième mouvement extrait du poème symphonique en sept mouvements The Planets (Les Planètes) de Gustave Holst : Jupiter, the Bringer of Jollity (Jupiter, celui qui apporte la gaieté). Holst sâ??inspira de notre système solaire lorsquâ??il composa cette suite, lâ??une de ses ?uvres les plus connues, donnant chacun des mouvements sa propre couleur. Holst écrivit Les Planètes au début du XXe siècle, employant une certaine signature alors inhabituelle (mesures 5/4), faisant appel de nombreuses dissonances et une instrumentation atypique.
