Matériel : Conducteur d'étude / Miniature
SKU: HL.49045691
UPC: 841886029811. 9.0x12.0x0.069 inches.
In 2006, Jorg Widmann composed these noble, deliberately simple cadenzas for Mozart's violin concerto as a commission from the Schleswig-Holstein Music Festival and violinist Isabelle van Keulen. In this series from Schott Music, unique in classical music literature, cadenzas are presented to well-known classical and romantic concertos, written by important composers and soloists of our time.
SKU: HL.49045478
ISBN 9781495090226. UPC: 888680671655. 9.0x12.0x0.115 inches.
Includes Raymond Leppard's original cadenzas for Mozart's violin concertos Nos. 1-5 and 7; Adagio in E Major, K. 261; Rondo in C Major, K. 373; and Serenade in D Major Haffner, K. 250.
SKU: PR.ZM17530
UPC: 680160648726.
SKU: BR.OB-5300-15
You will find the original cadenzas under Mo zart, 36 Cadenzas for his own Piano Concertos. The edition EB 8577 Bu soni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas for t. Solo concerto; Classical. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 5300-15. Published by Breitkopf and Haertel (BR.OB-5300-15).
ISBN 9790004335109. 10 x 12.5 inches.
Robert Levin's brilliant and inspired recording (with Christopher Hogwood and the Academy of Ancient Music) and Breitkopf's new edition have two things in common: their historically well-founded approach and the editorial team consisting of Robert Levin and Cliff Eisen. Here, Urtext signifies an eschewal of a final version that never existed and that Mozart himself had never even envisaged. On the contrary, Levin and Eisen pursue an editorial philosophy tailored to Mozart and his music: Standardization is the greatest aesthetic threat in the performance of Mozarts concertos. To prepare the score of the new edition, the editors were able to consult the autograph, located in Krakow, for the very first time. The new edition clearly incorporates a much broader base of findings than any previous edition, including the NMA. At the same time, the score and piano reduction offer a wealth of additional information on performance practice gleaned from further authentic sources, including observations on continuo practice, instruments, size and disposition of the orchestra, ornaments, tempo and character, cadenzas and flourishes.
SKU: BR.OB-5300-16
You will find the original cadenzas under Mo zart, 36 Cadenzas for his own Piano Concertos. The edition EB 8577 Bu soni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas for t. Solo concerto; Classical. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 5300-16. Published by Breitkopf and Haertel (BR.OB-5300-16).
ISBN 9790004335116. 10 x 12.5 inches.
SKU: BR.OB-4429-15
ISBN 9790004308837. 10 x 12.5 inches.
SKU: BR.OB-4429-16
ISBN 9790004308844. 10 x 12.5 inches.
SKU: BR.OB-4430-15
ISBN 9790004308882. 9 x 12 inches.
Ferruccio Busoni arranged the Cadenzas of Mozart's Piano Concertos, also the K. 466.
SKU: BR.OB-4430-16
The edition EB 8578 Bu soni, Cadenzas for W. A. Mozart's Piano Concertos contains cadenzas for the Piano Concerto in D minor K. 466.
ISBN 9790004308899. 9 x 12 inches.
SKU: BR.OB-5308-16
ISBN 9790004339978. 10 x 12.5 inches.
Mozart's Flute Concerto K. 314 (285d) was most likely derived from the Oboe Concerto K. 314 (271k). The decisive impulse for the arrangement was presumably provided by a commission from the Dutch flutist Ferdinand Dejean in 1778. Any new edition inevitably has to take a very cautious approach, as the source transmission is thin: only copies dating from the 1790s have survived for both versions, and these copies clearly differ from one another. Moreover, it is nowhere confirmed that Mozart actually prepared the flute version himself. Henrik Wiese has worked intensively with Mozart's flute compositions as an interpreter and musicologist, and now presents following his new edition of the Concerto K. 313 the second solo concerto in an Urtext edition. He has once again supplied his own cadenzas.Gut ein Dutzend Ausgaben dieses Konzerts durfen derzeit erhaltlich sein, doch diese hier ist etwas besonderes. (Ursula Pesek, Das Orchester).
SKU: BR.OB-5357-15
ISBN 9790004336762. 9 x 12 inches.
A sensational discovery was made in 1988 when two sheets containing 60 additional measures of the celebrated Rondo K. 371 were found. Robert Levin filled in not only this movement, but also the equally fragmentary Konzertsatz K. 370b that belongs to it. The preface reads in parts like a crime novel when Levin relates how he put together the various parts, supplemented them and orchestrated them in a Mozartian manner. It is to his flair and intuition that we owe the recovery of Mozart's Horn Concerto No. 0, written in 1781. It is a truly valuable addition to the repertoire, which is further enhanced by Levin's imaginative cadenza suggestions, from which every horn player can create his own original cadenza.Edition for horn and piano by Christian R. Riedel with cadenzas and lead-ins by Robert D. Levin.
SKU: BR.OB-5357-16
ISBN 9790004336779. 9 x 12 inches.
SKU: BR.OB-15107-15
ISBN 9790004339350. 10 x 12.5 inches.
One of the most frequently performed concertos of all, it was written while Mozart was working on the opera Le nozze di Figaro. The source situation is clear: the autograph score has survived, and the first printed editions were not published until after Mozart's death.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst-Gunter Heinemann to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.
SKU: BR.OB-15107-16
ISBN 9790004339367. 10 x 12.5 inches.
SKU: BR.OB-15108-15
ISBN 9790004339596. 10 x 12.5 inches.
Mozart's Concerto K. 453 enjoyed great popularity during the composer's lifetime and was widely known through copies and a print. The state of the sources is thus multi-faceted yet unequivocal: the primary source is the rediscovered autograph, which was considered lost after 1945 and was not at the disposal of the Neue Mozart-Ausgabe. The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Stephan Horner to whom Henle has entrusted its urtext editions. Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.In Cooperation wh G. Henle Verlag.
SKU: BR.OB-15108-16
ISBN 9790004339602. 10 x 12.5 inches.
Mozart's Concerto K. 453 enjoyed great popularity during the composer's lifetime and was widely known through copies and a print. The state of the sources is thus multi-faceted yet unequivocal: the primary source is the rediscovered autograph, which was considered lost after 1945 and was not at the disposal of the Neue Mozart-Ausgabe. The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Stephan Horner to whom Henle has entrusted its urtext editions. Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.In Cooperation with G. Henl Verlag.
SKU: BR.OB-15106-16
ISBN 9790004339190. 10 x 12.5 inches.
The editorial quality of the new edition is guaranteed not only by Schiff's sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Norbert Gertsch to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozart's handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozart's own manuscripts, early copies in parts and prints also contain important information regarding the musical text.Die Editionen werden den Intentionen des Komponisten so weit wie moglich gerecht. Gemass Mozarts Anweisungen in den Autographen ist beispielsweise im unteren Klaviersolosystem sowohl der Partituren als auch der Klavierauszuge durchgangig die Bassstimme des Orchesters wiedergegeben. (Andreas Friesenhagen, FonoForum)L'interet particulier de cette nouvelle edition reside dans les notations complementaires des parties de violon ayant pour source la premiere execution de l'oeuvre par Joseph Joachim et Robert Hausmann avec, tres probablement, l'autorisation du compositeur, ces notes de jeu refletant les pratiques de l'epoque. (Crescendo).
SKU: BR.OB-15106-15
ISBN 9790004339183. 10 x 12.5 inches.