Everything You Wanted To Know About Clawhammer Banjo (PERLMAN KEN)

SKU: MB.99246M

ISBN 9780786690510. 8.75 x 11.75 inches.

One of the worlds top players addresses nearly every aspect of the popular 5-string banjo style known as clawhammer or frailing. Chapter themes include fundamentals; advanced and experimental techniques; arranging and backup; how to play reels, hornpipes, jigs and other fiddle tunes; how to approach such genres as ragtime, bluegrass, klezmer, blues, calypso, and a wide variety of national and regional music; alternative tunings; setup and accessories; and historical background. Features 120 tunes along with numerous exercises and musical examples in crystal clear tablature. Includes access to online audio featuring all tunes illustrated by author.

SKU: HL.287559

ISBN 9781540043313. UPC: 888680904715. 9.0x12.0x0.299 inches.

This one-of-a-kind collection presents accessible, must-know songs from the Beatles and Bob Dylan to Dave Matthews Band and Tom Petty for those who have been learning 12-string guitar and are eager to put their new skills to work. You'll find a combination of tab, chords and lyrics for 50 great songs, including: California Dreamin' • Carry On • Closer to the Heart • Do You Believe in Magic • Free Fallin' • Give a Little Bit • A Hard Day's Night • Hotel California • Leaving on a Jet Plane • Life by the Drop • Like the Way I Do • Melissa • Mr. Tambourine Man • More Than a Feeling • The One I Love • Over the Hills and Far Away • Solsbury Hill • Space Oddity • Still the Same • Turn! Turn! Turn! (To Everything There Is a Season) • The Waiting • Wish You Were Here • You Wear It Well • and more!

About First 50

You've been taking lessons, you've got a few chords under your belt, and you're ready to buy a songbook. Now what? Hal Leonard has the answers in its First 50 series. The First 50 series steers new players in the right direction. These books contain easy to intermediate arrangements for must-know songs. Each arrangement is simple and streamlined, yet still captures the essence of the tune.

SKU: CL.043-0404-00

SKU: PR.111402890

ISBN 9781491134672. UPC: 680160685264.

What� ??s in a name? While the title is French for �??Eight Flower Songs,�?� the texts are all in English. The poems�?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordon�??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself.
When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my �??Tulips�?� poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parker�??s �??One Perfect Rose,�?� which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyon�??s exquisite �??Peonies at Dusk,�?� because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hall�??s poem �??Her Garden,�?� which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, �??The Daffodils�?� is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem �??Cycle,�?� or �??New Flowers,�?� because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem �??Afterlife With Lilacs,�?� having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a year�??s frustration, I wrote my own text, �??Play, Orpheus,�?� which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So �??Play, Orpheus�?� is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021.