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Air on the G String by Bach for Brass Quintet
Air on the G String by Bach for Brass Quintet #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Classical #Johann Sebastian Bach #Ander #Air on the G String by Bach fo #Woods Only, Arrangements #SheetMusicPlus

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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1122253 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 8 pages. Woods Only, Arrangements #723404. Published by Woods Only, Arrangements (A0.1122253). This easy arrangement for brass quintet was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.

Arioso by Bach for Brass Quintet
Arioso by Bach for Brass Quintet #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Classical #Johann Sebastian Bach #Ander #Arioso by Bach for Brass Quint #Woods Only, Arrangements #SheetMusicPlus

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Level 3 - Digital Download SKU: A0.1122680 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 8 pages. Woods Only, Arrangements #723645. Published by Woods Only, Arrangements (A0.1122680). This easy arrangement for brass quintet was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.

THEME, FUGUETTE, and VARIATIONS on "Lightly Row" for Brass Quintet
THEME, FUGUETTE, and VARIATIONS on "Lightly Row" for Brass Quintet #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE/ADVANCED #Albert E #Kent S #THEME, FUGUETTE, and VARIATION #WINDCREST #SheetMusicPlus

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Brass Ensemble - Level 4 - Digital Download SKU: A0.945050 Composed by Albert E. Weir. Arranged by Kent S. Burchill. Contemporary,Folk,Standards. Score and parts. 20 pages. WINDCREST #5356017. Published by WINDCREST (A0.945050). THEME, FUGUETTE and VARIATIONS on Lightly Row. Rarely has a song for children been so widely utilized and for such a long period of time. Written in the early 20th century, its wide-spread and successful use as a song for children can possibly be attributed to the construction of the melody itself. The melody starts with two descending intervals, each a minor third. These same qualities also made Lightly Row an excellent choice as a song for use with beginning instrumentalists. One might find it difficult NOT to find this song included in most published beginning-level instrument method books since the mid-20th century. This arrangement for brass quintet permits the performers to greatly expand upon the intervals and scale passage of the original song while exploring one of the more common composition forms, theme and variation with an excursion to a shortened version of another musical form, the fugue. An attempt has been made to provide interesting and challenging material for all members of the quintet. This selection could be performed at any point in a recital. It could be one of several featured selections performed in a concert with a programmatic theme of early 20th Century folk songs; or a portion of a concert where a theme and variation selection is desired. It might also serve as an encore to any recital or concert!

Wellerman - #SHANTYTOK for Brass Quintet
Wellerman - #SHANTYTOK for Brass Quintet #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Folkloric/Traditional #Traditional Whaling Song #Kenneth Martin #Wellerman - #SHANTYTOK for Bra #Martin Music SD #SheetMusicPlus

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Trumpet, Trombone, Tuba, Horn in F, Brass Quintet - Intermediate - Digital Download Composed by Traditional Whaling Song. Arranged by Kenneth Martin. Method, General Instructional, World, Folk. Score, Set of Parts. 12 pages. Published by Martin Music SD
Website: www.wa-music.nl
E-mail: info@wa-music.nl
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YouTube: https://www.youtube.com/c/WillemAarts.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,Sacred,Traditional. 16 pages. Con Spirito Music #772348. Published by Con Spirito Music (A0.1172085). Higher Ground (I'm pressing on the upward way) is a 19th-century American gospel song with lyrics by Johnson Oatman, Jr. (1856-1922) and music by Charles Hutchinson Gabriel (1856-1932).Both Oatman and Gabriel were prolific writers. Oatman, an ordained Methodist Episcopal minister employed primarily in retail and insurance work, is said to have written over 5,000 hymns and songs in the latter 30-some years of his life. Although not a talented singer nor recognized as an outstanding preacher, he was acknowledged to have ministered to countless souls through the words of his hymns and songs.Gabriel, a Methodist Episcopal church music director and editor of gospel song books, anthem collections, music instruction manuals, and more, is said to have written between seven and eight thousand texts and/or tunes under his own name and several pseudonyms. In addition to the music for Higher Ground, he composed the music for such well-known gospel songs as His Eye is on the Sparrow and Will the Circle Be Unbroken? The opening line of Oatman’s text (I'm pressing on the upward way) draws especially from Philippians 3:13-14: “Forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus.” Other sources include passages from the prophets Isaiah and Micah and the Psalms of Ascent (120-134). Gabriel's music cleverly evokes the upward vision of the text with an ascending arpeggio spanning an octave on the first words of the refrain (Lord, lift me up) and the matching of the highest notes of the tune to the words a higher plane.This arrangement for brass quintet expands the meter of the tune from 3/4 to 4/4 to allow for some countermelodic call-and-response by various voices in the ensemble. Every member will enjoy a lyrical part to play in this arrangement, which is fitting as a prelude, offertory, or special musical selection in worship, and ideal as a lyrical selection on recitals. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com

The Heavenly Vision (Turn Your Eyes Upon Jesus-Brass Quintet)
The Heavenly Vision (Turn Your Eyes Upon Jesus-Brass Quintet) #Brass Quintet: 2 trumpets, horn, trombone, tuba #Helen Lemmel #Joseph Pugh #The Heavenly Vision #Joseph Pugh #SheetMusicPlus

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Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1070694 Composed by Helen Lemmel (1863-1961). Arranged by Joseph Pugh. Contemporary,Easter,Sacred. Accompaniment. Duration 227. Joseph Pugh #6858237. Published by Joseph Pugh (A0.1070694). Helen Lemmel (1863-1961) Helen Howarth Lemmel was born on November 14, 1864, in Wardle, England. She was the daughter of a Wesleyan Methodist pastor, and she came to this country with her family at the age of twelve. Helen lived briefly in Mississippi before settling in Wisconsin. Soon she developed a reputation as a brilliant singer, even studying private voice in Germany for four years. This is Joseph's Brass Quintet arrangement of one of her well known and beloved Hymns.Download the sheet music today at a reduced price and play along.

O Come, All Ye Faithful
O Come, All Ye Faithful #Brass Quintet: 2 trumpets, horn, trombone, tuba #ADVANCED #Traditional #Brenda Portman #O Come, All Ye Faithful #Brenda Portman #SheetMusicPlus

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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1350814 Composed by Traditional. Arranged by Brenda Portman. Christian,Christmas,Classical,Sacred,Traditional. 46 pages. Brenda Portman #935641. Published by Brenda Portman (A0.1350814). New arrangement of O Come, All Ye Faithful for brass quintet, organ, choir, congregation, and optional timpani & handbells(Verses 1, 2, 3, 6 in the United Methodist hymnal)Arranged by Brenda Portman*** New harmonizations + soprano descant ****** Brass ensemble version available (same instrumentation as Rutter Gloria) ***Verse 1: close to the standard harmonization, with trumpet descantVerse 2: brass in counterpoint, organ tacet, handbells on melodyVerse 3: soprano and trumpet descantVerse 4 (6): all instruments, fortissimoPARTS INCLUDED: Full ScoreChoral ScoreC Trumpets 1, 2Horn in FTromboneTubaTimpaniOrganHandbells.

The Old Rugged Cross - In the New Orleans Brass Band Style for Brass Quintet - Intermediate
The Old Rugged Cross - In the New Orleans Brass Band Style for Brass Quintet - Intermediate #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Funeral Hymn #Dennis Ruello #The Old Rugged Cross - In the #Chicory Music #SheetMusicPlus

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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1238569 By Funeral Hymn. By George Bennard. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,Religious,Traditional. 12 pages. Chicory Music #834005. Published by Chicory Music (A0.1238569). “The Old Rugged Cross” was composed by the Methodist evangelist George Bennard in 1912. As with many other gospel songs, this song has found its home in both country repertoire and the New Orleans traditional repertoire. New Orleans brass bands frequently perform this song as a slow, mournful dirge at jazz funerals as the body is being taken from the church or funeral parlor to the grave site. This arrangement for Brass Quintet arranged in the New Orleans Brass Band Style, at the Intermediate level, will definitely be a hit at you next concert or gig. The arrangement includes the following parts: Full Score, 1st and 2nd Trumpet, Horn in F, Trombone, Tuba plus optional Acoustic Bass and Drum Set parts. Full Performance time is: Approx. 3 minutes 40 seconds *MP3 sample takes 2nd ending.

How Great Thou Art ? brass quintet
How Great Thou Art ? brass quintet #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Sacred music #Gospel/Spiritual #Swedish folk tune #Todd Marchand #How Great Thou Art ? brass qui #Con Spirito Music #SheetMusicPlus

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Composed by Swedish folk tune. Arranged by Todd Marchand. Christian, Gospel, Sacred. Score, Set of Parts. 13 pages. Published by Con Spirito Music (S0.181021). - Score,Set of Parts - Christian,Gospel,Sacred - Con Spirito Music
One of the best-loved gospel songs worldwide, ?How Great Thou Art? began as a nine-stanza hymn of praise, ?O Store Gud? (?O Great God?), written in 1885 by Swedish poet and lay minister Carl Gustav Boberg (1859?1940). In 1891 Boberg published the poem, accompanied by a Swedish folk melody, in Sanningsvittnet (Witness for the Truth), a weekly Christian journal of which he was editor. Today, the tune is commonly named ?Sanningsvittnet? in hymnals. From its Swedish origins, the text was translated to German in 1907, then to Russian in 1912. The Russian text became the basis for a translation to English by Stuart W. K. Hine (1899?1989), a British Methodist missionary who discovered it in 1931 while on mission in the Ukraine. Hine's work commonly contains four verses: the first two being a relatively close translation of stanzas by Boberg, and the latter two being original verses by Hine. Published in 1949, ?How Great Thou Art? gained great popularity in North America after George Beverly Shea began singing it in the Billy Graham evangelistic crusades in 1955. It has been named the #1 favorite hymn by respondents to various polls in both the United States and United Kingdom. ?Copyright 2013 Todd Marchand / ConSpiritoMusic.com

An American Folk Hymn Medley ? brass quintet
An American Folk Hymn Medley ? brass quintet #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Sacred music #Gospel/Spiritual #American folk hymns #Todd Marchand #An American Folk Hymn Medley ? #Con Spirito Music #SheetMusicPlus

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Composed by American folk hymns. Arranged by Todd Marchand. Christian, Gospel, Sacred, Folk, Americana. Score, Set of Parts. 16 pages. Published by Con Spirito Music (S0.180677). - Score,Set of Parts - Christian,Gospel,Sacred,Folk,Americana - Con Spirito Music
?An American Folk Hymn Medley? brings together three 19th-century shape-note tunes in a contemporary setting for brass quintet. HOLY MANNA is popularly known as ?Brethren We Have Met to Worship? from its association with a text by Methodist clergyman George Atkins (1793-1827). It was first published in Columbian Harmony, a shape-note tune book, in 1829, and is attributed to William Moore, the publisher. RESTORATION, first published in William Walker?s 1835 shape-note hymnal, Southern Harmony, was later renamed ARISE from its association with a text by Joseph Hart (1712-1768) in which the chorus begins ?I will arise and go to Jesus?.? PLEADING SAVIOR, published in Joshua Leavitt?s 1830 compilation The Christian Lyre, is today best-known in many churches as the accompaniment to the text ?Sing of Mary, Pure and Lowly.? In this arrangement, the similar tunes HOLY MANNA and PLEADING SAVIOR, both in major tonality and 8.7.8.7 poetic meter, frame the contrasting minor tonality tune, RESTORATION. Contrasting instrument textures, keys, and tempi, and a mix of both traditional and contemporary harmonies breathe a fresh spirit into these venerable tunes.

Hail the Day That Sees Him Rise ? brass quintet
Hail the Day That Sees Him Rise ? brass quintet #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Sacred music #Robert Williams #Todd Marchand #Hail the Day That Sees Him Ris #Con Spirito Music #SheetMusicPlus

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Composed by Robert Williams (1781-1821). Arranged by Todd Marchand. Christian, Sacred, Easter. Score, Set of Parts. 16 pages. Published by Con Spirito Music (S0.182105). - Score,Set of Parts - Christian,Sacred,Easter - Con Spirito Music
?Hail the Day That Sees Him Rise,? one of the most popular hymn texts on the Ascension of Christ, was written by the great Methodist hymnist Charles Wesley (1707-1788) and published in 10 stanzas in his Hymns and Sacred Poems (1739) as ?Hymn for Ascension Day.? The ?alleluias? were added in George White's Hymns and Introits (1852). The tune most often associated with Wesley's text, ?Llanfair,? is attributed to Welsh singer Robert Williams (1781-1821). In this arrangement, elements of the tune are employed in a majestic, constantly modulating introduction before giving way to three presentations of melody ? first, straightforwardly by the full quintet; second, following a modulation down a major third, by a trio of brass; and third, following another modulation back to the original key, by the full quintet, with a short coda incorporating a flourish recalling the introduction. Especially appropriate at Ascension due to the associated text, this instrumental arrangement is also fitting as a prelude, postlude, or offertory/communion anthem at any time. ?Copyright 2016 Todd Marchand / www.ConSpiritoMusic.com

Livin' On A Prayer
Livin' On A Prayer #Brass Quintet: 2 trumpets, horn, trombone, tuba #EASY #Rock #Bon Jovi #Jan Utbult #Livin' On A Prayer #Jan Utbult #SheetMusicPlus

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By Bon Jovi. Arranged by Jan Utbult. Pop, Rock. Score, Set of Parts. 12 pages. Published by Jan Utbult (H0.115173-485751). - Score,Set of Parts - Pop,Rock - Jan Utbult
An well written arrangement of Bon Jovi's hit from 1986, easy to play with all parts in a comfortable register. Jan Utbult is a Swedish arranger, composer and brass instrument teacher. He is also the author of more than 50 methods for different instruments.