Matériel : Partition + DVD
/ Violon / Partition DVD
SKU: GI.G-10810
ISBN 9781622777167.
The Audition Method for Violin is a must-have for all violinists on the audition circuit. Bowings, fingerings, and, most importantly, David Kim’s personal insights and detailed instructions for every passage—not to be missed! —Marin Alsop Chief Conductor Vienna Radio Orchestra, Ravinia Festival The Audition Method for Violin is for aspiring and established violinists looking to win orchestral auditions. This book can be used throughout the entire process of preparing for an audition, including at the audition itself. In this volume, David Kim, concertmaster of The Philadelphia Orchestra, provides standard violin audition excerpts in three versions: the excerpt as it appears in the score, a fully annotated version, and a sparsely annotated version to use in the audition. All annotations are made in blue ink for ease of reading. Kim provides detailed instructions for preparing each excerpt as well as an insightful Q & A in which he discusses the ins and outs of auditioning and offers musical and technical advice for violinists. The Audition Method for Violin, the second book in a series co-created by Mark Nuccio and Benjamin Baron, is an invaluable aid that will transform and improve the entire audition experience. Repertoire: Beethoven: Symphonies No. 1, No. 3, and No. 9, Brahms: Symphonies No. 2 and No. 4, Debussy: La Mer, Mahler: Symphony No. 9, Mendelssohn: A Midsummer Night’s Dream, Mozart: Symphony No. 39, Prokofiev: Classical Symphony, Schubert: Symphony No. 2, Schumann: Symphony No. 2, Shostakovich: Symphony No. 5, R. Strauss: Don Juan David Kim has been concertmaster of The Philadelphia Orchestra since 1999, and he regularly performs as a soloist with the orchestra, performs recitals, and engages in teaching residencies every year. He received his bachelor’s and master’s degrees from The Juilliard School and was awarded honorary doctorates from Eastern University and Dickinson College.
SKU: HL.49046242
ISBN 9783795716691. UPC: 888680950040. 9x12 inches. German - English - French.
“Thes e real masterpieces, even if only a few minutes long, are of tremendous melodiousness and expressiveness!”, Franz Schubert said about Friedrich Kuhlau's sonatinas.The four Sonatinas Op. 88 were written in 1827, i.e. during Friedrich Kuhlau's middle creative period, even before the great success of the opera “Elfenhügel.&r dquo; and the year of Beethoven's death. All four works contain beautiful melodic ideas, but Sonatina Op. 88 No. 3 with its minor tonality, its free treatment of form and tempo in the first movement and the lively last movement is something special. Of medium difficulty, this sonatina is great fun to play.This edition is accompanied by a preface and “Teaching Notes” by Monika Twelsiek. It is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons. For further information on this series, see www.schott-student-editio n.com.
About Schott Student Edition
Th e Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.Th e repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Ev ery work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
