Matériel : DVD
BB King Blues Master faits saillants, arrangé pour DVD. Une documentation sur le style et la technique du roi emblématique du blues B.B. King. / Guitare / Dvd
SKU: HL.14064770
SKU: BA.BA10726-01
ISBN 9790006575596. 33 x 26 cm inches. Text Language: Italian. Preface: Pacholke, Michael.
In the brief half-year period from August 14, 1736, to January 27, 1737, Georg Friedrich Handel achieved an unprecedented level of productivity in his opera compositions, creating three operas. Additionally, in March 1737, he also composed a largely new oratorio titled ??Il trionfo del Tempo e della Verità? (??The Triumph of Time and Truth?) HWV 46b. The libretto of this oratorio closely corresponds to that of the oratorio ??La Bellezza ravveduta nel trionfo del Tempo e del Disinganno? (??Beauty Reconciled in the Triumph of Time and Enlightenment?) HWV 46a written in 1707. With ??La Bellezza ravveduta?, Handel composed an allegorical and particularly dramatic oratorio right at the beginning of his oratorio compositions. In this work, there is no chorus inclined towards reflection. Not only do the four allegorical figures, Bellezza (Beauty), Piacere (Pleasure), Tempo (Time), and Disinganno (Enlightenment), listen to each other and react to the ideas presented by the others, but this prevailing dramatic principle of dispute is also found in the recitatives.In 1737, when reworking the oratorio material as ??Il trionfo del Tempo e della Verità?, Handel approached the task pragmatically. He needed a new non-dramatic work to fulfill the evening??s program for his audience at the Covent Garden Theatre during the fasting season when theatrical performances were prohibited. Although he had excellent Italian vocal soloists, notorious for their pronunciation in Handel??s English oratorios and who naturally preferred singing in Italian, Handel found a solution. It was evident to Handel that, in response to the ban on performances of his Italian operas during the fasting season of 1737, he should promptly create a new oratorio in the Italian language but following the three-part ??English? oratorio form that he had developed in ??Esther? HWV 50b in 1732. Unlike in Rome in 1707, he had access to a chorus in London in 1737, and the English oratorio, with its substantial choral sections, a preference for concert-like rather than dramatic composition, and frequent inclusion of organ concertos loosely related to the narrative, was already established.The new volume of the HHA includes the original version of the 1737 premiere as well as all the surviving early and later versions (the latter being exceptional highlights) of individual musical pieces from ??Il trionfo del Tempo e della Verità?.
SKU: WD.080689614170
UPC: 080689614170.
Pasto r Stan needs help…he wants to do a sermon on “The Bible,” but he needs to cover the entire Bible in 25-minutes! As impossible as it may sound, Pastor Stan knows just who to turn to. He’ll hire the world’s most famous kid-operated advertising agency——B. I.G.! With the help of crack creative team B. I.G, Pastor Stand knows he’ll get exactly what he needs! From there the group’s Big-Bible-Bundle highlights how, even though God first created a perfect world, Adam and Eve made a decision that allowed sin to enter the world. This was The BIG Choice: Catastrophe! Next, the talented team decides to showcase God’s plan to deal with sin: The BIG Gift, in the form of both a cradle and a cross. Jesus — born on Earth fully human and fully God, fulfilling God’s promise of a Savior, and then redeeming us from sin through His work on the cross and the promise of eternal life. Finally, B. I.G.’s focus and creativity leads us to The BIG Finish: A Celebration and a Crown. We can all celebrate that Jesus is King, and that He is coming back to take us home to live with Him in Heaven forever! The Simply WordKidz Series simply means that BIG—The BIG Bible Idea Group—is especially designed with easy-learn, easy-sing songs for kids and is easier-than-easy for you to produce! Created by Gina Boe, BIG is the perfect resource for your children’s ministry to present a fun-filled production that teaches fundamental, scriptural truths of the Big, BIG, BIG story of the Bible!
SKU: GI.G-7797CD
UPC: 785147779728. English, Latin.
The cornerstone of your choral library Compiled from GIA's best sellers and newer gems, each volume in the CHORAL ESSENTIALS series highlights a particular season and includes pieces in a variety of styles, voicings, and instrumentation. Invaluable as a planning tool… …affordable enough to purchase copies for your entire choir! Included in this edition: G-3064 Pentecost Psalm - Richard Proulx G-3915 Send Down the Fire - Marty Haugen G-4433 That Easter Day - Burton Bumgarner G-5133 Concertato on Go to the World! - Ralph Vaughan Williams, arranged James Chepponis G-5272 Come, Holy Spirit - Christopher Tye, edited William Tortolano G-5420 Alleluia, Christ Is Risen - Carol Browning G-5576 Two Songs for Easter: Surrexit Christus and Jubilate, Servite - Taizé Community G-5630 Let in Joy This Easter Day - Peter Niedmann G-5650 Neither Death nor Life - Marty Haugen G-6139 Psalm and Gospel Acclamation for Easter: This Is the Day - Stephen Pishner G-6266 Easter Days - Alice Parker G-6665 Concertato on Christ Is the World's Redeemer - John Ferguson G-6951 Rise to Sing! The Light Is Breaking - William P. Rowan, arranged Carlton R. Young G-6952 Go Out - Ian Callanan G-7307 This Is the Day - Chris de Silva .
SKU: HL.48186487
UPC: 888680829094. 9x12 inches.
“AL 30 754 - MILA AND THE SHIP TREE - Choral Partitur For decades the French composer Isabelle Aboulker has been very successful with vocal works for children and young people, in whom well-known fairy tales are processed. Now she has once again met with Mila and the Schiffbaum, a work commissioned by the Académie musicale by Villecroze in the course of the project ”“3 composers write for the school”“, and by the French music publishers with the music prize 2015 in the category ”“ Works for young performers ”“. With this composition, Isabelle Aboulker has created a musical story for narrator, children's choir and instrumental accompaniment, which helps children between five and eight years in educational and valuable ways to gain first experiences with music theater and choral singing. Thanks to an excellent German translation, the successful work can now also be found in the German-speaking world. With the deep sensitivity and subtlety that is the secret of her art, Isabelle Aboulker tells of a little girl who succeeds in getting over the loss of a loved one, namely, his grandfather. The highly charming melodies of this piece, written for unanimous children's choir, are joined by an instrumental accompaniment in which tender melancholy and subtle humor alternate - this musical language comes directly from the heart. AL 30 753 - version for speaker, children's choir and piano (German and French text) The work is also available in English translation: AL 30 732 - version for speaker, children's choir and piano (French and English text) AL 30 743 - Choral Partitur (French and English text) As well as with other instrumental accompaniments: AL 30 733 - version for speaker, children's choir and trio (clarinet in B, cello and piano) (French and English text) AL 30 734 - version for spokesman, children's choir and instrumental ensemble (French, English, German, French, Italian, Italian&rdquo.
SKU: BA.BA04104-90
ISBN 9790006568222. 27 x 19 cm inches. Text Language: Italian. Preface: Hans Joachim Marx.
The episode from Ovid'sMetamorphosesin which Daphne attempts to escape Apollo's advances by turning into a laurel tree, causing the devastated god to weave a laurel crown in memory of the nymph, has inspired the masterworks of many artists. Gian Lorenzo Bernini, whose famous marble sculpture is housed in the Galleria Borghese in Rome, is only one example of this. Many composers set this myth to music including young George Frideric Handel with his grand-scale dramatic cantataApollo e Dafne. The composer started working on the work shortly before leaving Italy in 1709, most likely finishing it the following year in Hanover.Barenreit er now presents a vocal score of the opera-like cantata, the highlights of which include Dafne's ariaFelicissima quest'alma(accompanied by solo oboe) and Apollo's famous lamentCara pianta.
SKU: HL.49019910
ISBN 9790220134395. UPC: 888680089528. 8.25x11.75x0.25 inches.
My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilege (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions.The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius:1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energeticThe Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchester s Mannheim with the support of Die Landesbank Baden-Wurttemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman.John Casken3(3.pic).2. ca.2(2.Ebcl).bcl.3(3.cbsn )-4.3(1.Dtpt).2.btbn.1-ti mp.3perc(crot, vib, tub bells, sizz cym, Chinese cym, h.h, Swiss cow-bell, gong, horizontal gong, 2tam-t, tamb, bng, s.d, 5tom-t, b.d, clav, casts, marac, 5tempbl, wdbl, cabaca, vibraslap)-hp-str.
SKU: CF.CAS44
ISBN 9780825867118. UPC: 798408067113. 8.5 X 11 inches. Key: G minor.
This is a tour-de-force for the advancing string orchestra. Beautiful, dramatic, and flowing, Waterloo Station is very fresh and contemporary. Students will love it for the lush harmonic textures and rhythmic drive that this composer is so noted for.Composed as a characterization of the fast-paced atmosphere of London’s Waterloo Train Station, this fast-slow-fast piece combines technical excitement with heartfelt simplicity.The fast section in G minor consists of two main parts: the intense, emotional A section at m. 21 and the legato, sweeping B section at m. 59. The syncopated tutti figures in the high strings coupled with the fiery cello and bass lines propel the fast sections. The phrase in mm. 1–8 recurs throughout. Making four- to eight-measure exercises of this section below tempo in the violins and viola, focusing on rhythmic clarity, will help to lock in the syncopation. Similarly, the cello and bass should rehearse this slowly as well as mm. 9–16 to gain fluidity and insure a solid foundation.The cellos carry the tune at m. 71, and the ensemble builds from mm. 79–86 to the transition at m. 87. An abrupt change to half tempo here slows the momentum and transitions to a quiet, melancholy tone in m. 91. The middle section (ABA) begins in G minor with a somber quality, highlighted by the Violin I solo. It gradually builds to a beautiful, uplifting setting as it moves to G major in m. 100. Returning back to the hushed G minor tonality, it then speeds up again and transitions back to Tempo I for a brief recapitulation of the fast section. Measure 117 marks the return to vigorous playing, beginning softly and building to a thrilling ride to the end.
About Carl Fischer Concert String Orchestra Series
Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
