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Johann Sebastian Bach Fantasia and Fugue in A minor
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You've selected:
Johann Sebastian Bach Fantasia and Fugue in A minor
Sheetmusic to print
45 sheet music found
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1
26
Fantasia and Fugue in C minor, BWV 537 (Fuga)
Fantasia and Fugue in C minor, BWV 537 (Fuga)
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Cello (band part)
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INTERMEDIATE/ADVANCED
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Classical
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Johns Sebastian Bach
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Fillipe Mendel
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Fantasia and Fugue in C minor,
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Mendel Music Work
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.901168 Composed by Johns Sebastian Bach. Arranged by Fillipe Mendel. Baroque. Individual part. 20 pages. Mendel Music Wor...
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Cello Solo - Level 4 - SKU: A0.901168 Composed by Johns Sebastian Bach. Arranged by Fillipe Mendel. Baroque. Individual part. 20 pages. Mendel Music Work #3422503. Published by Mendel Music Work (A0.901168). Fantasia and Fugue in C minor, BWV 537 (Fuga), is a very famous piece of the field player Johann Sebastian Bach, written for sextet of cellos.
$4.50
Chromatic Fantasia and Fugue in D Minor BWV 903 by J. S. Bach
Chromatic Fantasia and Fugue in D Minor BWV 903 by J. S. Bach
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Guitar
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Chromatic Fantasia and Fugue i
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #30631EB. Published by Mel Bay Publica...
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Composed by Johann Sebastian Bach (1685-1750). Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #30631EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118249.
Johann Sebastian Bach most likely composed the Chromatic Fantasia and Fugue during his stay in Kothen between 1717 and 1723. Originally written for the harpsichord, the work was duly recognized as a masterpiece within its own era.Nestor Ausqui has taken extraordinary measures in creating a guitar transcription of this monumental piece. The fundamental tonality of D minor was retained to preserve the workas sonority, and the 6th string of the guitar had to be lowered to D to expand the guitaras range and adhere to the original key.The articulation of the piece often requires the use of the slur technique to maintain and enhance the legato effect in the melodic line. As the guitar has a more percussive character than the harpsichord, various inconveniences occur in the management or execution of the legato, but the transcriber has done his best to preserve the character of the original piece.Ausqui admits that the most arduous task was the fingering of the piece. He had to familiarize himself with Bachas intentions and avoid shortcuts and aberrations which would have depleted the original harmonies and melodies. In the process, he discovered that utilization of the open strings can subtly enhance the balance of right and left-hand duties to achieve the timbre the original score mandates.Written in standard notation only, with each line of music forming only one measure, this piece is meant for the classical guitarist willing to accept an interpretive challenge to reap enormous musical benefits.
$9.99
Bach - Fugue in A minor BWV 904b - Piano version
Bach - Fugue in A minor BWV 904b - Piano version
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Piano solo
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INTERMEDIATE
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Classical
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Santino Cara
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Santino Cara
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Bach - Fugue in A minor BWV 90
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1341946 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 5 pages. Santino Cara #92745...
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Piano Solo - Level 3 - SKU: A0.1341946 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 5 pages. Santino Cara #927457. Published by Santino Cara (A0.1341946). Fugue in A minor BWV 904b for Piano. Composed for organ around 1725 by Johann Sebastian Bach. Transcribed in Rome in 2019 by Santino Cara from Fantasia and Fugue.AllegroNote: BWV 904 (we have inserted the b Fugue to indicate the second movement of the Fantasia and Fugue).
$4.40
Bach - Fugue in A minor BWV 944b - Piano version
Bach - Fugue in A minor BWV 944b - Piano version
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Piano solo
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INTERMEDIATE
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Classical
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Santino Cara
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Santino Cara
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Bach - Fugue in A minor BWV 94
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1341947 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 11 pages. Santino Cara #9274...
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Piano Solo - Level 3 - SKU: A0.1341947 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 11 pages. Santino Cara #927458. Published by Santino Cara (A0.1341947). Fugue in A minor BWV 944b for Piano. Composed for organ around 1725 by Johann Sebastian Bach. Transcribed in Rome in 2019 by Santino Cara from Fantasia and Fugue.AllegroNote: BWV 944 (we have inserted the b Fugue to indicate the second movement of the Fantasia and Fugue).
$4.40
Bach - Fugue in A minor BWV 561b - Piano version
Bach - Fugue in A minor BWV 561b - Piano version
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Piano solo
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INTERMEDIATE
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Classical
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Santino Cara
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Santino Cara
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Bach - Fugue in A minor BWV 56
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1341940 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 8 pages. Santino Cara #92745...
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Piano Solo - Level 3 - SKU: A0.1341940 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 8 pages. Santino Cara #927451. Published by Santino Cara (A0.1341940). Fugue in A minor BWV 561b for Piano. Composed for organ (date unknown) by Johann Sebastian Bach. Transcribed for Piano in Rome in 2019 by Santino Cara.Allegro.Note: BWV 561 (we have inserted the b Fugue to indicate the second movement of the Fantasia and Fugue).
$4.40
JS Bach - Fugue in A Minor
JS Bach - Fugue in A Minor
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Classical
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Johann Sebastian Bach
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Wyatt Kuehster
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JS Bach - Fugue in A Minor
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Wyatt Kuehster
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SheetMusicPlus
Brass Ensemble - SKU: A0.919671 Composed by Johann Sebastian Bach. Arranged by Wyatt Kuehster. Baroque,Standards. Score and parts. 11 pages. Wyatt Kuehs...
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Brass Ensemble - SKU: A0.919671 Composed by Johann Sebastian Bach. Arranged by Wyatt Kuehster. Baroque,Standards. Score and parts. 11 pages. Wyatt Kuehster #4628291. Published by Wyatt Kuehster (A0.919671). Bach's Fugue in A Minor (from BWV 904: Fantasia and Fugue) arranged for brass quintet.The full Fantasia and Fugue, as well as individual parts are also available.
$5.50
Fantasia and Fugue in g minor
Fantasia and Fugue in g minor
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Classical
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Johann Sebastian Bach
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A
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Fantasia and Fugue in g minor
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ALEXANDER VIAZOVTSEV
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SheetMusicPlus
Large Ensemble Bass Clarinet,Contrabassoon,Flute,Horn,Oboe,Timpani - Level 2 - SKU: A0.1078052 Composed by Johann Sebastian Bach. Arranged by A. Viazovt...
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Large Ensemble Bass Clarinet,Contrabassoon,Flute,Horn,Oboe,Timpani - Level 2 - SKU: A0.1078052 Composed by Johann Sebastian Bach. Arranged by A. Viazovtsev. Classical,Spiritual. Score and parts. 37 pages. ALEXANDER VIAZOVTSEV #682259. Published by ALEXANDER VIAZOVTSEV (A0.1078052). This wonderful work by J. S. Bach is a powerful piece. In this version, the beauty of Bach’s counterpoint is ever more strong and dramatic.
$25.00
Fantasia and Fugue in C minor by J S Bach BWV 537 for Woodwind Quintet
Fantasia and Fugue in C minor by J S Bach BWV 537 for Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Woods Only
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Fantasia and Fugue in C minor
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.956902 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Concert,Instructional,S...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.956902 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Concert,Instructional,Standards,World. 38 pages. Woods Only, Arrangements #6480707. Published by Woods Only, Arrangements (A0.956902). This arrangement was written for woodwind quintet respecting the beautiful essence of the original work, however, with the sonority of chamber music. Not recommended for very beginners, however, it can be played by average students. It can be played in several ceremonies, academic recitals and concerts.The Fantasia that precedes the Fugue in C minor is a lamento pur sang. The rarefied notes floating high up seem to be lamenting some tragic loss or other. The sense of desolation is further reinforced by the dispirited, deep droning of the organ notes in the far distance. The lamento mood does not lessen on the introduction of the second theme, as now the notes start to descend breathlessly still further in pairs. Even after an extensive repetition of the two themes, we are still not done with the misery, as it closes with a question.
$14.99
Fantasia and Fugue G minor
Fantasia and Fugue G minor
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Piano solo
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Classical
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Johann Sebastian Bach, BWV 542
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Fazil Say
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Fantasia and Fugue G minor
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Schott Music - Digital
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SheetMusicPlus
Piano - SKU: S9.Q20440 By Johann Sebastian Bach, BWV 542. Composed by Fazil Say. This edition: Sheet music. The Virtuoso Piano Transcription Seri...
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Piano - SKU: S9.Q20440 By Johann Sebastian Bach, BWV 542. Composed by Fazil Say. This edition: Sheet music. The Virtuoso Piano Transcription Series. Downloadable. Volume op. 24, Op Band 15. Duration 13 minutes. Schott Music - Digital #Q20440. Published by Schott Music - Digital (S9.Q20440). Key: G minor.The Turkish pianist and composer Fazıl Say has from the age of six begun each day with the performance of a keyboard work by Bach; his concert programmes include both numerous original compositions and transcriptions. His own piano transcriptions of the well-known Passacaglia and Fugue in C minor and the Fantasy and Fugue in g minor are neither mere incorporations of the pedal voice with its almost continous ostinato theme into the left hand of the piano part, nor purely virtuoso ornamentations of the original version. His intention is to produce an imaginative transcription of the relatively two-dimensional organ registration by adding the tonal elements which are possibile to play on the piano.
$11.99
Fugue in G minor (BWV 542) (from "Fantasia and Fugue") by JS Bach - Arranged for 2 pianos
Fugue in G minor (BWV 542) (from "Fantasia and Fugue") by JS Bach - Arranged for 2 pianos
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2 Pianos, 4 hands
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Classical
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Johann Sebastian Bach
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Pietro Prugna
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Fugue in G minor
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.497957 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Wedding. Score. 2...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.497957 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Wedding. Score. 27 pages. Published by Pietro Prugna (A0.497957). JS Bach's Fugue in G minor (BWV 542) (from Fantasia and Fugue) was originally written for the Organ. It has 4 parts: 1st part is played by the right hand; 2nd part by right and left hands (at different parts); 3rd part on left hand; 4th part on Pedals. As the range of notes is wide, it is impossible to play on solo piano. In this arrangement, the 1st and 3rd parts are played by Piano 1 (right and left hands respectively) while the 2nd and 4th parts are played by Piano 2 (right and left hands respectively). This allows a piano duo to play the Fugue together. For beginners, 4 pianists can play 1 part each on 2 pianos too. This will allow the pianists to appreciate the beauty of the different parts of the Fugue and how they intriguingly blend together.
$1.99
J.S.BACH Fugue in G minor (BWV542) for string orchestra
J.S.BACH Fugue in G minor (BWV542) for string orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Ian Butterworth
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Fugue in G minor BWV542
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J.S.BACH Fugue in G minor
#
Ian Butterworth
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963665 Composed by Johann Sebastian Bach. Arranged by Ian Butterworth. Baroque,Concert. Score and parts. 27 pages. ...
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String Orchestra - Level 4 - SKU: A0.963665 Composed by Johann Sebastian Bach. Arranged by Ian Butterworth. Baroque,Concert. Score and parts. 27 pages. Ian Butterworth #5791215. Published by Ian Butterworth (A0.963665). An arrangement from one of J.S.Bach's most well known fugues from the Fantasia & Fugue in G minor BWV542. A lively piece with interesting parts for all instruments. Through the experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have proved their suitability for youth and amateur players. www.ianbutterworthmusic.co.uk
$8.99
Bach: Complete Organ Works, Volume II
Bach: Complete Organ Works, Volume II
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Organ
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Classical
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Johann Sebastian Bach
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Bach: Complete Organ Works, Vo
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Organ - SKU: AX.00-PC-0004535 Appendix, I. Variant to the Praeludium in C Major, No. 1. Composed by Johann Sebastian Bach. Classical. Part. 1 pag...
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Organ - SKU: AX.00-PC-0004535 Appendix, I. Variant to the Praeludium in C Major, No. 1. Composed by Johann Sebastian Bach. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0004535. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0004535). ISBN 9780769242330. UPC: 029156199505.Nine Preludes and Fugues, Fantasia and Fugue in G Minor. The comb binding creates a lay-flat book that is perfect for study and performance.
$1.99
J.S.BACH Fugue in G minor (BWV578) for string orchestra
J.S.BACH Fugue in G minor (BWV578) for string orchestra
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String Orchestra
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Ian Butterworth
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Fugue in G minor (BWV542)
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J.S.BACH Fugue in G minor
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Ian Butterworth
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.963667 Composed by Johann Sebastian Bach. Arranged by Ian Butterworth. Baroque,Concert. Score and parts. 15 pages. ...
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String Orchestra - Level 3 - SKU: A0.963667 Composed by Johann Sebastian Bach. Arranged by Ian Butterworth. Baroque,Concert. Score and parts. 15 pages. Ian Butterworth #5791275. Published by Ian Butterworth (A0.963667). A transcription of the Fugue in G minor known as the Little G minor fugue to distinguish it from the Great Fantasia & Fugue in G minor (BWV542). The Great G minor Fugue is also available arranged by Ian Butterworth. Through the experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have proved their suitability for youth and amateur players. www.ianbutterworthmusic.co.uk
$8.99
Fantasia & Fugue in C minor BWV 537 for 8-part Trombone Choir
Fantasia & Fugue in C minor BWV 537 for 8-part Trombone Choir
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Classical
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Johann Sebastian Bach
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Ralph Sauer
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Fantasia & Fugue in C minor BW
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792619 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Concert,Renaissance. Sc...
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Brass Ensemble Trombone - Level 5 - SKU: A0.792619 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Concert,Renaissance. Score and parts. 48 pages. Gordon Cherry #5040969. Published by Gordon Cherry (A0.792619). Bach’s Fantasia & Fugue in C minor, BWV 537 is a work for Organ written around the year 1723 while the composer was in residence in Weimar. Bach composed many of his greatest organ works during this period. The music of the Fantasia is lush and ornate. The Fugue is an amazing 130 bars in length. This work was transcribed for orchestra in 1921 by Edward Elgar who mourned after the death of his wife. He was to orchestrate the Fugue and Richard Strauss agreed to do the Fantasia, however after two years Elgar completed the entire work as Strauss never held up his part of the bargain. Mr. Sauer has subtly added phrasings, breaths and articulations to the original score to aid in the performance for Trombone choir. The music is about eight minutes in length and is appropriate for advanced performers.
$32.50
Fantasia and Fugue in A minor BWV 944
Fantasia and Fugue in A minor BWV 944
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Piano solo
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Classical
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Bach Johann Sebastian
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Santino Cara
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Fantasia and Fugue in A minor
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Santino Cara
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SheetMusicPlus
Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque Period. Sheet Music Single. 10 pages. Published by Santino Cara (S0.66023). - Sheet Music S...
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Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque Period. Sheet Music Single. 10 pages. Published by Santino Cara (S0.66023). - Sheet Music Single - Baroque Period - Santino Cara
$5.40
Fantasia and Fugue in A minor BWV904
Fantasia and Fugue in A minor BWV904
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Piano solo
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Classical
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Bach Johann Sebastian
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Santino Cara
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Fantasia and Fugue in A minor
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Santino Cara
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SheetMusicPlus
Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque Period. Sheet Music Single. 6 pages. Published by Santino Cara (S0.66017). - Sheet Music Si...
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Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque Period. Sheet Music Single. 6 pages. Published by Santino Cara (S0.66017). - Sheet Music Single - Baroque Period - Santino Cara
$5.40
Bach: Wachet auf for Alto Flute & Piano
Bach: Wachet auf for Alto Flute & Piano
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Flute and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
Bach: Wachet auf for Clarinet & Piano
Bach: Wachet auf for Clarinet & Piano
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Clarinet and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Clarinet
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach: Wachet auf for Trombone & Piano
Bach: Wachet auf for Trombone & Piano
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Trombone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trombone
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standard...
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Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555091. Published by jmsgu3 (A0.549853). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach: Wachet auf BWV 140 for Flute & Piano
Bach: Wachet auf BWV 140 for Flute & Piano
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Flute and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf BWV 140 for F
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score an...
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Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
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Johann Sebastian Bach Fantasia and Fugue in A minor
