Matériel : Conducteur et Parties séparées
72 Solo Cantatas for Voice Melodic Instrument and Basso continuo.Advent & Christmas - High Voice.When Telemann issued his first annual cycle of printed cantatas Der Harmonische Gottesdienst (Hamburg 1725-6) he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring the 72 solo cantatas have remained very popular to the present day.These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for High Voice and cantatas for Medium Voice.Each series spreads the works over three volumes accompanied by separate parts forsolo instrument and continuo. The cantatas follow the order of the liturgical year beginning with the Christmas season and continuing with Easter and Trinity.Being practically minded Telemann arranged the ambitus of the Vocal parts so that the cantatas for medium voice are ‘also suitable for an ordinary alto or bass’.Similarly the solo instruments are suitable for Violin Oboe Recorder or Flute.- Interesting solo cantatas for use in church services.- Urtext from the Telemann Edition.- Separate parts for instrument and continuo.
SKU: FZ.5732
ISBN 9790230657327. 24.00 x 33.00 cm inches.
This facsimile of an original by Georg Philipp Telemann is part of our Dominantes collection. Edition: Hambourg, l'Auteur, 1725/1726. Introduction by Susi Mohlmeier and Frederique Thouvenot: biographical notice - presentation - calendar of Lutheran liturgy - understanding the score (terminology, articulation, ornamentation, dynamics) - Some advice to singers - general notation - the realisation of the continuo bass - suggestions - translation of the title page and of Telemann's preface - translation of the manuscsript index - days when the cantatas should be performed. The first book of cantatas printed by Telemann. These cantatas are accompanied by one or two obbligato instruments, making them very suitable for concert performance. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Bayerische Staatsbibliothek of Munich (Germany). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: BA.BA07813-01
ISBN 9790006560073. 33 x 26 cm inches. Language: German. Preface: Kühnrich, Jana. Text: Helbig, Johann Friedrich.
It was not until 1814, five years after the Sonata op. 81Les Adieux, that Beethoven, then at the height of his popularity during the Congress of Vienna, returned to the piano sonata. The highly lyrical Sonata in E minor, the last piano sonata from his middle period, consists of two movements with solely German tempo marks and is dedicated to his piano-playing friend and patron, Moritz Count von Lichnowsky. In terms of technical difficulty regarding Beethoven's later piano sonatas, this sonata is one of the more accessible for advanced students.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA02952-29
ISBN 9790006427918. 32.5 x 25.5 cm inches.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
