Fantasia for piano and orchestra

This volume collects four of the most important keyboard masterpieces by Johann Sebastian Bach?the 'Goldberg' Variations Chromatic Fantasy and Fugue Fantasia Contrappuntistica and Concerto for Piano andOrchestra in D Minor?in arrangements by celebrated pianist and composer Ferruccio Busoni for his 1919 Breitkopf & Härtel edition. Additional features include Busoni's original systemof keyboard notation demonstrated vis- -vis the Chromatic Fantasy. An important composer in his own right Busoni ranks among history's most celebrated pianists. His controversial 25-volume edition oftranscriptions of Bach's keyboard music includes side-by-side discussions of Bach's music with arrangements by Busoni and his pupil Egon Petri. Adapted for the modern resources of the grand piano thetranscriptions include plentiful doublings of voices for higher and lower ranges of the keyboard that did not exist on Bach's clavier in addition to analytical re-shapings of the music itself. This volume marks asignificant collection of rarities that merit greater attention among performers and listeners. Dover Original.

Here for the first time in a popularly accessible edition are 35 of his finest keyboard works for solo instruments reproduced from the monumental Deutsche Handelgesellschaft edition including eight 'Great Suites' and 'Fugue In A Minor'. For this new edition the pieces have been rearranged and retitled according to the latest scholarly sequences found in The New Grove Dictionary of Music and Musicians. Students and scholars will find many of the ideas Handel sketched here expanded and reworked in later chamber and orchestral works and in the opera dance movements; musicians and every Baroque music lover will see in these neglected pieces 'a Protean Fluidity' (New Grove) worthyof the great composer and more than worthy of any musical library.

The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre

Per Pianoforte E Orchestra (1903). Par RESPIGHI OTTORINO. Langue: English(UK)/Deutsch/Français/Nederlands / oeuvre solo et Orchestre / Date parution : 1905-06-09/ Répertoire / Piano et Orchestre

Concerto pour Piano de Schumann est connu dans le monde entier, mais malgré sa popularité, il reste dans un certain sens un travail inconnu. L'objectif de cette édition n'est pas seulement de fournir un score de critique de le oeuvre, mais en même temps pour indiquer quelles questions de détail devrait faire l'objet de recherches futures. L'analyse critique offert ici donc discussion d'offres de la relation entre la version de Fantasia un mouvement et la version de Concerto pour trois mouvements, le problème de la transition de la deuxième à la troisième mouvement et une série de questions relatives à la version terminée en 1853. Un livret de fac-similés complète le volume. / Piano Et Orchestre

Réédition de la collection Gold aujourd'hui devenue célèbre.

Ce volume contient 1 CD avec les titres complets pour piano. / Classique / Partition CD /

Hardback-This volume contains newly edited versions of four important later orchestral works by William Walton: Capriccio Burlesco Improvisations on an Impromptu of Benjamin Britten Prologo e Fantasia and Varii Capricci. The first three works were written for American orchestras: Capriccio Burlesco was commissioned by the New York Philharmonic Orchestra for its 125th anniversary year in 1968; the Improvisations based on a theme from Britten's Piano Concerto No. 1 was written in 1969 and dedicated to the San Francisco Symphony Orchestra; Prologo e Fantasia was written in 1981-2 for the National SymphonyOrchestra of Washington DC. The last work Varii Capricci was a free transcription for orchestra by Walton of his Five Bagatelles for Guitar and written for the opening of the Royal Festival Hall in 1976.

Fantasia In C Minor Op.80 (Choral Fantasy)-This volume contains two of Beethoven's most unusual highly innovative and original works: the Concerto in C Major Op. 56 for piano violin cello and orchestra; and the Fantasia in C Minor Op. 80 for piano chorus and orchestra.To this day the 'Triple Concerto' remains part of a rare breed in the literature--a fascinating symphonic framework of interaction between the classical orchestra and a trio of intimately interdependent soloists. The work remains a favorite vehicle of the great Beethoven specialists with numerous recordings by legendary performers.The 'Choral Fantasy' is a rarity in the Beethoven canon of ensemble music uniting thevirtuoso display of a semi-improvisational solo piano with the vocal and instrumental richness of chorus and orchestra. Said to have been composed under great time pressure the Fantasy concludes with an extensive choral setting of a text by an unknown poet: 'Schmeichelnd hold und lieblich klingen' ('Flatteringly lovely and fair are the sounds of our life?s harmonies...Accept gladly the gifts of beautiful art...').Reprinted from the authoritative Breitkopf & Härtel editions this volume offers musicians and music lovers an inexpensive high-quality full score of two exceptional works.

The transcription of Tchaikovsky's overture fantasia Romeo and Juliet gives pianists the opportunity to experience this wonderful work on their instrument. The young Russian pianist Vyacheslav Gryaznov has succeeded in transferring the sound of an entire orchestra to the piano in an authentic way. / Piano