All site ▾
All site▾
Free sheet music
Sheet music books
Digital sheet music
Musical equipment
My account
(log-in)
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music ▾
▽ INSTRUMENTS
ACCORDION
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET M…
BOOKS
BOUZOUKI
CELLO - VIOLO…
CHARANGO
CHOIR - VOCAL
CLARINET
CORNET
DOBRO - GUIT.…
DOUBLE BASS
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEORB
MANDOLIN
MARCHING BAND
MARIMBA
OBOE
ORCHESTRA - B…
ORGAN - ORGAO
OTHER INSTRUM…
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLA DA GAMB…
VIOLIN - FIDD…
XYLOPHONE
ZITHER
NEW ADDITIONS
|
GENRES
|
20th century
Afro-americans
Ballad
Baroque
Bluegrass
Blues
Brazilian/Choro
Celtic
Celebrations
Classical
Classical modern
Contemporary
National Anthems
Jazz
New age
Opera
Ragtime
Renaissance
Romantic
Sonata
Tango
Traditional
Waltz
Occitan song
Song
Chinese traditional
Ethnic
Klezmer
Flamenco
Folk
Japanese traditional
March
Medieval
Musette
Orientale
Pasodoble
French popular
Popular Dance
Reggae
Swing
Latin/World
INSTRUCTIONAL
:
Blank sheet music
Children
Dictionaries
Instructional methods
Music theory
Musicology
Rhythmic Solfege
Solfeges
Studies
SACRED
:
African Hymns
Chassidic
Christian
Christmas
Gospel
Gregorian
Israeli
Sacred Hymns
Wedding
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
TOP DOWNLOADS
|
TOP DOWNLOADS
TOP 100 SOCIAL RANKING
COMPOSERS
|
Member composers
Historical composers
All composers
INSTRUMENTATIONS
|
SOLO
DUET
TRIO
QUARTET
QUINTET
ENSEMBLE
ALL
ADVANCED SEARCH
|
Digital Sheet Music
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano sheet music
Piano solo
Piano, Voice, Guitar
Piano duet
Easy Piano
Piano Method
Methods
Studies
Organ sheet music
Organ solo
Organ duet
INSTRUMENTAL
|
Strings
Violin
Viola
Cello
Doublebass
Harp
Woodwinds
Flute
Clarinet
Oboe
Saxophone
Bassoon
Brass
Trumpet
Horn
Trombone
Tuba
Guitar
Guitar Tabs
Piano, Voice, Guitar
Bass
Folk
Accordion
Banjo
Dulcimer
Ukulele
Mandolin
Chamber music
String quartet
Wind quintet
Brass quintet
Handbells
ORCHESTRA
|
Concert Band
Jazz Ensemble
Jazz combo
Brass band
Marching band
Methods
Orchestra
String orchestra
CHOIR / VOICE
|
Choir
SATB
TTBB
SSAA
3-parts
2-parts
Voice
Piano, Voice, Guitar
Piano, Voice
Voice solo
Voice duet
GENRES
|
20th century
Asian
Bluegrass
Blues
Broadway / Musicals
Celtic
Christmas
Classical
Children
Country
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gospel
Halloween
Instructional
Instructional - Studies
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal / Hard
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alt.
Sacred / Church
Soul / Rap
Tango
Traditional
Video Game
Wedding / Love
CHRISTMAS
|
All Christmas
Christmas Piano
Christmas Guitar
Christmas Voice/Choir
Halloween
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
Music Sheet Library ▾
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano (all)
Beginner Piano
Easy Piano
Piano Solo
PVG
Best Sellers
New additions
GUITAR
|
Guitar (all)
Beginner Guitar
Easy Guitar
Guitar TAB
Guitar (without TAB)
Best Sellers
New additions
VOICE/CHORAL
|
Choral & Voice (all)
Solo voice
Choral 2-Part
Choral 3-Part
Choral SATB
Choral TTBB
Choral SSAA
Choral UNISON
Best Sellers
New additions
INSTRUMENTATIONS
|
BEST SELLERS
|
CHRISTMAS
|
GENRES
|
20th century
African
Asian
Bluegrass
Blues
Broadway / Musical
Celtic
Christmas
Classical
Country
Children
Eastern Europe
Exams
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gypsy jazz
Gospel
Halloween
Instructional
Instructional - Studies
Instructional - Chords/Scales
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alternative
Sacred / Church
Soul / Rap
Tango
Traditional
Video Games
Wedding / Love
SECTIONS
|
ARTISTS
PUBLISHERS
CLASSROOM
GIFT IDEAS
BOOKS ABOUT MUSIC
PLAY-ALONG
ADV.SEARCH
Musical Equipment ▾
GUITAR
|
KEYBOARD
|
PERCU.
|
STUDIO
|
SOFT
|
PA
|
LIGHT
|
DJ
|
MIC
|
EFFECTS
|
WINDS
|
TRAD.
|
FLIGHT
|
CABLES
|
ACC.
|
GIFT
|
BRANDS
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
The Belonging Co
Not classified
2
Piano & keyboards
Piano, Vocal and Guitar
5
Guitars
Bass guitar
1
Voice
Choral SATB
1
Woodwind
Woodbrass
Strings
Viola, Piano
1
Percussion & orchestra
Concert band
4
Piano and Orchestra
1
Orchestra
1
Others
Home
Best Sellers
New releases
Methods
Studies
Sellers
Sellers
Americans
At Musicnotes
At Sheetmusicplus
At Virtualsheetmusic
Europeans
At Tomplay
At Prof-Editions
At Note4piano
At Noviscore
At Quickpartitions
International artists list
French artists list
Top artists
Top artists
POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener
Christmas
Halloween
Easter
Wedding
Sacred
FREE SHEET MUSIC
183,000+ free sheet music
SHEET MUSIC LIBRARY
1,500,000+ buy and delivery
DIGITAL SHEET MUSIC
2,000,000+ buy and print
MUSICAL INSTRUMENTS
200,000+ buy and delivery
Sheet Music Membership ($37.75/year)
Digital sheet music, access after purchasing
Post mailing
Digital sheet music
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
The Belonging Co
Sheetmusic to print
16 sheet music found
<
1
Every Victory
Every Victory
#
Bass guitar
#
The Belonging Co
#
Daniel Roberts
#
Every Victory
#
Daniel P Roberts
#
SheetMusicPlus
Bass Guitar - SKU: A0.942006 By The Belonging Co (Feat. Danny Gokey). By Andrew Holt, Ben Cantelon, Danny Gokey, Joshua Silverberg, Kari Jobe, and Mitch...
(+)
Bass Guitar - SKU: A0.942006 By The Belonging Co (Feat. Danny Gokey). By Andrew Holt, Ben Cantelon, Danny Gokey, Joshua Silverberg, Kari Jobe, and Mitch Wong. Arranged by Daniel Roberts. Contemporary. Score. 5 pages. Daniel P Roberts #6888539. Published by Daniel P Roberts (A0.942006). LYRICS We will lift our eyes We won’t fear the fight There is one who’s stronger Hard pressed on each side We will not lose sight Of the one who’s greater One name, one name holds every victory One voice that silences the enemy One king who reigns for all eternity Jesus, Jesus On the battlefield Your power is revealed Giants fall defeated We are taking ground Walls are falling down In the mighty Name of Jesus Every victory is Yours Every victory is Yours You rose, You reign Death is buried in the grave Hell could not defy your name You rose, You reign Oh, the battle is the Lord’s Oh, the victory is Yours.
$4.99 ≈
$6.86
Peace Be Still by The Belonging Co feat. Lauren Daigle - Piano/Vocal/Chords, Singer Pro
#
Piano, Vocal and Guitar
#
Christian contemporary
#
The Belonging Co feat. Lauren
#
Peace Be Still
#
Musicnotes
Performed by: The Belonging Co feat. Lauren Daigle: Peace Be Still Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano...
(+)
Performed by: The Belonging Co feat. Lauren Daigle: Peace Be Still Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 10 pages -- CCM~~Christian~~Religious~~Praise & Worship
$5.99 ≈
$8.24
Isn't He (This Jesus) by The Belonging Co feat. Natalie Grant - Piano/Vocal/Chords, Singer Pro
#
Piano, Vocal and Guitar
#
Gospel/Spiritual
#
Christian contemporary
#
The Belonging Co feat. Natalie
#
Isn't He (This Jesus)
#
Musicnotes
Performed by: The Belonging Co feat. Natalie Grant: Isn't He (This Jesus) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, down...
(+)
Performed by: The Belonging Co feat. Natalie Grant: Isn't He (This Jesus) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 9 pages -- Gospel~~CCM~~Christian~~Religious~~Praise & Worship
$5.99 ≈
$8.24
Peace Be Still
Peace Be Still
#
Viola, Piano
#
EASY
#
Contemporary
#
The Belonging Co
#
Sylvia Phillips
#
Peace Be Still
#
Sylvia Phillips
#
SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.927072 By The Belonging Co. Feat. Lauren Daigle. By Andrew Holt, Hope Darst, Mia Fieldes, Mia Fields, and Michael W. Smi...
(+)
Piano,Viola - Level 2 - SKU: A0.927072 By The Belonging Co. Feat. Lauren Daigle. By Andrew Holt, Hope Darst, Mia Fieldes, Mia Fields, and Michael W. Smith. Arranged by Sylvia Phillips. Contemporary. Score and part. 7 pages. Sylvia Phillips #5726151. Published by Sylvia Phillips (A0.927072). This is a simplified arrangement of Hope Darst's new song, Peace Be Still.
$4.99 ≈
$6.86
Peace Be Still
Peace Be Still
#
Contemporary
#
The Belonging Co
#
Sylvia Phillips
#
Peace Be Still
#
Sylvia Phillips
#
SheetMusicPlus
Small Ensemble Flute,Piano Accompaniment,Soprano Recorder,Violin - Level 2 - SKU: A0.927071 By The Belonging Co. Feat. Lauren Daigle. By Andrew Holt, Ho...
(+)
Small Ensemble Flute,Piano Accompaniment,Soprano Recorder,Violin - Level 2 - SKU: A0.927071 By The Belonging Co. Feat. Lauren Daigle. By Andrew Holt, Hope Darst, Mia Fieldes, Mia Fields, and Michael W. Smith. Arranged by Sylvia Phillips. Contemporary. Score and parts. 9 pages. Sylvia Phillips #5726133. Published by Sylvia Phillips (A0.927071). This is a simplified arrangement of Hope Darst's new song, Peace Be Still.
$4.99 ≈
$6.86
Peace Be Still
Peace Be Still
#
Contemporary
#
The Belonging Co
#
Diane M
#
Peace Be Still
#
Diane M. McGahee
#
SheetMusicPlus
Small Ensemble - SKU: A0.769320 By The Belonging Co. Feat. Lauren Daigle. By Andrew Holt, Hope Darst, Mia Fieldes, Mia Fields, and Michael W. Smith. Arr...
(+)
Small Ensemble - SKU: A0.769320 By The Belonging Co. Feat. Lauren Daigle. By Andrew Holt, Hope Darst, Mia Fieldes, Mia Fields, and Michael W. Smith. Arranged by Diane M. McGahee. Contemporary. Score and parts. 8 pages. Diane M. McGahee #5895387. Published by Diane M. McGahee (A0.769320).
$4.99 ≈
$6.86
Turn Your Eyes
Turn Your Eyes
#
Choral SATB
#
INTERMEDIATE
#
Contemporary
#
The Belonging Co
#
Christopher R
#
Turn Your Eyes
#
Christopher Brown
#
SheetMusicPlus
By The Belonging Co. By Andrew Holt, Bernie Herms, Daniella Mason, and Natalie Grant. Arranged by Christopher R. Brown. Contemporary. Octavo. 37 pages...
(+)
By The Belonging Co. By Andrew Holt, Bernie Herms, Daniella Mason, and Natalie Grant. Arranged by Christopher R. Brown. Contemporary. Octavo. 37 pages. Christopher Brown #6383413. Published by Christopher Brown
$1.99 ≈
$2.74
Peace Be Still
Peace Be Still
#
Piano, Vocal and Guitar
#
Christian contemporary
#
Hope Darst and The Belonging
#
Peace Be Still
#
Hal Leonard - Digital
#
SheetMusicPlus
By Hope Darst and The Belonging Co. feat. Lauren Daigle. This edition: Interactive Download. Christian. Piano/Vocal/Guitar. 7 pages. Published by Ha...
(+)
By Hope Darst and The Belonging Co. feat. Lauren Daigle. This edition: Interactive Download. Christian. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital
$4.99 ≈
$6.86
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
#
Orchestra
#
INTERMEDIATE
#
Patriotic
#
Manuel de Espinosa de los Mo
#
Keith Terrett
#
Spanish National Anthem for Sy
#
Music for all Occasions
#
SheetMusicPlus
Full Orchestra - Intermediate - Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, P...
(+)
Full Orchestra - Intermediate - Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!
The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.
One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.
There is a false belief that Marcha Real?s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II?s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.
According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II?s reign.
After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII?s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.
The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas? Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.
Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873?74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931?1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country?s national anthem, under its old title of La Marcha Granadera.
Interpretation and etiquette:
Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.
The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.
Being the National Anthem, and in honor of the King and Queen of Spain, it?s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.
The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.
The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.
There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.
As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas? estate in 1997 for 130,000,000 pesetas (~ ? 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.
As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00 ≈
$53.64
For A Few Dollars More
For A Few Dollars More
#
Concert band
#
INTERMEDIATE
#
Film/TV
#
Ennio Morricone
#
Lorenzo Bocci
#
For A Few Dollars More
#
Lorenzo Bocci
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1406100 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 84 pages. Lorenzo Bocci #989191. ...
(+)
Concert Band - Level 3 - SKU: A0.1406100 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 84 pages. Lorenzo Bocci #989191. Published by Lorenzo Bocci (A0.1406100). FOR A FEW DOLLARS MORE - PER QUALCHE DOLLARO IN PIÙ - TITOLIfor Concert Band (with Fanfare Band parts) - Grade 3 -  Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With optional Choir (TB). Score and parts. With Fanfare Band parts. Duration 2'48''. Published by Lorenzo Bocci.Create For A Few Dollars More Suite (Per Qualche Dollaro In Più Suite) with:- La Resa Dei Conti - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Il Vizio Di Uccidere - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Addio Colonnello - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Titoli Instrumentation:Full Score, Piccolo, Flute 1, 2, Oboe, English Horn, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Timpani, Percussion 1 (Snare Drum, Ride Cymbal), Percussion 2 (Bass Drum, Whip), Guitar, Choir (TB).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.For a Few Dollars More (Per qualche dollaro in più) is a 1965 Spaghetti Western film directed by Sergio Leone. It stars Clint Eastwood and Lee Van Cleef as bounty hunters and Gian Maria Volonté as the primary villain. The film was an international co-production between Italy, West Germany, and Spain. The film was released in the United States in 1967, and is the second part of what is commonly known as the Dollars Trilogy. The musical score was composed by Ennio Morricone, who had previously collaborated with director Leone on A Fistful of Dollars. The music is notable for its blend of diegetic and non-diegetic moments through a recurring motif that originates from the identical pocket watches belonging to El Indio and Colonel Mortimer. Subscribe to my YouTube Channel to stay updated on new releases.
$89.00 ≈
$122.40
Per Qualche Dollaro In Piu'
Per Qualche Dollaro In Piu'
#
Concert band
#
INTERMEDIATE
#
Film/TV
#
Ennio Morricone
#
Lorenzo Bocci
#
Per Qualche Dollaro In Piu'
#
Lorenzo Bocci
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1406096 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 68 pages. Lorenzo Bocci #989187. ...
(+)
Concert Band - Level 3 - SKU: A0.1406096 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 68 pages. Lorenzo Bocci #989187. Published by Lorenzo Bocci (A0.1406096). FOR A FEW DOLLARS MORE - PER QUALCHE DOLLARO IN PIÙ - LA RESA DEI CONTIfor Concert Band (with Fanfare Band parts) - Grade 3 -  Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 3'02''. Published by Lorenzo Bocci.Create For A Few Dollars More Suite (Per Qualche Dollaro In Più Suite) with:- La Resa Dei Conti - Il Vizio Di Uccidere - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Addio Colonnello - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Titoli - YouTube ScorePlay - Sheet Music Direct - Sheet Music PlusInstrumentation:Full Score, Flute 1, 2, Oboe, English Horn, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Timpani, Percussion 1 (Snare Drum), Percussion 2 (Bass Drum, Castanets), Glockenspiel.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.For a Few Dollars More (Per qualche dollaro in più) is a 1965 Spaghetti Western film directed by Sergio Leone. It stars Clint Eastwood and Lee Van Cleef as bounty hunters and Gian Maria Volonté as the primary villain. The film was an international co-production between Italy, West Germany, and Spain. The film was released in the United States in 1967, and is the second part of what is commonly known as the Dollars Trilogy. The musical score was composed by Ennio Morricone, who had previously collaborated with director Leone on A Fistful of Dollars. The music is notable for its blend of diegetic and non-diegetic moments through a recurring motif that originates from the identical pocket watches belonging to El Indio and Colonel Mortimer. Subscribe to my YouTube Channel to stay updated on new releases.
$89.00 ≈
$122.40
Vice Of Killing
Vice Of Killing
#
Concert band
#
INTERMEDIATE
#
Film/TV
#
Ennio Morricone
#
Lorenzo Bocci
#
Vice Of Killing
#
Lorenzo Bocci
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1406098 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 67 pages. Lorenzo Bocci #989189. ...
(+)
Concert Band - Level 3 - SKU: A0.1406098 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 67 pages. Lorenzo Bocci #989189. Published by Lorenzo Bocci (A0.1406098). FOR A FEW DOLLARS MORE - PER QUALCHE DOLLARO IN PIÙ - IL VIZIO DI UCCIDEREfor Concert Band (with Fanfare Band parts) - Grade 3 -  Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 2'17''. Published by Lorenzo Bocci.Create For A Few Dollars More Suite (Per Qualche Dollaro In Più Suite) with:- La Resa Dei Conti - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Il Vizio Di Uccidere - Addio Colonnello - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Titoli - YouTube ScorePlay - Sheet Music Direct - Sheet Music PlusInstrumentation:Full Score, Soprano, Flute 1, 2, Oboe, English Horn, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Timpani, Percussion 1 (Snare Drum), Percussion 2 (Bass Drum), Guitar.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.For a Few Dollars More (Per qualche dollaro in più) is a 1965 Spaghetti Western film directed by Sergio Leone. It stars Clint Eastwood and Lee Van Cleef as bounty hunters and Gian Maria Volonté as the primary villain. The film was an international co-production between Italy, West Germany, and Spain. The film was released in the United States in 1967, and is the second part of what is commonly known as the Dollars Trilogy. The musical score was composed by Ennio Morricone, who had previously collaborated with director Leone on A Fistful of Dollars. The music is notable for its blend of diegetic and non-diegetic moments through a recurring motif that originates from the identical pocket watches belonging to El Indio and Colonel Mortimer. Subscribe to my YouTube Channel to stay updated on new releases.
$89.00 ≈
$122.40
Addio Colonnello
Addio Colonnello
#
Concert band
#
EASY
#
Film/TV
#
Ennio Morricone
#
Lorenzo Bocci
#
Addio Colonnello
#
Lorenzo Bocci
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1406099 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 59 pages. Lorenzo Bocci #989190. ...
(+)
Concert Band - Level 2 - SKU: A0.1406099 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 59 pages. Lorenzo Bocci #989190. Published by Lorenzo Bocci (A0.1406099). FOR A FEW DOLLARS MORE - PER QUALCHE DOLLARO IN PIÙ - ADDIO COLONNELLOfor Concert Band (with Fanfare Band parts) - Grade 2,5 -  Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 1'39''. Published by Lorenzo Bocci.Create For A Few Dollars More Suite (Per Qualche Dollaro In Più Suite) with:- La Resa Dei Conti - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Il Vizio Di Uccidere - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Addio Colonnello - Titoli - YouTube ScorePlay - Sheet Music Direct - Sheet Music PlusInstrumentation:Full Score, Flute 1, 2, Oboe, English Horn, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Glockenspiel.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.For a Few Dollars More (Per qualche dollaro in più) is a 1965 Spaghetti Western film directed by Sergio Leone. It stars Clint Eastwood and Lee Van Cleef as bounty hunters and Gian Maria Volonté as the primary villain. The film was an international co-production between Italy, West Germany, and Spain. The film was released in the United States in 1967, and is the second part of what is commonly known as the Dollars Trilogy. The musical score was composed by Ennio Morricone, who had previously collaborated with director Leone on A Fistful of Dollars. The music is notable for its blend of diegetic and non-diegetic moments through a recurring motif that originates from the identical pocket watches belonging to El Indio and Colonel Mortimer. Subscribe to my YouTube Channel to stay updated on new releases.
$79.00 ≈
$108.65
Concerto
Concerto
#
Piano and Orchestra
#
ADVANCED
#
Contemporary
#
Gyorgy Ligeti
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
(+)
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
$32.99
<
1
The Belonging Co
