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Tango Time: String Bass
Sheetmusic to print
15 sheet music found
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1
Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
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Bassoon, Piano (duet)
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ADVANCED
#
Contemporary
#
Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry Pélicant. 20th Century,Concert,Contemporary. Score and part. 25 pages. M...
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Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry Pélicant. 20th Century,Concert,Contemporary. Score and part. 25 pages. Musik Fabrik Music Publishing #6230963. Published by Musik Fabrik Music Publishing (A0.534689). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the piano reduction and solo part. The score is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$19.95 ≈
17.82€
Dance Sequences for Double Bass Quartet
Dance Sequences for Double Bass Quartet
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4 Double Basses
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INTERMEDIATE/ADVANCED
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Contemporary
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Graham Boag
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Dance Sequences for Double Bas
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Graham Boag
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SheetMusicPlus
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.780067 Composed by Graham Boag. Contemporary. Individual part. 64 pages. Graham Boag #6...
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.780067 Composed by Graham Boag. Contemporary. Individual part. 64 pages. Graham Boag #6211521. Published by Graham Boag (A0.780067). Dance Sequences was composed during the first lockdown of last year. It is in four movements each with its own character.Prelude - ‘Pagan Dance’ is highly rhythmic with angular melodic lines throughout with some release in the middle of all the raw emotion. As a result of this there is no clear tonal center in this movement. Perhaps a reflection on what was going on in the World at that point.Lament – ‘Slow Dance’ is more reflective almost Hymn like in its approach and has a clear tonal center around C minor with lyrical lines being passed from Bass 1 to Bass 2.The Wonky Waltz is more lighthearted in style as the title suggests it doesn’t quite know what to be with changing time signatures, perhaps a hint of the Tango thrown in before we finally feel a ‘Waltz’ pulse in the final few bars.Final Dance is another energetic movement that combines simple and compound time signatures to give a feeling of constant change and rhythmic contrast. The rhythmic pulse is highlighted with the use of Col Legno in two sections giving a more of a percussive effect. As the movement builds to the final Bartok pizz snap by all four players the ensemble are in homophonic harmony.I hope you enjoy listening to ‘Dance Sequences’.This audio was produced using NotePerformer 3 in Sibelius Ultimate, just follow this YouTube link:https://youtube.com/playlist?list=PLUIBlHeZRjGSMoBRLoqwwGVGzdsBNeWOaI am delighted to finally be able to announce that the sheet music is now available for purchase and I would love to hear from any ensembles that perform this.Many thanks.
$34.99 ≈
31.26€
New Tango No. 1: Movement
New Tango No. 1: Movement
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Jazz Ensemble
#
ADVANCED
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Roger Aldridge
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New Tango No. 1: Movement
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979627 Composed by Roger Aldridge. Contemporary,Jazz,World. Score and parts. 11 pages. R...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979627 Composed by Roger Aldridge. Contemporary,Jazz,World. Score and parts. 11 pages. Roger Aldridge #119381. Published by Roger Aldridge (A0.979627). New Tango No. 1: Movement (for jazz soloist, 5 wind instruments, and rhythm section) is an abstract piece. Inspired by the tango, it invokes dance movement as well as explores movement in and out of time in the music. The soloist's part is entirely improvised. The rhythm section goes between time and free-time. The soloist cues the rhythm section on when to make time and harmonic changes. The background ensemble is in free-time with each note conducted. During solos the background ensemble can improvise interactions with the soloist. This piece is highly dependent upon the soloist and ensemble to bring the music to life and take the audience on a journey. Space and understatement are important features of this music. The open, floating free-time melody and the space between its phrases enable the rhythm section to have a prominent role in playing layers of lines, textures, and colors. Using accordion and guitar (along with piano, bass, and drums) is highly recommended. A string instrument(s) such as violin or cello can improvise additional layers with the rhythm section. One of my essential concepts in this piece is for the ensemble to have the sound of a tango band (as closely as possible); however, the music has a great amount of freedom. The score was originally conceived for woodwind quintet (with alto flute). Alternate parts are provided for an assortment of commonly-used wind instruments. In this way, the piece can be performed by various combinations of instruments. As another possibility, two (or more) musicians can be used on each wind instrument part. This option of having doubled parts -- with either same or different instruments on a part -- is an easy way for larger ensembles to perform this music. PARTS: The set of parts is available at NEW TANGO NO. 1: MOVEMENT PARTS (S0.84827). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
$10.00 ≈
8.93€
All Time High
All Time High
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Rita Coolidge
#
John Langley for Studio Orches
#
All Time High
#
www.studio-orchestrations.com
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrati...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporary,Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977260. Published by www.studio-orchestrations.com (A0.1393788). IMPORTANT: Please see note below about the key of this versionThis classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. This score and parts are a semitone/half-step higher (starting in F major) which might suit some female performers slightly better for range.  The original Rita Coolidge performancxe key (starting in E major) is dusky and mellow (ie. quite low) but is also available on this website.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00 ≈
107.20€
All Time High
All Time High
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Rita Coolidge
#
John Langley (for Studio Orche
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All Time High
#
www.studio-orchestrations.com
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrat...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days. Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00 ≈
107.20€
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Chamber Orchestra
#
ADVANCED
#
Contemporary
#
Thierry Pélicant
#
Thierry Pélicant: Concerto fo
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musi...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95 ≈
26.76€
Gaúcho (Corta-Jaca) - Contrabass Solo - W/Chords
Gaúcho (Corta-Jaca) - Contrabass Solo - W/Chords
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Double Bass
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INTERMEDIATE
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Chiquinha Gonzaga
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César Madeira
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Gaúcho
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Sheet Music To Play Editions
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SheetMusicPlus
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1310789 Composed by Chiquinha Gonzaga. Arranged by César Madeira. 19th Century,Child...
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1310789 Composed by Chiquinha Gonzaga. Arranged by César Madeira. 19th Century,Children,Latin,Multicultural,Romantic Period,World. Individual part. 2 pages. Sheet Music To Play Editions #899763. Published by Sheet Music To Play Editions (A0.1310789). Gaúcho (Corta-Jaca) - Brazilian Tango by Francisca Gonzaga. With Individual Contrabass Part with Chords. Enjoy it!Francisca Gonzaga, better known as Chiquinha Gonzaga (1847 – 1935) was a Brazilian composer, pianist and the first woman conductor in Brazil. Chiquinha Gonzaga was the first pianist of choro and author of the first carnival march, Ó Abre Alas (1899). Her plays and operettas, such as Forrobodó and JuritÃ, were a great success with the public because they used elements of Brazilian popular culture of the time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99 ≈
4.46€
Tango Time: String Bass
Tango Time: String Bass
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Doublebass (band part)
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Tango
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Loreta Fin
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Tango Time: String Bass
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Loreta Fin. For String Orchestra. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music...
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By Loreta Fin. For String Orchestra. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music
$5.99 ≈
5.35€
La Cumparsita
La Cumparsita
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Double bass, Piano (duet)
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EASY
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Gerardo Matos RodrÃguez, Ro
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Tom Drummond
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La Cumparsita
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Tom Drummond
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.1182566 Composed by Gerardo Matos RodrÃguez, Roberto Firpo. Arranged by Tom Drummon...
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Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.1182566 Composed by Gerardo Matos RodrÃguez, Roberto Firpo. Arranged by Tom Drummond. Latin,Multicultural,Patriotic,Traditional,World. Score and part. 9 pages. Tom Drummond #782311. Published by Tom Drummond (A0.1182566). A simple arrangement of the most famous tango of all time.
$4.00 ≈
3.57€
Gaúcho (Corta-Jaca) - Contrabass and Piano (Full Score and Parts)
Gaúcho (Corta-Jaca) - Contrabass and Piano (Full Score and Parts)
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Double bass, Piano (duet)
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INTERMEDIATE
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Chiquinha Gonzaga
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César Madeira
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Gaúcho
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Sheet Music To Play Editions
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1310787 Composed by Chiquinha Gonzaga. Arranged by César Madeira. 19th Century,Chil...
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Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1310787 Composed by Chiquinha Gonzaga. Arranged by César Madeira. 19th Century,Children,Classical,Contest,Festival,Romantic Period. Score and part. 9 pages. Sheet Music To Play Editions #899761. Published by Sheet Music To Play Editions (A0.1310787). Gaúcho (Corta-Jaca) - Brazilian Tango by Francisca Gonzaga. Arrangement for Contrabass and Piano. With Full Score and Individual Parts. Enjoy it!Francisca Gonzaga, better known as Chiquinha Gonzaga (1847 – 1935) was a Brazilian composer, pianist and the first woman conductor in Brazil. Chiquinha Gonzaga was the first pianist of choro and author of the first carnival march, Ó Abre Alas (1899). Her plays and operettas, such as Forrobodó and JuritÃ, were a great success with the public because they used elements of Brazilian popular culture of the time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99 ≈
6.24€
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pag...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95 ≈
34.80€
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 page...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95 ≈
26.76€
La Cumparsita
La Cumparsita
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Latin/World Music
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Gerardo Matos RodrÃguez
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Christian Morris
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La Cumparsita
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Hoopla Sheet Music
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1174988 Composed by Gerardo Matos RodrÃguez. Arranged by Christian...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1174988 Composed by Gerardo Matos RodrÃguez. Arranged by Christian Morris. Latin. Score and parts. 13 pages. Hoopla Sheet Music #775119. Published by Hoopla Sheet Music (A0.1174988). A new arrangement of “La Cumparsita,†a tango written in 1916 by the Uruguayan musician Gerardo Matos RodrÃguez. It is among the most famous and recognisable tangos of all time. The title translates as the little parade, and the first version was a tune with no lyrics. Later, Matos RodrÃguez produced a version with lyrics that begin: The parade of endless miseries marches around that sick being who will soon die of grief. However, the most popular version of the song is accompanied by lyrics by Pascual Contursi and is also known as Si supieras.
$9.99 ≈
8.92€
Corta-Jaca
Corta-Jaca
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Chiquinha Gonzaga
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John Ivor Holland
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Corta-Jaca
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John Ivor Holland
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1486745 Composed by Chiquinha Gonzaga. Arranged by John Ivor Holland. 19th Century,Multicultural,World. Brass Band. 30 pages. John Ivor Holland #1063811. Published by John Ivor Holland (A0.1486745). Corta-Jaca (sometimes known as 'Gaúcho') is one of the earliest Brazilian tangos to be published and Chiquinha Gonzaga's most recorded song - the title translates as 'cutting the jackfruit'. Originally published in 1895, it is performed frequently as a solo piece or in ensembles drawn from the Brazilian tradition, featuring guitars, flutes and strings. This arrangement for brass band makes this classic tango available to musicians around the world in an effort to celebrate the achievements of women composers through the centuries and making their music more accessible.
$49.99 ≈
44.66€
Once Upon A December
Once Upon A December
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Orchestra
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INTERMEDIATE/ADVANCED
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Lynn Ahrens and Stephen Flaher
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John Langley (for Studio Orche
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Once Upon A December
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1294475 Composed by Lynn Ahrens and Stephen Flaherty. Arranged by John Langley (for Studio Orchestrat...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1294475 Composed by Lynn Ahrens and Stephen Flaherty. Arranged by John Langley (for Studio Orchestrations). Broadway,Christmas,Film/TV,Historic,Musical/Show. Score and Parts. 110 pages. Www.studio-orchestrations.com #884842. Published by www.studio-orchestrations.com (A0.1294475). This beautiful haunting vocal ballad waltz is a much loved classic from the world of animated movies, featured in truly star-studded film ANASTASIA (voiced by Meg Ryan, John Cusack, Kelsey Grammer Hank Azaria & Kirsetn Dunst among many others). Written by Lynn Ahrens Stephen Flaherty, the writing team behind Tony award winning Broadway musical RAGTIME, this beautifully crafted song would fit any concert evening of music from animated classics, film, musicals and Christmas events.This arrangement is written for soprano soloist, full orchestra and optional choir. The orchestration is flexible and can be perfoirmed with smaller wind and brass forces if required.Instrumentation:2 FlutesOboeCor Anglais2 Clarinets2 Bassoons4 French Horns3 Trumpets3 TrombonesTubaTimpani2 PercussionHarpPianoSoprano soloistSATB Chorus [Optional]StringsOther related titles written by John Langley (Studio Orchestrations) which maybe of interest include:A Million Dreams (The Greatest Showman) https://www.sheetmusicdirect.com/en-US/se/ID_No/1305770/Product.aspxWhen you believe (The Prince of Egypt) https://www.sheetmusicdirect.com/en-US/se/ID_No/1369099/Product.aspxCome what may (Moulin Rouge)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1346777/Product.aspxEl Tango de Roxanne (Moulin Rouge) https://www.sheetmusicdirect.com/en-US/se/ID_No/1346335/Product.aspxMaadowlark (The Baker's Wife)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372145/Product.aspxDiamonds are forever (Title song)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372605/Product.aspxBarcelona [Freddie Mercury/Montserrat Caballe)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305928/Product.aspxSummer Wine [Lee Hazelwood/Nancy Sinatra]  https://www.sheetmusicdirect.com/en-US/se/ID_No/1151500/Product.aspxMalone's death (The Untoucahables) https://www.sheetmusicdirect.com/en-US/se/ID_No/1380919/Product.aspx.
$110.00 ≈
98.27€
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