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You've selected:
Think on for flute and guitar
Sheetmusic to print
29 sheet music found
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1
26
Think on for flute and guitar
Think on for flute and guitar
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Flute and Guitar
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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Think on for flute and guitar
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.576908 Composed by David Warin Solomons. 20th Century,Contemporary....
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.576908 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 8 pages. David Warin Solomons #512599. Published by David Warin Solomons (A0.576908). Instrumental arrangement of my song A latter-day Ronsard which is effectively a modern sonnet to a young lady, exhorting her to make the most of her youth (gather ye rosebuds while ye may). The pdf file contains the score and parts. The audio sample is an electronic preview The words of the original song (also available on this site) are: If you but think, Think on and on My little one. If you but think It will go on ... Going for ever, This time of love This time for lovers, You’re for a fall, My little girl, You’re for a fall If you maintain You will retain Fine blushing skin And waist cinched in Delicate arms Fine varnished nails Tender of thigh And fleet of foot, And if you think my sweet It will be true Going for you You're for a fall My little girl, You're for a fall. Gone the good days, Pleasure and holidays. Planets in orbit Circle around But you my sweet You will go straight Toward the unknown And overblown with sagging skin and treble chin Heavy with fat and flesh that's slack Come gather ye roses Look ye around, My little one Blossoms abound Let them repose On the slack tide Of every happiness. So, gather them all Or you'll be sure Pride comes before a fall.
$8.00 ≈
7.15€
53 Original works for flute and classical guitar
53 Original works for flute and classical guitar
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Flute and Guitar
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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53 Original works for flute an
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577584 Composed by David Warin Solomons. 20th Century,Contemporary....
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577584 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 501 pages. David Warin Solomons #2065695. Published by David Warin Solomons (A0.577584). These works are all also available separately on this site, but if you are interested in acquiring this album, it will afford you a very big discount. All pieces are composed by David Warin Solomons and the scores and parts are all provided. The sound sample is Pax Eiscum, performed by Michelle LaPorte and Gerry Saulter. The pieces are as follows: Pax eiscum (= peace be upon them) The face of Love Cotoneaster A rune of hospitality After the party Falling is painless Tip of the flame Lull Ningal's Song Kichijiro A Christmas Song A forever kind of love A Springtime jaunt A time of change Ariette oubliée Beetle's Wings Cupid, shame yourself Dawn in the room Dorina Elégie Exmas Carol Feuer und Wasser For my cat Greek Wassail Invitation to the journey Japanese snapshots Last picnic at Blue Lake Letter to a distant lover Little Laser lady Memorial for a child Messe Miniature Passacaglia Petite Ballade Playtime Venus has left the building Across a crowded room Being but men Chantefable d'Aucassin et Nicolette The Story of Henry King Potrait of a bird Rosebuds Sentimental Song Solace Song for Jenny Street Song Sunday morning Solitude The Swallows Think On (A latter day Ronsard) Three words too many To idelness To Marie Virgo and Taurus What is left of us.
$50.00 ≈
44.67€
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
8.93€
All I Really Want is Peace on Earth - Solo with Piano
All I Really Want is Peace on Earth - Solo with Piano
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Piano, Vocal and Guitar
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EASY
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Lytingale
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Lois J Henrickson (Lytingale)
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All I Really Want is Peace on
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Lytingale Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1449528 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lyti...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1449528 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Pop,Singer/Songwriter,Spiritual. Score. 4 pages. Lytingale Music #1029284. Published by Lytingale Music (A0.1449528). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$3.33 ≈
2.97€
Be More Like Jesus - (Lent/Good Friday) solo flute and piano
Be More Like Jesus - (Lent/Good Friday) solo flute and piano
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Piano, Vocal and Guitar
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EASY
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Connie Boss
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Be More Like Jesus -
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801751 Composed by Connie Boss. Easter,Sacred. Score. 4 pages. Connie Boss #6696975. Publis...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801751 Composed by Connie Boss. Easter,Sacred. Score. 4 pages. Connie Boss #6696975. Published by Connie Boss (A0.801751). This original song has lyrics that work great for Lent and Good Friday, but it could be sung at any time. Sometimes when we feel very low and things don't seem to going well for us or we think life isn't fair, we should think about what Jesus went through with strength and courage. Any questions or request please email me at cdboss@cvalley.netBe More Like Jesus composed by Connie BossVerse 1:Be more like Jesus in strength and courage,When they whipped Him till He bled.Be more like Jesus in strength and courage,When they placed the thorns on His head Refrain:Be more like JesusBe more like JesusBe more like Jesus, Christ Verse 2: Be more like Jesus in strength and courage,When He carried the cross to that placeBe more like Jesus in strength and courage,As the blood streamed down His face. RefrainVerse 3: Be more like Jesus in strength and courage,When they nailed His feet and His handsBe more like Jesus in strength and courage,When forgive them is what He said RefrainRefrain to end.
$5.50 ≈
4.91€
Horn of Puente: Guitar
Horn of Puente: Guitar
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Guitar (band part)
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Instructional
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Gordon Goodwin
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Horn of Puente: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0002460_G Guitar. Composed by Gordon Goodwin. Instructional. Part. 4 pages. Alfred Music - Digital ...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0002460_G Guitar. Composed by Gordon Goodwin. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002460_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002460_G). UPC: 654979054368.A cha cha you won't forget! Trumpet is featured in this fabulous chart by today's hottest contemporary writer, Gordon Goodwin. The trumpet soloist has plenty of space to solo - both improvised and written and there are hot unison lines throughout this high-energy composition to keep everyone thinking. The piano has an authentic Latin ostinato, 1st alto sax has a soprano and flute doubles (optional alto sax part included), and a percussion part is provided. Dedicated to the legendary Latin percussionist Tito Puente. Ideal for festival and concert - this chart is outstanding! As recorded by Gordon Goodwin's Big Phat Band on the new CD Off the Beaten Path. This title is available in SmartMusic.
$3.00 ≈
2.68€
My Baby (A Mother's Lullaby) - flute duet and piano
My Baby (A Mother's Lullaby) - flute duet and piano
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2 Flutes (duet)
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EASY
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Sacred music
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Connie Boss
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My Baby
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Connie Boss
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SheetMusicPlus
Small Ensemble Flute,Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801766 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 4 ...
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Small Ensemble Flute,Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801766 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 4 pages. Connie Boss #6697295. Published by Connie Boss (A0.801766). This original song has lyrics that work great for Lent and Good Friday, but it could be sung at any time. Sometimes when we feel very low and things don't seem to going well for us or we think life isn't fair, we should think about what Jesus went through with strength and courage. Any questions or request please email me at cdboss@cvalley.netBe More Like Jesus composed by Connie BossVerse 1:Be more like Jesus in strength and courage,When they whipped Him till He bled.Be more like Jesus in strength and courage,When they placed the thorns on His head Refrain:Be more like JesusBe more like JesusBe more like Jesus, Christ Verse 2: Be more like Jesus in strength and courage,When He carried the cross to that placeBe more like Jesus in strength and courage,As the blood streamed down His face. RefrainVerse 3: Be more like Jesus in strength and courage,When they nailed His feet and His handsBe more like Jesus in strength and courage,When forgive them is what He said RefrainRefrain to end.
$5.50 ≈
4.91€
Selig, wer an Jesum denkt (Blessed, He Who Thinks on Jesus)
Selig, wer an Jesum denkt (Blessed, He Who Thinks on Jesus)
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Flute and Guitar
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Mark Phillips
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Selig, wer an Jesum denkt
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A. J. Cornell Publications
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1198915 Composed by Johann Sebastian Bach. Arranged by Mark Phillip...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1198915 Composed by Johann Sebastian Bach. Arranged by Mark Phillips. Baroque,Classical,Sacred. Score and parts. 2 pages. A. J. Cornell Publications #798018. Published by A. J. Cornell Publications (A0.1198915). Bach’s “Selig, wer an Jesum denkt†(“Blessed, He Who Thinks on Jesusâ€), from the Schemelli Songbook, for flute and guitar.
$3.99 ≈
3.56€
Think
Think
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Concert band
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INTERMEDIATE
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Film/TV
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Aretha Franklin
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Aretha Franklin, Ted White
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Lorenzo Bocci
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Think
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1383517 By Aretha Franklin. By Aretha Franklin and Ted White. Arranged by Lorenzo Bocci. Broadway,Film/...
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Concert Band - Level 3 - Digital Download SKU: A0.1383517 By Aretha Franklin. By Aretha Franklin and Ted White. Arranged by Lorenzo Bocci. Broadway,Film/TV,Musical/Show,R and B,Soul. 68 pages. Lorenzo Bocci #967963. Published by Lorenzo Bocci (A0.1383517). THINK From The Motion Picture The Blues Brothersfor Concert Band (with Fanfare Band parts) - Grade 3 - Digital Download Composed by Aretha Franklin, Ted White. Arranged by Lorenzo Bocci. Soul/RandB/Film/Musical. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 2'41''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Shaker, Tambourine), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Think is a song written by American singer Aretha Franklin and Ted White, and first recorded by Aretha Franklin. It was released as a single in 1968, from her Aretha Now album. Aretha Franklin re-recorded the song in the Atlantic Records New York studio for the soundtrack of the 1980 film The Blues Brothers and in 1989 for the album Through the Storm. Pitchfork placed it at number 15 on its list of The 200 Greatest Songs of the 1960s.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00 ≈
79.51€
Night Air and Caprice (flute and classical guitar)
Night Air and Caprice (flute and classical guitar)
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Flute and Guitar
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ADVANCED
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Contemporary
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John Pinno
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Night Air and Caprice
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John Pinno
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.775400 Composed by John Pinno. Contemporary. Score and parts. 17 pa...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.775400 Composed by John Pinno. Contemporary. Score and parts. 17 pages. John Pinno #442795. Published by John Pinno (A0.775400). A one movement work in two sections, for flute and classical guitar, with score plus separate parts for flute and guitar, and composed by John Pinno in 2009. This piece was originally to be two separate works, but I saw that the two parts would combine nicely. The inspiration for the first part came from listening to a lot of Claude Debussy's Impressionist pieces, and thinking of the more relaxed time of very late evenings, of which I am particularly fond. The second part is a much more energetic section that was inspired by seeing a concert of Los Romeros guitar quartet, and especially seeing and hearing Pepe Romero play. For anyone who would be interested in a CD recording of this work, please email me at jpinno093@hotmail.com for details. Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745
$12.00 ≈
10.72€
And I Love Her
And I Love Her
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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The Beatles
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Mike Dana
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And I Love Her
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Mike Dana Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,L...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
$70.00 ≈
62.53€
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00 ≈
8.93€
Trio for flute, viola and classical guitar (arrangement of XV:10)
Trio for flute, viola and classical guitar (arrangement of XV:10)
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Classical
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Franz Joseph Haydn
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Nick Stokes
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guitar
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Trio for flute, viola and clas
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Nick Stokes
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SheetMusicPlus
Acoustic Guitar,Flute,Viola - Level 3 - Digital Download SKU: A0.1317395 Composed by Franz Joseph Haydn. Arranged by Nick Stokes. Chamber,Classical. 37 p...
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Acoustic Guitar,Flute,Viola - Level 3 - Digital Download SKU: A0.1317395 Composed by Franz Joseph Haydn. Arranged by Nick Stokes. Chamber,Classical. 37 pages. Nick Stokes #906057. Published by Nick Stokes (A0.1317395). This arrangement is of a light 2 movement piano trio by Haydn. It goes for about 10 to 15 minutes (depending on if you do repeats). It has a number of delightful and catchy tunes and has plenty of energy in the presto movement.   It is for what I think is the best combination of instruments involving guitar in chamber music - flute , viola & guitar. the level of difficulty is probably in that order too , with the flute doing the lion’s share of the tunes, the viola doing a fair amount of double stops and some secondary tunes and the guitar not too hard but involving some grand barres and half barres and requires tuning the low string down to Eb.  This version has a many tone colours to explore and is very light in the bass which I find makes for a sparkling sound . All the players are busy and get to have solos, which is sometimes a complaint of cellists playing Haydn piano trios where the requirement at the time seemed to be to make the music work with or without the cello being there.   I hope other guitarists and amateur musicians find it fun and worthwhile putting the time in to learn and perform it. I feel the best of Haydn will never sound old and the basic structure is so solid that it has been used for centuries since he was alive and creating. Maybe this arrangement will allow a fresh listen to this particular piece.
$10.00 ≈
8.93€
Be More Like Jesus - (Lent/Good Friday) flute trio and piano
Be More Like Jesus - (Lent/Good Friday) flute trio and piano
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Sacred music
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Connie Boss
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Be More Like Jesus -
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Connie Boss
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SheetMusicPlus
Small Ensemble Flute,Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801767 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 5 ...
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Small Ensemble Flute,Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801767 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 5 pages. Connie Boss #6697301. Published by Connie Boss (A0.801767). This original song has lyrics that work great for Lent and Good Friday, but it could be sung at any time. Sometimes when we feel very low and things don't seem to going well for us or we think life isn't fair, we should think about what Jesus went through with strength and courage. Any questions or request please email me at cdboss@cvalley.netBe More Like Jesus composed by Connie BossVerse 1:Be more like Jesus in strength and courage,When they whipped Him till He bled.Be more like Jesus in strength and courage,When they placed the thorns on His head Refrain:Be more like JesusBe more like JesusBe more like Jesus, Christ Verse 2: Be more like Jesus in strength and courage,When He carried the cross to that placeBe more like Jesus in strength and courage,As the blood streamed down His face. RefrainVerse 3: Be more like Jesus in strength and courage,When they nailed His feet and His handsBe more like Jesus in strength and courage,When forgive them is what He said RefrainRefrain to end.
$5.50 ≈
4.91€
Be More Like Jesus - (Lent/Good Friday) duet flute and piano
Be More Like Jesus - (Lent/Good Friday) duet flute and piano
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Sacred music
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Connie Boss
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Be More Like Jesus -
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Connie Boss
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SheetMusicPlus
Small Ensemble Flute,Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801754 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 6 ...
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Small Ensemble Flute,Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801754 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 6 pages. Connie Boss #6697065. Published by Connie Boss (A0.801754). This original song has lyrics that work great for Lent and Good Friday, but it could be sung at any time. Sometimes when we feel very low and things don't seem to going well for us or we think life isn't fair, we should think about what Jesus went through with strength and courage. Any questions or request please email me at cdboss@cvalley.netBe More Like Jesus composed by Connie BossVerse 1:Be more like Jesus in strength and courage,When they whipped Him till He bled.Be more like Jesus in strength and courage,When they placed the thorns on His head Refrain:Be more like JesusBe more like JesusBe more like Jesus, Christ Verse 2: Be more like Jesus in strength and courage,When He carried the cross to that placeBe more like Jesus in strength and courage,As the blood streamed down His face. RefrainVerse 3: Be more like Jesus in strength and courage,When they nailed His feet and His handsBe more like Jesus in strength and courage,When forgive them is what He said RefrainRefrain to end.
$5.50 ≈
4.91€
Siuil A Ruin Solo, Flute and Violin
Siuil A Ruin Solo, Flute and Violin
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Flute, Violin
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EASY
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Celtic/Irish
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Connie Boss
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Siuil A Ruin Solo, Flute and V
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Connie Boss
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SheetMusicPlus
Small Ensemble Flute,Guitar,Violin,Voice - Level 2 - Digital Download SKU: A0.801741 Arranged by Connie Boss. Celtic. Score and parts. 3 pages. Connie Bo...
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Small Ensemble Flute,Guitar,Violin,Voice - Level 2 - Digital Download SKU: A0.801741 Arranged by Connie Boss. Celtic. Score and parts. 3 pages. Connie Boss #6684107. Published by Connie Boss (A0.801741). This version has a vocal solo, flute and violin instruments to accent the melody. cdboss@cvalley.net for questions.Siúil, siúil, siúil a rúnSiúil go sochair agus siúil go ciúinSiúil go doras agus éalaigh liomIs go dté tú mo mhúirnÃn slánI wish I was on yonder hill'Tis there I'd sit and cry my fillUntil every tear would turn a millIs go dté tú mo mhúirnÃn slánSiúil, siúil, siúil a rúnSiúil go sochair agus siúil go ciúinSiúil go doras agus éalaigh liomIs go dté tú mo mhúirnÃn slánI'll sell my rock, I'll sell my reelI'll sell my only spinning wheelTo buy my love a sword of steelIs go dté tú mo mhúirnÃn slánSiúil, siúil, siúil a rúnSiúil go sochair agus siúil go ciúinSiúil go doras agus éalaigh liomIs go dté tú mo mhúirnÃn slánI wish, I wish, I wish in vainI wish I had my heart againAnd vainly think I'd not complainIs go dté tú mo mhúirnÃn slánSiúil, siúil, siúil a rúnSiúil go sochair agus siúil go ciúinSiúil go doras agus éalaigh liomIs go dté tú mo mhúirnÃn slán
$5.50 ≈
4.91€
Last Of The Summer Wine Theme
Last Of The Summer Wine Theme
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Flute and Guitar
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EASY
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Contemporary
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Ronald Hazlehurst and Ronnie H
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Derek Hasted
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Last Of The Summer Wine Theme
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.797798 Composed by Ronald Hazlehurst and Ronnie Hazlehurst. Arrange...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.797798 Composed by Ronald Hazlehurst and Ronnie Hazlehurst. Arranged by Derek Hasted. Contemporary. Score and parts. 6 pages. Derek Hasted #6109033. Published by Derek Hasted (A0.797798). LAST OF THE SUMMER WINE - FLUTE and GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming piece has become incredibly well-known in the UK as the theme tune to the TV series of the same name - one of the UK’s longest running comedies.The music elegantly captures the calm of country life and the simplicity of times gone by, and makes for a refreshing and accessible concert item whether you know the original music or not.The guitar part is all in first position with just a few straightforward barré chords that are comfortable and easy to reach. The rather scary-looking Gb major chord at the end is enharmonically correct - it’s based on a flattened second to the final key of F. But guitarists will probably prefer to think of it as F# major, which is a familiar chord in guitar repertoire, and there’s no need for a barré for this one either!This music is set in the key of the original TV soundtrack. I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99 ≈
4.46€
Ale Vasserlech for mezzo, flute, cello and guitar (mp3)
Ale Vasserlech for mezzo, flute, cello and guitar (mp3)
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Carla Moraga
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David Warin Solomons
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Ale Vasserlech for mezzo, flut
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David Warin Solomons
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SheetMusicPlus
Cello,Flute,Guitar,Medium Voice - Level 4 - Digital Download SKU: A0.1396707 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza TohÃ...
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Cello,Flute,Guitar,Medium Voice - Level 4 - Digital Download SKU: A0.1396707 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo GarcÃa (cello). By Traditional. Arranged by David Warin Solomons. Folk,Multicultural,Traditional,World. Full Performance. Duration 177. David Warin Solomons #980048. Published by David Warin Solomons (A0.1396707). Based on a traditional Yiddish folk song[Lyrics - English version below]Ale vasserlech flisn avek, di gribelech blaybn leydik.   Nito aza mentsh oyf gor der velt, vos zol farsteyn mayn veytik. Di yorelech tsien, di yorelech flien, di tsayt geyt avek vi roych, un az ich dermon zich on dir, mayn zis lebn, geyt mir oys der ko'ech.Un aza meydele shpilt a libe, shpilt in ir alle farbn un az zi shpilt ir libe nit oys, ken zi cholile noch shtarbn. Un az de tepelech trinkenen oys blaybn zey ale leydik un az a meydele firt ir libe nit oys vert zi farfalln oyf eybik. All the little waters flow awayThe little ditches remain dryThere is nobody on this whole earthwho can understand my painThe years drag on, the years fleeTime goes away like smokeand when I think of you, my sweet lifeI lose my strengthAnd when a young girl plays at loveall the colours play in herand if she doesn't play her love for realshe can - God forbid - still die.And when the water jars run outthey all remain dryand when a young girl doesn't play her love for realshe will pine away for ever.
$4.50 ≈
4.02€
Opera Scenes for Women
Opera Scenes for Women
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Philip Seward
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Opera Scenes for Women
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Music Anon
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1353635 Composed by Philip Seward. 21st Century,Broadway,Chamber,Contemporary,Musical/Show,Opera. ...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1353635 Composed by Philip Seward. 21st Century,Broadway,Chamber,Contemporary,Musical/Show,Opera. Score. 79 pages. Music Anon #938378. Published by Music Anon (A0.1353635). Music by Philip Seward • Libretti by Joan Mazzonelli & Philip SewardThis volume offers four scenes for women singers for use in opera scene study and performance. There are a wide range of characters represented and various musical styles. The first is from High Fidelity which has been adapted from Anton Chekhov’s The Bear and George Bernard Shaw’s How He Lied to Her Husband. There are also references to Wolfgang Amadeus Mozart’s Cosà fan tutte later in the score. In this opening scene, Aurora Wentworth is practicing the mourning she believes society expects of her while her cousin, Georgina, from Milwaukee arrives to spice up the summer morning.The second scene from Dorabella’s Daughters finds Anabella trapped in a woodsman’s cottage the day after her wedding. The opera opens at the wedding reception for her stepsister Cinderella where Annabella is particularly spiteful. In a fury, she marries the next man who walks in the room — as it happens,  a woodsman — or so she thinks. In this scene she is mourning her fate. Her younger sister, Brendella comes to visit and the two are joined later by their very happy stepsister, Cinderella.The third scene from The Passion of John presents three women with their own perspectives on Jesus in this stylized presentation of the Gospel of John. The first singer offers the perspective of the gospel, the second presents a firsthand narrative of the Samaritan woman and the third is the woman who was accused of adultery. All three are accompanied by a women’s choral ensemble, flute, classical guitar and cello.The final scene in this collection comes from The Proposal. The opera is composed as two loosely joined acts where the first is sung by four women and the second by three men. The action concerns the aftermath of a proposal of marriage where the woman, Eve, asks for time to consider. The unexpected response sends Sam into a bit of a tailspin. In this scene, from the end of the first act Eve is arguing with three versions of herself in the middle of the night: the romantic, the maternal and the one focused on career. The scene opens right after Eve-Romantic has just waxed poetic about the perfect fairytale romance.
$45.00 ≈
40.20€
Andante Cantabile, from Sonata for Flute, Cello, and Guitar
Andante Cantabile, from Sonata for Flute, Cello, and Guitar
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Bob Delfausse
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Andante Cantabile, from Sonata
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Robert Delfausse
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SheetMusicPlus
Small Ensemble Cello,Flute,Guitar - Level 5 - Digital Download SKU: A0.766953 Composed by Bob Delfausse. Concert,Contemporary,Standards. Score and parts....
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Small Ensemble Cello,Flute,Guitar - Level 5 - Digital Download SKU: A0.766953 Composed by Bob Delfausse. Concert,Contemporary,Standards. Score and parts. 18 pages. Robert Delfausse #2549339. Published by Robert Delfausse (A0.766953). This is the slow movement from my Sonata for Flute, Cello, and Guitar, which I wrote for the wonderful trio Tritonis. The 10/8 time signature allows the musicians to play in either 5/4 (5 quarter-note beats) or a 10/8 that divides the bar into two groups of 5 eighth notes. For most of the piece, the musicians play in these opposing meters at the same time. If you listen to the MP3 on this website, I think you'll find that the effect is not at all disjointed, and actually heightens the lyricism of the music. The piece is suitable for advanced or professional musicians. Duration: 4 minutes, 53 seconds.
$20.00 ≈
17.87€
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Think on for flute and guitar
