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A Small Symphony
Not classified 142

Piano & keyboards
Easy Piano 15
Piano solo 5
Piano, Voice 2
Organ 1

Guitars
Guitar, Violin, Cello (trio) 2

Voice
Choral SATB 2
Choral 3-part 2
Choral Unison 1
Choral 2-part 1

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 10
2 Saxophones (duet) 5
3 Saxophones (trio) 4
Saxophone Quintet: 5 Saxophones 3
3 Recorders (trio) 2

2 Recorders (duet) 2
Flute, Clarinet (duet) 2
Oboe, Piano (duet) 2
Clarinet Quartet: 4 clarinets 2
Flute Trio: 3 flutes 2
Clarinet, Bassoon (duet) 1
Treble (Alto) Recorder 1
Oboe, Clarinet, Bassoon (trio) 1
Flute, Violin, Violoncello and Piano 1
2 Clarinets (duet) 1
Clarinet Quintet: 5 clarinets 1
Flute Quintet : 5 flutes 1
Flute and Piano 1
Tenor Saxophone and Piano 1
Clarinet and Piano 1
English horn, Piano 1
Baritone Saxophone, Piano 1
2 Flutes (duet) 1
Flute ensemble 1
Recorder, Piano 1
Flute, Oboe, Clarinet, Bassoon 1
Alto Saxophone and Piano 1
Saxophone Quartet: 4 saxophones 1

+ 23 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 3
2 French horns (duet) 1
Trumpet ensemble 1
Brass Quartet: 4 trumpets 1
Tuba and Piano 1

English horn, Piano 1
Brass quartet : 2 trumpets, trombone, tuba 1
Trumpet, Piano 1
Horn Ensemble 1
Brass Trio 1
Brass Quartet: 4 horns 1
4 Tubas 1

+ 7 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 9
Violin and Piano 4
4 Cellos 2
String quartet: 4 violins 2
String Quartet : 4 violas 2

Harp 2

Violin, Cello (duet) 2
4 Double Basses 1
2 Violins (duet) 1
String Trio: 3 violins 1
Viola, Cello (duet) 1
2 Violas (duet) 1
String Trio: 3 cellos 1
String Trio: 3 violas 1
Cello, Piano 1
Viola, Piano 1
String Trio: violin, viola, cello 1

+ 12 instrumentations

- Retract

Percussion & orchestra
Orchestra 21
Chamber Orchestra 12
Concert band 6
String Orchestra 2
Percussion Ensemble 2

Brass ensemble 1
Jazz Ensemble 1

+ 2 instrumentations

- Retract

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A Small Symphony

Harp

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2 sheet music found

A Traditional Christmas for the Small Harp

A Traditional Christmas for the Small Harp #Harp #INTERMEDIATE #Christmas #Deborah Dahl Shanks #A Traditional Christmas for th #Deborah Dahl Shanks #SheetMusicPlus

Harp - Level 3 - SKU: A0.973771 Arranged by Deborah Dahl Shanks. Christmas,World. Score. 67 pages. Deborah Dahl Shanks #6275167. Published by Deborah Da...(+)

Harp - Level 3 - SKU: A0.973771 Arranged by Deborah Dahl Shanks. Christmas,World. Score. 67 pages. Deborah Dahl Shanks #6275167. Published by Deborah Dahl Shanks (A0.973771). A Traditional Christmas for the Small Harp is a collection of 23 popular carols and songs from various European traditions. Most of the songs will be familiar, but a couple might be new. A couple of them would be appropriate for a Christmas Concert such O Holy Night or the Pastoral Symphony from Handel’s Messiah. The arrangements are appropriate for a small lever harp with 1 octave below middle C and tuned to Eb or C. Songs in two keys are noted with an * in Contents. The songs are very accessible and appropriate for mid-beginner to intermediate players with limited or easy lever changes.

$20.00 ≈ ¥144.76

Old French Song

Old French Song #Harp #EASY #Classical #Pyotr Ilich Tchaikovsky #Luis Anjos Teixeira #Old French Song #Luis Anjos Teixeira #SheetMusicPlus

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Publi...(+)

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him?.

In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.

Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderst�ck?. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".

On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.

By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.

On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.

P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition.

The first version is in the original key of g minor, the second is transposed to ?a minor?, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.

A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts.

I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself.

May be the staccatos suites you best, and you should try it.

The score was written on Finale.

The sound file was produced with samplers from Garritan,

intended as an audio support for the presentation of the score.

A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.

Thank you very much for taking your time to read this text and to listen to the file.

I hope you enjoy the music.

$4.99 ≈ ¥36.12