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I Thought She Knew
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You've selected:
I Thought She Knew
Sheetmusic to print
59 sheet music found
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1
26
51
I Thought She Knew
I Thought She Knew
#
N Sync
#
Manuel Guinand
#
I Thought She Knew
#
Aumaitre Guinand
#
SheetMusicPlus
Choral Choir,Choral (5-Part) - Level 3 - Digital Download SKU: A0.1310296 By N Sync. By Robin Wiley. Arranged by Manuel Guinand. A Cappella,Barbershop,Po...
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Choral Choir,Choral (5-Part) - Level 3 - Digital Download SKU: A0.1310296 By N Sync. By Robin Wiley. Arranged by Manuel Guinand. A Cappella,Barbershop,Pop,R & B,Soul. 21 pages. Aumaitre Guinand #899397. Published by Aumaitre Guinand (A0.1310296). Arrangement for 4 tenors and 1 bass of N'Sync's song I Thought She New. Original key. Ideal for intermediate players.
$30.00 ≈
26.80€
I Thought She Knew (*NSYNC Cover)
I Thought She Knew (*NSYNC Cover)
#
Choral TTBB
#
Pop music
#
N Sync
#
Theodore Hicks
#
I Thought She Knew
#
Theo Hicks Music
#
SheetMusicPlus
By N Sync. Arranged by Theodore Hicks. Score. 6 pages. Published by Theo Hicks Music...
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By N Sync. Arranged by Theodore Hicks. Score. 6 pages. Published by Theo Hicks Music
A beautiful love song made famous by *NSYNC, this new arrangement was premiered by the Barbershop Harmony Society's 2018 Next Generation Varsity Youth Quartet Champions, Frontier. This piece works well for small ensemble (quartet minimum) or a large choir.
This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.
Voicings available: TTBB, SSAA
For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.
LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/
For more information on Frontier Quartet or purchasing their albums, visit www.frontierquartet.com.
$4.50 ≈
4.02€
I Thought She Knew
I Thought She Knew
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Choral TTBB
#
INTERMEDIATE/ADVANCED
#
Pop music
#
N Sync
#
Walter Latzko
#
I Thought She Knew
#
Latzko Muzic
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.871894 By N Sync. By Robin Wiley. Arranged by Walter Latzko. Pop. Octavo. 4 pages. Latzko Muzic ...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.871894 By N Sync. By Robin Wiley. Arranged by Walter Latzko. Pop. Octavo. 4 pages. Latzko Muzic #5708905. Published by Latzko Muzic (A0.871894).
$3.99 ≈
3.56€
I Thought She Knew
I Thought She Knew
#
Choral SSAA
#
INTERMEDIATE/ADVANCED
#
Pop music
#
N Sync
#
Theodore Hicks
#
I Thought She Knew
#
Theo Hicks Music
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.512661 By N Sync. Arranged by Theodore Hicks. Pop. Octavo. 7 pages. Theo Hicks Music #4967597. P...
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.512661 By N Sync. Arranged by Theodore Hicks. Pop. Octavo. 7 pages. Theo Hicks Music #4967597. Published by Theo Hicks Music (A0.512661). A beautiful love song made famous by *NSYNC, this new arrangement was premiered by the Barbershop Harmony Society's 2018 Next Generation Varsity Youth Quartet Champions, Frontier. This piece works well for small ensemble (quartet minimum) or a large choir.This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.Voicings available: TTBB, SSAAFor more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/For more information on Frontier Quartet or purchasing their albums, visit https://www.frontierquartet.com/
$4.00 ≈
3.57€
I Thought She Knew by NSYNC - Piano/Vocal/Guitar
#
Piano, Vocal and Guitar
#
Pop music
#
NSYNC
#
I Thought She Knew
#
Musicnotes
Performed by: 'N Sync: I Thought She Knew Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music fil...
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Performed by: 'N Sync: I Thought She Knew Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Piano;Voice;Guitar; 5 pages -- Pop~~Dance-Pop~~Teen Pop
$5.50 ≈
4.91€
Vanished Trilogy
Vanished Trilogy
#
Concert band
#
BEGINNER
#
Rich Johnson
#
Vanished Trilogy
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 1 - Digital Download SKU: IZ.CBS174-S Composed by Rich Johnson. Score. 31 pages. Imagine Music - Digital #CBS174-S. Published by Ima...
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Concert band - Grade 1 - Digital Download SKU: IZ.CBS174-S Composed by Rich Johnson. Score. 31 pages. Imagine Music - Digital #CBS174-S. Published by Imagine Music - Digital (IZ.CBS174-S). 9 x 12 in inches.The Vanished Trilogy is based on the idea [with inspiration from the television show Lost] of what would happen if you were suddenly on an island away from everything you knew and thought you knew. How would you react? Would you be able to survive not only physically,but mentally as well?I. Stranded!You wake up in the middle a jungle only to find that you are stranded on an island with no way home.II. Survival. (Happy to be Alive)After coming to terms of being stranded, you are happy to be alive and begin to learn how to survive on the island and with yourself.III. Rescued?Rescue is coming, but in being lost you have found your true self.
$10.00 ≈
8.93€
Vanished Trilogy
Vanished Trilogy
#
Concert band
#
BEGINNER
#
Rich Johnson
#
Vanished Trilogy
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 1 - Digital Download SKU: IZ.CBS174 Composed by Rich Johnson. Score and Parts. 86 pages. Duration 6. Imagine Music - Digital #CBS174...
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Concert band - Grade 1 - Digital Download SKU: IZ.CBS174 Composed by Rich Johnson. Score and Parts. 86 pages. Duration 6. Imagine Music - Digital #CBS174. Published by Imagine Music - Digital (IZ.CBS174). 9 x 12 in inches.The Vanished Trilogy is based on the idea [with inspiration from the television show Lost] of what would happen if you were suddenly on an island away from everything you knew and thought you knew. How would you react? Would you be able to survive not only physically,but mentally as well?I. Stranded!You wake up in the middle a jungle only to find that you are stranded on an island with no way home.II. Survival. (Happy to be Alive)After coming to terms of being stranded, you are happy to be alive and begin to learn how to survive on the island and with yourself.III. Rescued?Rescue is coming, but in being lost you have found your true self.
$50.00 ≈
44.67€
I Knew You Were Trouble
I Knew You Were Trouble
#
String Quartet: 2 violins, viola, cello
#
INTERMEDIATE
#
Taylor Swift
#
Levi Comstock
#
I Knew You Were Trouble
#
Viola Fusion
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1494791 By Taylor Swift. By Max Martin, Shellback, and Taylor Swift...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1494791 By Taylor Swift. By Max Martin, Shellback, and Taylor Swift. Arranged by Levi Comstock. 21st Century,Contemporary,Pop,Rock,Singer/Songwriter. 20 pages. Viola Fusion #1071356. Published by Viola Fusion (A0.1494791). This dance-pop hit off of her 2012 album Red marked Taylor's first Faure into dubstep, and if you and your quartet feel like becoming international superstars, it could be yours too!Besides just being an all around banger, this song really resonates with anyone who has found themselves regretting a relationship they rushed into against their better judgement, and all because they thought it would be cool to date Harry Styles. You're not alone, we've all been there, and this arrangement is here to help.
$12.99 ≈
11.60€
Since I Thought I Knew It All by Michael Peterson - Piano/Vocal/Guitar
#
Piano, Vocal and Guitar
#
Country
#
Michael Peterson
#
Since I Thought I Knew It All
#
Musicnotes
Performed by: Michael Peterson: Since I Thought I Knew It All Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital ...
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Performed by: Michael Peterson: Since I Thought I Knew It All Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Guitar;Piano;Voice; 3 pages -- Country
$5.50 ≈
4.91€
I Thought I Knew What Love Was by Tom Odell - Piano/Vocal/Guitar, Singer Pro
#
Piano, Vocal and Guitar
#
Tom Odell
#
I Thought I Knew What Love Was
#
Musicnotes
Performed by: Tom Odell: I Thought I Knew What Love Was Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guit...
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Performed by: Tom Odell: I Thought I Knew What Love Was Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar;Backup Vocals; 5 pages -- Indie Rock~~Alternative Pop/Rock~~Singer-Songwriter
$5.50 ≈
4.91€
Because I Could Not Stop for Death
Because I Could Not Stop for Death
#
Choral SATB
#
INTERMEDIATE/ADVANCED
#
Opera
#
Classical
#
Richard deCosta
#
Richard deCosta
#
Because I Could Not Stop for D
#
Richard deCosta
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,C...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical,Opera,Romantic Period. 4 pages. Richard deCosta #897289. Published by Richard deCosta (A0.1308012). Words by Emily DickinsonMusic by Richard deCostaBecause I could not stop for Death –He kindly stopped for me –The Carriage held but just Ourselves –And Immortality.We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility –We passed the School, where Children stroveAt Recess – in the Ring –We passed the Fields of Gazing Grain –We passed the Setting Sun –Or rather – He passed Us –The Dews drew quivering and Chill –For only Gossamer, my Gown –My Tippet – only Tulle –We paused before a House that seemedA Swelling of the Ground –The Roof was scarcely visible –The Cornice – in the Ground –Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' HeadsWere toward Eternity –-=-In the reclusive chambers of Emily Dickinson's 19th-century Massachusetts home, the haunting poem, 'Because I Could Not Stop for Death,' was conceived. Living much of her life in isolation, Dickinson's thoughts often ventured into the shadowlands of existence. This poem, published posthumously in 1890, offers a chilling reflection of her contemplation. The Grim Reaper, a timeless symbol, is portrayed as a carriage driver, guiding the reader through a somber journey that mirrors the ephemeral nature of life. Passing scenes of childhood innocence, maturity's labor, and the twilight of existence, it culminates in the cold embrace of the grave. Her words, etched in a gothic darkness, resonate with the uncertainties and fears of her time, transcending to speak to the eternal human condition.
$7.99 ≈
7.14€
Love Like You (almost Complete Version)
Love Like You (almost Complete Version)
#
Guitar notes and tablatures
#
Rock
#
Rebecca Sugar, Steven Univer
#
Daniel Roberts
#
Love Like You
#
SheetMusicPlus
Guitar Tab - Digital Download By Rebecca Sugar, Steven Universe. Arranged by Daniel Roberts. 5 pages. Published by Daniel D-Rob Roberts...
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Guitar Tab - Digital Download By Rebecca Sugar, Steven Universe. Arranged by Daniel Roberts. 5 pages. Published by Daniel D-Rob Roberts
Love like you Acoustic Guitar arrangement.
Lyrics
If I could begin to be
Half of what you think of me
I could do about anything
I could even learn how to love
When I see the way you act
Wondering when I'm coming back
I could do about anything
I could even learn how to love like you
I always thought I might be bad
Now I'm sure that it's true
'Cause I think you're so good
And I'm nothing like you
Look at you go
I just adore you
I wish that I knew
What makes you think I'm so special
If I could begin to do
Something that does right by you
I would do about anything
I would even learn how to love
When I see the way you look
Shaken by how long it took
I could do about anything
I could even learn how to love like you
Love like you
Love me like you
$4.99 ≈
4.46€
I Thought I Knew It All
I Thought I Knew It All
#
Guitar notes and tablatures
#
Metal/Hard Rock
#
Megadeth
#
Pop
#
I Thought I Knew It All
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Megadeth. Metal; Pop; Rock. Guitar TAB. 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.328072). - Guitar TAB - Metal; Pop; Rock - Hal Leonard - ...
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By Megadeth. Metal; Pop; Rock. Guitar TAB. 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.328072). - Guitar TAB - Metal; Pop; Rock - Hal Leonard - Digital Sheet Music
$4.99 ≈
4.46€
Megadeth: I Thought I Knew It All - guitar (tablature)
#
Guitar notes and tablatures
#
INTERMEDIATE
#
Rock
#
Megadeth
#
Virtualsheetmusic
Instantly printable sheet music by Megadeth for guitar (tablature) of MEDIUM skill level. / metal,pop,rock
Instantly printable sheet music by Megadeth for guitar (tablature) of MEDIUM skill level. / metal,pop,rock
$6.97 ≈
6.23€
The Dreaming Sea
The Dreaming Sea
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Piano solo
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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Ben Ledochowski
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The Dreaming Sea
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Ben Ledochowski
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski #6217585. Published by Ben Ledochowski (A0.1023644). The Dreaming Sea was my first paid composition commission, a piece I wrote in April 2020. For the composition commission, my author friend Sterling Wisniewski requested me to score a short story of his, with the score I provided being expected to tell the story of the words through music and accompany original artwork. His short story is included as follows:A cardboard boat sifts the surface of the sea. A little girl,eyes closed, arms wide and crowned with a paper hat, stands at the front of the deck. Unsinkable - that's what she was. Her imagination bounced the boat on the tension of theworld, almost like it wasn't there. Her eyes were closed, yet she saw everything. On shore, a crowd of dirty sailors went about their work. Nasty mouths swore and harsh fists carried their cargo to their strong, dirty boat. A boy, no taller than a barrel, was in the midst of the buff shoulders and fit forearms. He peaked between the muscle mountains.He saw her. Eyes closed and arms wide, sailing away from the Sun and into the appearing Moon. The wind flapped her hair like the sail of a boat. The boy pried between the men and ran to the end of the dock, stuck his flat hand over his forehead to see. The boy could've sworn that she saw him. He could've sworn the boat swooped in a foot from his face. He could've sworn he heard her giggle. If anything, he thought he knew she saw him.The boy's father, the largest of all the men, wearing a real sailor's hat, gripped the boy's shoulder, spun him away from view of the cardboard boat, and without a word dragged him to the solid wooden ship in front of them. The robust crew pulled ropes and pushed out to set sail towards the setting Sun in the west.The boy soon slipped out of his father's grip and ran to the edge of the boat. Standing on his tiptoes, he hovered his eyes over the dock. There she was - eyes closed and arms wide, the wind flowing through her hair while her cardboard boat skipped the seas like a stone. he could've sworn she was thinking about him. he could've sworn he would see her again. He could've&n.
$5.99 ≈
5.35€
Happy Place
Happy Place
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Choral 2-part
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INTERMEDIATE
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Pop music
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Sally Whitwell
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Happy Place
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sa...
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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
$1.99 ≈
1.78€
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasma
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99 ≈
8.92€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.56€
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