Matériel : Partition
SKU: BR.SON-433
ISBN 9790004802892. 10 x 12.5 inches.
Felix Mendelssohn Bartholdy's violin concerto op. 64 had - like many of his other works - a lengthy genesis: it is in the summer of 1838 that surviving documents first mention the promise made to his friend Ferdinand David, concert master of the Leipzig Gewandhaus, to write, besides a sonata, a grand solo concerto for him. Ultimately, work on this opus continued - with some longer interruptions - until September 1844. Even then, it owed its preliminary completion in no small measure to the constant urging of the prospective solo violinist. But after the ,,official handing-over of the parts to David and a first joint rehearsal of the concert in Leipzig Mendelssohn continued working on the score. There subsequently began an intensive correspondence with David between Leipzig and Frankfurt am Main, where Mendelssohn resided with his family, in particular concerning issues of the principal part and the reworking of the solo cadence. In March 1845 the then current version of the work was premiered in a subscribers' concert in Leipzig.This volume deals with Mendelssohn's first complete manuscript of the score with the corrections contained therein, including all surviving drafts and sketches; also included is the epistolary evidence of the correspondence with Ferdinand David prior to the premiere. The further developments up to the printing of the main version of op. 64 by Breitkopf & Hartel are dealt with in Series II, Vol. 7 of the edition.
SKU: BR.SON-454
ISBN 9790004803646. 9 x 12 inches.
The Violin Concerto in E minor, op. 64, and the Sonata in F minor, op. 4, are the only works for solo violin that Mendelssohn had had printed during his lifetime. However, his complete oeuvre includes other completed or fragmentary compositions, including two further concertos and several unfinished sonatas and other individual pieces. He himself had an extraordinary command of the violin and entrusted the instrument in several other works, such as the Octet op. 20 or the concert aria Infelice! - Ah, ritorno, eta dell'oro, with special tasks. Nevertheless, with regard to details of playing technique, he usually sought advice from solo violinist friends, first from Eduard Ritz, then, after Ritz's early death, from Ferdinand David. The present volume contains all of the completed and fragmentary compositions for violin and piano that have survived - from the early Prelude and Fugue in D and G minor from Zelter's practice book (1820), which can be assigned without doubt, through to the Sonata in F major (1838) in their various versions.
SKU: BR.EB-8993
ISBN 9790004187227. 9 x 12 inches.
The three piano sonatas by Joachim Raff (1822-1882), representing his three main creative phases, occupy a special position among his more than 100 piano pieces. They reflect a significant compositional aspiration whereas Raff otherwise frequently leans towards the salon-music genre in his piano music. Raff composed the early sonata op. 14 in 1844 after his first works were positively evaluated and Felix Mendelssohn Bartholdy had encouraged him to venture a career as a composer. The Fantasie-Sonate [Fantasy Sonata] in d minor op. 168, Raff wrote in 1871 at the height of his fame as one of Germany's then most-played composers. Its dedication to Camille Saint-Saens shows his opposition to the rampant German disapproval of France and its music representatives in the wake of the Franco-Prussian war of 1870/71. The second version of the sonata op. 14, composed in the fall of 1881, had only the opus number in common with the earlier version. In this late work Raff had created an entirely new sonata. ,,Beautifully presented on cream paper, with exceptional clarity and generous spacing. The Fantasie-Sonate in D minor Op. 168, in particular, is a masterpiece which manifests both considerable power and exquisite craftsmanship. (www.pianodao.com).
SKU: BR.EB-4757
ISBN 9790004163146. 9 x 12 inches.
Julius Rietz succeeded Felix Mendelssohn Bartholdy as conductor in Dusseldorf in 1835, and was also stylistically indebted to Mendelssohn as a composer as well. Rietz began working in Leipzig in 1847, heading not only the Singakademie there, but also the Gewandhaus concerts beginning in 1848. He also taught composition at the Leipzig Conservatory. In 1860 Rietz moved to Dresden, where he was active as court Kapellmeister and later also assumed the directorship of the Conservatory. One finds works of all genres in his oeuvre. The Sonata in G minor op. 42 for flute and piano was originally published by Breitkopf & Hartel in 1876.
SKU: HL.14010705
8.5x11.5x0.508 inches.
Celebrated Novello edition by Ivor Atkins.
SKU: CY.CC2796
Mendelssohn's expressive Sonata No. 1 for Cello, Opus 45 was composed in October 1838.The Sonata has three movements and works beautifully for Euphonium.This 25-minute work for advanced performers, all in bass clef, is a wonderful composition and is a great test of musicianship, stamina and technique for both performers.Mend elssohn's Sonata has been brilliantly transcribed by Ralph Sauer.Format: Score & solo part are in booklet format - 56 pages total.
SKU: FL.FX071425
A must-have for Clarinet. This Andante is the 2nd movement of the Sonata in E flat Major composed by Mendelssohn in 1824 at the age of 15. It is very beautiful dialogue between Clarinet and Piano which demands deep understanding between the two musicians.This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.
SKU: BR.EB-8298
ISBN 9790004176139. 9 x 12 inches.
The cello sonata stands between a conservative return to classical forms and the full development of Mendelssohnian characteristics in the late work, which ultimately led to the abandonment of the sonata form. Violoncello part arranged by Michael Denhoff.
SKU: M7.DOHR-13936
ISBN 9790202029367.
SKU: PR.ZM30080
