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No Man No Cry
Sheetmusic to print
315 sheet music found
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1
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301
No Woman No Cry
No Woman No Cry
#
Mandolin
#
Bob Marley
#
No Woman No Cry
#
Hal Leonard - Digital
#
SheetMusicPlus
Mandolin - Digital Download SKU: HX.302500 By Bob Marley. Caribbean,Folk,Pop,Reggae. Mandolin chords/lyrics. 3 pages. Published by Hal Leonard - Digital ...
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Mandolin - Digital Download SKU: HX.302500 By Bob Marley. Caribbean,Folk,Pop,Reggae. Mandolin chords/lyrics. 3 pages. Published by Hal Leonard - Digital (HX.302500).
$1.99 ≈
1.88€
Bob Marley: No Woman No Cry - mandolin (chords only)
#
Mandolin
#
INTERMEDIATE
#
Folk/Rock
#
Bob Marley
#
Virtualsheetmusic
Instantly printable sheet music by Bob Marley for mandolin (chords only) of MEDIUM skill level. / folk,pop,reggae,caribbean
Instantly printable sheet music by Bob Marley for mandolin (chords only) of MEDIUM skill level. / folk,pop,reggae,caribbean
$4.97 ≈
4.70€
No Woman No Cry
No Woman No Cry
#
Piano solo
#
EASY
#
Bob Marley
#
Karya Sucipta
#
No Woman No Cry
#
Karya Sucipta
#
SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1455740 By Bob Marley. By Vincent Ford. Arranged by Karya Sucipta. Multicultural,Pop,Reggae,Rock,World. S...
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Piano Solo - Level 2 - Digital Download SKU: A0.1455740 By Bob Marley. By Vincent Ford. Arranged by Karya Sucipta. Multicultural,Pop,Reggae,Rock,World. Score. 8 pages. Karya Sucipta #1034838. Published by Karya Sucipta (A0.1455740). For reggae music lovers, you definitely know the song No Woman No Cry sung by Bob Marley. A legendary song that will always be in the hearts of reggae music fans. Let's play this piano solo with great enthusiasm. Hopefully it will be fun and entertained. Thank You.Bagi pecinta musik reggae, pasti mengenal lagu No Woman No Cry yang dinyayikan oleh Bob Marley. Lagu legendaris yang akan selalu ada di hati para penggemar musik reggae. Mari kita mainkan piano solo ini dengan bersemangat ria. Semoga menyenangkan dan terhibur. Terima Kasih.
$5.30 ≈
5.01€
No Woman No Cry
No Woman No Cry
#
Violin
#
INTERMEDIATE
#
Reggae
#
Bob Marley
#
Sandy Herrault
#
No Woman No Cry
#
Sandy Herrault
#
SheetMusicPlus
Violin Solo - Level 3 - Digital Download SKU: A0.791365 By Bob Marley. By Vincent Ford. Arranged by Sandy Herrault. Reggae. 16 pages. Sandy Herrault #669...
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Violin Solo - Level 3 - Digital Download SKU: A0.791365 By Bob Marley. By Vincent Ford. Arranged by Sandy Herrault. Reggae. 16 pages. Sandy Herrault #6698369. Published by Sandy Herrault (A0.791365). No Woman No Cry, for Solo Violin. This is my version of No Woman No Cry, as performed on Youtube in 2013. My solo part and the supporting violin and other parts are included.
$4.99 ≈
4.72€
No Woman No Cry
No Woman No Cry
#
Trumpet
#
EASY
#
Bob Marley
#
Leo Silva
#
No Woman No Cry
#
MP Sheet Music
#
SheetMusicPlus
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.546478 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. Individual pa...
(+)
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.546478 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. Individual part. 1 pages. MP Sheet Music #156497. Published by MP Sheet Music (A0.546478). No Woman, No Cry is the most re-recorded and acclaimed song in reggae history. Recorded in the studio in 1974 by Bob Marley & The Wailers for the album Natty Dread in 1974, the version that became best known was recorded live in London and released on the album Live! of 1975, having been considered the definitive one.[2] This is the version included in the Legend compilation which includes the singer's greatest hits. The song has been covered by several artists, including Rancid, NOFX, Boney M, Murder One, Joan Baez, Xavier Rudd, Jimmy Buffett, The Fugees, Sublime, Hugh Masekela and Gilberto Gil, musician and former minister of culture in Brazil. But only the ska punk band Spunge had permission from Marley's family to change the lyrics for their Room For Abuse album.
$4.99 ≈
4.72€
No Woman No Cry
No Woman No Cry
#
Flute
#
EASY
#
Bob Marley
#
Leo Silva
#
No Woman No Cry
#
MP Sheet Music
#
SheetMusicPlus
Flute Solo - Level 2 - Digital Download SKU: A0.546475 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. Individual part. 1 pag...
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Flute Solo - Level 2 - Digital Download SKU: A0.546475 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. Individual part. 1 pages. MP Sheet Music #156494. Published by MP Sheet Music (A0.546475). No Woman, No Cry is the most re-recorded and acclaimed song in reggae history. Recorded in the studio in 1974 by Bob Marley & The Wailers for the album Natty Dread in 1974, the version that became best known was recorded live in London and released on the album Live! of 1975, having been considered the definitive one.[2] This is the version included in the Legend compilation which includes the singer's greatest hits. The song has been covered by several artists, including Rancid, NOFX, Boney M, Murder One, Joan Baez, Xavier Rudd, Jimmy Buffett, The Fugees, Sublime, Hugh Masekela and Gilberto Gil, musician and former minister of culture in Brazil. But only the ska punk band Spunge had permission from Marley's family to change the lyrics for their Room For Abuse album.
$4.99 ≈
4.72€
No Woman No Cry
No Woman No Cry
#
Piano solo
#
EASY
#
Bob Marley
#
Christopher Benfield
#
No Woman No Cry
#
Christopher Benfield
#
SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.909906 By Bob Marley. By Vincent Ford. Arranged by Christopher Benfield. Reggae. Score. 1 pages. Christop...
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.909906 By Bob Marley. By Vincent Ford. Arranged by Christopher Benfield. Reggae. Score. 1 pages. Christopher Benfield #6363413. Published by Christopher Benfield (A0.909906). This arrangement of Bob Marley's No Woman No Cry is great for beginner piano players learning to play with two hands at the same time. Challenging and fun, this arrangement will help players learn to read notes and rhythms to a familiar song.
$4.99 ≈
4.72€
No Woman No Cry
No Woman No Cry
#
Easy Piano
#
INTERMEDIATE
#
Pop music
#
Bob Marley
#
Stanislav Borisov
#
No Woman No Cry
#
Lulu
#
SheetMusicPlus
Easy Piano - Level 3 - Digital Download SKU: A0.749007 By Bob Marley. By Vincent Ford. Arranged by Stanislav Borisov. Pop. Score. 6 pages. Lulu #3692145....
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Easy Piano - Level 3 - Digital Download SKU: A0.749007 By Bob Marley. By Vincent Ford. Arranged by Stanislav Borisov. Pop. Score. 6 pages. Lulu #3692145. Published by Lulu (A0.749007). This is an Intermediate arrangement of No Woman No Cry by Bob Marley, for solo piano.
$6.99 ≈
6.61€
No Woman No Cry
No Woman No Cry
#
Bob Marley
#
Leo Silva
#
No Woman No Cry
#
MP Sheet Music
#
SheetMusicPlus
Small Ensemble Cello,Viola,Violin,Voice - Level 2 - Digital Download SKU: A0.546474 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,...
(+)
Small Ensemble Cello,Viola,Violin,Voice - Level 2 - Digital Download SKU: A0.546474 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. Score and parts. 9 pages. MP Sheet Music #156493. Published by MP Sheet Music (A0.546474). No Woman, No Cry is the most re-recorded and acclaimed song in reggae history. Recorded in the studio in 1974 by Bob Marley & The Wailers for the album Natty Dread in 1974, the version that became best known was recorded live in London and released on the album Live! of 1975, having been considered the definitive one.[2] This is the version included in the Legend compilation which includes the singer's greatest hits. The song has been covered by several artists, including Rancid, NOFX, Boney M, Murder One, Joan Baez, Xavier Rudd, Jimmy Buffett, The Fugees, Sublime, Hugh Masekela and Gilberto Gil, musician and former minister of culture in Brazil. But only the ska punk band Spunge had permission from Marley's family to change the lyrics for their Room For Abuse album.
$12.99 ≈
12.28€
No Woman No Cry
No Woman No Cry
#
Alto Saxophone
#
EASY
#
Bob Marley
#
Leo Silva
#
No Woman No Cry
#
MP Sheet Music
#
SheetMusicPlus
Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.546481 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. Individual pa...
(+)
Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.546481 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. Individual part. 1 pages. MP Sheet Music #156500. Published by MP Sheet Music (A0.546481). No Woman, No Cry is the most re-recorded and acclaimed song in reggae history. Recorded in the studio in 1974 by Bob Marley & The Wailers for the album Natty Dread in 1974, the version that became best known was recorded live in London and released on the album Live! of 1975, having been considered the definitive one.[2] This is the version included in the Legend compilation which includes the singer's greatest hits. The song has been covered by several artists, including Rancid, NOFX, Boney M, Murder One, Joan Baez, Xavier Rudd, Jimmy Buffett, The Fugees, Sublime, Hugh Masekela and Gilberto Gil, musician and former minister of culture in Brazil. But only the ska punk band Spunge had permission from Marley's family to change the lyrics for their Room For Abuse album.
$4.99 ≈
4.72€
No Woman No Cry
No Woman No Cry
#
Tenor Saxophone
#
EASY
#
Bob Marley
#
Leo Silva
#
No Woman No Cry
#
MP Sheet Music
#
SheetMusicPlus
Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.546479 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. Individual p...
(+)
Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.546479 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. Individual part. 1 pages. MP Sheet Music #156498. Published by MP Sheet Music (A0.546479). No Woman, No Cry is the most re-recorded and acclaimed song in reggae history. Recorded in the studio in 1974 by Bob Marley & The Wailers for the album Natty Dread in 1974, the version that became best known was recorded live in London and released on the album Live! of 1975, having been considered the definitive one.[2] This is the version included in the Legend compilation which includes the singer's greatest hits. The song has been covered by several artists, including Rancid, NOFX, Boney M, Murder One, Joan Baez, Xavier Rudd, Jimmy Buffett, The Fugees, Sublime, Hugh Masekela and Gilberto Gil, musician and former minister of culture in Brazil. But only the ska punk band Spunge had permission from Marley's family to change the lyrics for their Room For Abuse album.
$4.99 ≈
4.72€
No Woman No Cry
No Woman No Cry
#
Saxophone (band part)
#
EASY
#
Bob Marley
#
Leo Silva
#
No Woman No Cry
#
MP Sheet Music
#
SheetMusicPlus
Soprano Saxophone Solo - Level 2 - Digital Download SKU: A0.546480 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. Individual...
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Soprano Saxophone Solo - Level 2 - Digital Download SKU: A0.546480 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. Individual part. 1 pages. MP Sheet Music #156499. Published by MP Sheet Music (A0.546480). No Woman, No Cry is the most re-recorded and acclaimed song in reggae history. Recorded in the studio in 1974 by Bob Marley & The Wailers for the album Natty Dread in 1974, the version that became best known was recorded live in London and released on the album Live! of 1975, having been considered the definitive one.[2] This is the version included in the Legend compilation which includes the singer's greatest hits. The song has been covered by several artists, including Rancid, NOFX, Boney M, Murder One, Joan Baez, Xavier Rudd, Jimmy Buffett, The Fugees, Sublime, Hugh Masekela and Gilberto Gil, musician and former minister of culture in Brazil. But only the ska punk band Spunge had permission from Marley's family to change the lyrics for their Room For Abuse album.
$4.99 ≈
4.72€
No Woman No Cry
No Woman No Cry
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Violin
#
EASY
#
Bob Marley
#
Leo Silva
#
No Woman No Cry
#
MP Sheet Music
#
SheetMusicPlus
Violin Solo - Level 2 - Digital Download SKU: A0.546476 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. 1 pages. MP Sheet Mus...
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Violin Solo - Level 2 - Digital Download SKU: A0.546476 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. 1 pages. MP Sheet Music #156495. Published by MP Sheet Music (A0.546476). No Woman, No Cry is the most re-recorded and acclaimed song in reggae history. Recorded in the studio in 1974 by Bob Marley & The Wailers for the album Natty Dread in 1974, the version that became best known was recorded live in London and released on the album Live! of 1975, having been considered the definitive one.[2] This is the version included in the Legend compilation which includes the singer's greatest hits. The song has been covered by several artists, including Rancid, NOFX, Boney M, Murder One, Joan Baez, Xavier Rudd, Jimmy Buffett, The Fugees, Sublime, Hugh Masekela and Gilberto Gil, musician and former minister of culture in Brazil. But only the ska punk band Spunge had permission from Marley's family to change the lyrics for their Room For Abuse album.
$4.99 ≈
4.72€
Overture for Strings No. 3 - Score Only
Overture for Strings No. 3 - Score Only
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 3 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
9.44€
Overture for Strings No. 5 - Score Only
Overture for Strings No. 5 - Score Only
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 5 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
9.44€
Overture for Strings No. 6 - Score Only
Overture for Strings No. 6 - Score Only
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 6 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
9.44€
Overture for Strings No. 4 - Score Only
Overture for Strings No. 4 - Score Only
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 4 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
9.44€
Overture for Strings No. 2 - Score Only
Overture for Strings No. 2 - Score Only
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 2 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
9.44€
Wynwood Walls
Wynwood Walls
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Stephen Goss
#
Wynwood Walls
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan...
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Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
$33.95 ≈
32.09€
No Woman, No Cry (Intermediate Level, Alto Sax)
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Saxophone
#
INTERMEDIATE
#
Bob Marley,Bob Marley and the
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No Woman, No Cry
#
Tomplay
Téléchargez la partition Saxophone No Woman, No Cry (niveau intermédiaire, sax alto) de Bob Marley. Partition pour Saxophone avec accomp. orchestre -- Reggae...
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Téléchargez la partition Saxophone No Woman, No Cry (niveau intermédiaire, sax alto) de Bob Marley. Partition pour Saxophone avec accomp. orchestre -- Reggae
5.99€
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No Man No Cry
