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The Seven Last Words of Christ (Piano Vocal Score)
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You've selected:
The Seven Last Words of Christ (Piano Vocal Score)
Sheetmusic to print
7 sheet music found
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1
The Seven Last Words of Christ (Piano/Vocal Score)
The Seven Last Words of Christ (Piano/Vocal Score)
Piano,Organ,Voice,Tenor Voice,SATB
#
Sacred music
#
Gospel/Spiritual
#
Stephen DeCesare
#
The Seven Last Words of Christ
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Exultet Music
#
SheetMusicPlus
Composed by Stephen DeCesare. Christian, Gospel, Spiritual, Sacred, Easter. Score. 106 pages. Published by Exultet Music (S0.45877). - Score - Christian,Gospel,...
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Composed by Stephen DeCesare. Christian, Gospel, Spiritual, Sacred, Easter. Score. 106 pages. Published by Exultet Music (S0.45877). - Score - Christian,Gospel,Spiritual,Sacred,Easter - Exultet Music
$25.00 ≈
$34.52
The Seven Last Words Of Christ (Choir/Vocal Score)
The Seven Last Words Of Christ (Choir/Vocal Score)
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Choral SATB
#
EASY
#
Sacred music
#
Stephen DeCesare
#
The Seven Last Words Of Christ
#
Exultet Music
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.618695 By Stephen DeCesare. By Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. 51 pag...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.618695 By Stephen DeCesare. By Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. 51 pages. Exultet Music #484931. Published by Exultet Music (A0.618695). A sacred cantata that is accessible for any level of performance (professional to the average church choir). This piece utilizes the Seven Last Words of Christ in conjunction with inspired hymns and songs. Scored for Solo, Tenor Solo, SATB, Piano/Organ. Songs included are: Overture * Forgive Them, O My Father * By His Wounds * Near The Cross Was Mary Weeping * My God, My God * What Have I Done To You? * When I See My Savior * Father, Into Your Hands * What Have We Done? Each of these pieces are also available separately on this site. A Vocal Score, Full Score, and Orchestra Parts are also available on this site. Note: this book is just the vocal parts with NO accompaniment. This is just so that the choir can have an easier time with less page turns.
$10.00 ≈
$13.81
Vocal Solo-Why Have You Forsaken Me? (Psalm 22) for soprano/tenor
Vocal Solo-Why Have You Forsaken Me? (Psalm 22) for soprano/tenor
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Piano, Voice
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INTERMEDIATE
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Sacred music
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Dan Cutchen
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Tenor: Eb3 to G4.
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Vocal Solo-Why Have You Forsak
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Dan Cutchen Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.844369 Composed by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score. 4 pages. Dan Cutchen Music #6329541. Pub...
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Piano,Vocal,Voice - Level 3 - SKU: A0.844369 Composed by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score. 4 pages. Dan Cutchen Music #6329541. Published by Dan Cutchen Music (A0.844369). Vocal solo with piano accompaniment. The text is based on Psalm 22:1-3.For soprano/tenor.Range: Soprano: Eb4 to G5; Tenor: Eb3 to G4. Historically, Psalm 22:1 is known as the fourth saying of the Seven Last Words of Christ.There is also a version for baritone/mezzo-soprano in the key of Eb.For the PIANO ACCOMPANIMENT track, please search for, Why Have You Forsaken Me? Key of G, Piano Accompaniment..
$5.99 ≈
$8.27
Vocal Solo-Why Have You Forsaken Me? (Psalm 22) for baritone/mezzo-soprano
Vocal Solo-Why Have You Forsaken Me? (Psalm 22) for baritone/mezzo-soprano
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Piano, Voice
#
INTERMEDIATE
#
Sacred music
#
Dan Cutchen
#
baritone: Bb2 to Eb4
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Vocal Solo-Why Have You Forsak
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Dan Cutchen Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.844370 Composed by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score. 4 pages. Dan Cutchen Music #6329599. Pub...
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Piano,Vocal,Voice - Level 3 - SKU: A0.844370 Composed by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score. 4 pages. Dan Cutchen Music #6329599. Published by Dan Cutchen Music (A0.844370). Vocal solo with piano accompaniment. The text is based on Psalm 22:1-3.For mezzo-soprano/baritoneRange: mezzo-soprano: Bb3 to Eb5; baritone: Bb2 to Eb4 Historically, Psalm 22:1 is known as the fourth saying of the Seven Last Words of Christ.There is also a version for tenor/soprano in the key of G.For the PIANO ACCOMPANIMENT track, please search for, Dan Cutchen-Why Have You Forsaken Me? Key of Eb, Piano Accompaniment.The attached VIDEO is for soprano/tenor in the key of G.
$5.99 ≈
$8.27
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
#
Therese Brenet
#
Thérèse Brenet: Poème
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Small Ensemble Flute,Medium Voice,Piano - Level 4 - SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and pa...
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Small Ensemble Flute,Medium Voice,Piano - Level 4 - SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and parts. 39 pages. Musik Fabrik Music Publishing #45421. Published by Musik Fabrik Music Publishing (A0.532835). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$22.05 ≈
$30.45
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
#
String Orchestra
#
Contemporary
#
Therese Brenet
#
Thérèse Brenet: Poème
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419...
(+)
String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95 ≈
$35.84
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The Seven Last Words of Christ (Piano Vocal Score)
