Can I Have This Dance (from High School Musical 3)

from High School Musical 3-Avec des clins d'œil à Chantons sous la pluie Cabaret et Chicago Kenny Ortega a réalisé une comédie musicale couleur rose bonbon qui fait chavirer le cœur des ados. Can I Have This Dance? est une ballade fluide et légère idéale pour changer d?atmosphère dans votre programme de concert.

Score and Parts-Johnnie Vinson has expertly adapted two movements from this well-known suite by Peter Warlock based on 16th-century dance music. “Basse-Dance” is a stately and moderate tempo dance in 3/4 while“Mattachins&rd quo; is an energetic sword dance in 2/4. The unique stylings and at times unusual harmonies have been preserved in these delightful setting for beginning players. (2:20)

String teachers have come to enjoy the the skilled arrangements of John Leavitt and his treatment of this Handel classic is one of his best yet. Three famous themes have been arranged in a short suite of dances that capture thebaroque style with carefully designed ensemble and inner part writing. Includes: Hornpipe Aire and Allegro. Dur: 4:20

Countless catchy melodies come from Russian operas, ballets and symphonies and if you have heard them once, you will never forget them. For this collection of pieces, Nicolai Podgornov has produced masterful arrangements of classics from russian operas, ballets and symphonies. Compositions such as the famous waltz from Tchaikovsky's Sleeping Beauty or the main theme from his Swan Lake, the waltz from Shostakovich's Jazz Suite No. 2, Prokofiev's Montagues and Capulets from the ballet Romeo and Juliet, Khachaturian's Sabre Dance from Gayane and his Adagio from the ballet Spartacus. All of these are sure to give great pleasure to intermediate-level piano students. Nicolai Podgornov has expertly arranged these popular pieces with easy fingering so that playing them is straightforward - after all, familiar pieces are easier to master. • Easy to middle-grade arrangements of well-known themes from Russian opera and ballet for piano duet • Well-known, easy-to-play melodies from the Russian classics (’Sabre Dance’, ’Waltz No. 2’, ’Flight of the Bumblebee’ etc.) • Includes illustrations of the composers/ Recueil / Piano 4 Mains

Danceries Set II arranged for brass band was first commission by Keith Allen for the Birmingham Symphonic Winds. This second set of Danceries continues the format established in the popular Danceries (Set I) of using tunes and dances from Playford s Dancing Master (17th century) to form the basis of an extended dancesuite. In this set the melodies have become more abstracted and project only a distant echo of their original forms. As before each movement is self-contained colourful and direct with its own distinct mood.The outer movements Jennie s Bawbee and Peascod s Galliarda share driving percussion with a military air. Tom Tinker s Toye and Heart s Ease(movements two and three) are both settings of original melodies. All movements are more extended than in the first set with a freer use and approach to the material; melodies now occur in various keys and are supported by a greater variety of harmonic colouring. The result is a richer even more exhilarating set of dances.Brass Band Grade 5.

Danceries Set II arranged for brass band was first commission by Keith Allen for the Birmingham Symphonic Winds. This second set of Danceries continues the format established in the popular Danceries (Set I) of using tunes and dances from Playford s Dancing Master (17th century) to form the basis of an extended dancesuite. In this set the melodies have become more abstracted and project only a distant echo of their original forms. As before each movement is self-contained colourful and direct with its own distinct mood.The outer movements Jennie s Bawbee and Peascod s Galliarda share driving percussion with a military air. Tom Tinker s Toye and Heart s Ease(movements two and three) are both settings of original melodies. All movements are more extended than in the first set with a freer use and approach to the material; melodies now occur in various keys and are supported by a greater variety of harmonic colouring. The result is a richer even more exhilarating set of dances.Brass Band Grade 5

For Piano Four Hands-This compilation of Grieg's most admired and frequently performed piano works features the Peer Gynt Suites Nos. 1 and 2 which include such favourites as 'Morning Mood' and 'In the Hall of the Mountain King ' and the exuberant 'Wedding Day at Troldhaugen.' Selections have been reprinted from the authoritative C. F. Peters editions. Dover Original.

Par BONSOR BRIAN. This delightful collection of tunes, from Playford's great 17th-century anthology The Dancing Master , is a valuable addition to the recorder repertoire. For the convenience of teachers, and as a guide for less experienced players, the tunes have been carefully graded according to the notes they use and to their relative difficulty within the group. In playing these terrific country dance tunes, students can develop their technique in a fun way. This edition includes selections for the ABRSM Descant Recorder examinations grades 2 and 3. / Niveau : Facile / Recueil / Flûte à Bec

Edgar Knecht is a jazz pianist who has created his own unique style. His début CD, 'Good Morning Lilofee? (with four-piece combo), conquered the clubs and earned him invitations to international festivals. His treatment of the original melodies is refreshingly different from standard jazz arrangements: It is characterized by a free perception of the tunes, varied rhythms as well as unconventional harmonies. The same recipe for success underlies his second CD, 'Dance On Deep Waters?, with which the Edgar Knecht Quartet is again going on tour, with many gigs lined up for spring and summer.All eight of the songs in our edition offer agreeable and stimulating literature outside the classical and jazz pigeonholes for pianists everywhere, whether or not they dig German folksongs. Familiar tunes such as 'Es freit der wilde Wassermann? or 'Die Gedanken sind frei? gain a wholly new quality and pizzazz in his arrangements. Though based on the original songs, the pieces go far beyond them in form, harmony and rhythm, thereby turning the originals into top-quality jazz ballads. All the pieces have suggestions for improvised passages, usually with chords and written-out ostinato bass lines.All the pieces are recorded on the like-named CD with Edgar Knecht at the piano, accompanied by his trio of bass, drums and percussion.- Eight songs for piano- Appealing literature- Ad lib improvised partsContentsLilofee, Gedankenfreiheit (Freedom of Thought), Tiefe Wasser (Deep Waters), Nachttraum (Dream at Night), Fenjas Lullaby, Schwesterlein (Little Sister), Frühling (Spring), Wiegenlied (Cradle Song)The AuthorEdgar Knecht lives in Kassel (Germany), where he heads a piano school and tours with his combo. Since the age of 14 he has held concerts with his own piano pieces and written many theatre, film and TV scores. With his Edgar Knecht Trio he transforms German folksongs into fascinating jazz ballads with which he fills his programmes and venues. / Piano

Par PUSCOIU COSTEL. Clarinet/Solos. A small, but representative collection of well-known and lesser-known beautiful melodies from the Balkans. The carefully-chosen melodies offer a rich, enjoyable and varied book. The arrangements and other adaptations (keys, ornaments, etc.) have been introduced to make this beautiful South-Eastern European music more suitable for performance on the clarinet. It is recommended to repeat each piece 3-4 times because the melodies (like all folk songs in the world) are very short. A free piano accompaniment plus audio downloads are available for use with this title. Free audio files and piano accompaniment available. / Niveau : Débutant à Intermédiaire / Baltic - Solos / Recueil / Clarinette

Par MARTINU BOHUSLAV. Though Bohuslav Martinu produced a lot of didactic material for the piano, not all of it has been published and many delightful works have remained unknown. In this Easy Piano Pieces and Dances album, Martinu’s four-part piano cycle Quarter and Eighth Notes, composed in Paris in 1937, appears for the first time. It is devoted to changes of metre and tempo. The work, previously known only from his correspondence, was long considered lost until a copyist’s manuscript of it resurfaced in Brno in 2011. The jazz piece One Step, composed in 1921, is also made accessible here for the first time. It hitherto only existed in the composer’s autograph. Along with these two“discoveries”, this album contains the dance pieces that Martinu composed in Policka in the 1920s as well as the three-part cycle Christmas, composed in Paris in 1927. These were previously available in Compositions for Policka. Though Bohuslav Martinu produced a lot of didactic material for the Piano, not all of it has been published and many delightful works have remained unknown. In this “Easy Piano Pieces and Dances” album, Martinu ’s four-part Piano cycle “Crotchets and Quavers”, composed in Paris in 1937, appears for the first time. It is devoted to changes of metre and tempo. The work, previously known only from his correspondence, was long considered lost until a manuscript copy resurfaced in Brno in 2011. The jazz piece “One-step”, composed in 1921, is also made accessible here for the first time. It hitherto only existed in the composer’sautograph. Along with these two “discoveries”, this album contains the dance pieces that Martinu composed in Policka in the 1920s as well as the three-part cycle “Christmas”, composed in Paris in 1927. These were previously available in “Compositions for Policka”. Includes original Martinu works, some published for the first time Foreword (Cz/Eng/Ger) and fingering by Lucie Harasim Berná Easy to moderately difficult pieces / Niveau : Facile / Répertoire / Piano

Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival.Kevin Volans (the composer) notes on the piece:In the past I have been interested in trying to go beyond historicism (1970s) beyond style(1980s) and beyond form (1990s) in my work. Looking back over the music of the twentiethcentury I was struck by the fact the nearlyall of it is extremely 'busy' almost cluttered. Italmost seemed that composers felt compelled to look industrious. In the new millennium Ithought it would be interesting to try and eliminate content. I also aspired to movingfrommusic (sound as art) to art (art as sound). This of course has already been done by a numberof composers (many from New York Phil Niblock and La Monte Young to name but two) butit was something I had never tried.AlthoughI found it annoying that the label 'minimalist' was given to my African-based work and fearing this would make the label stick I set out to write a piece which reflected my loveof minimal painting and architecture. The Japanesehave a term 'wabi' meaning 'voluntarypoverty' or 'emptiness' to describe their restrained minimal aesthetic an aesthetic which however pays greatest attention to the quality of material and fine detail. I like to think thatthelack of excessive pitch material in this piece reflects a kind of voluntary poverty.When Shiva is portrayed dancing (as Nataraj) He is depicted in a circle of flames crushing asmall figure the ego underfoot.You get theimpression He dances on the spot not movingaround at all. I like that.The piece is dedicated to Pablo Pascual Cilleruelo.