Matériel : Partition
La pièce en solo en trois parties pleine de contrastes a été composée pour le flûtiste Sharon Bezaly et brillamment arrangé pour le saxophone par Adrian Tully. La formidable énergie et la vitalité se dissoudre dans un choral plein d'Vocalises dans la dernière section. / Saxophone Soprano / 12 pages / niveau : Difficile / Partition
SKU: PR.41541141L
ISBN 9781598064476. UPC: 680160610983. 11 x 17 inches.
On the heels of his Slalom, which has enjoyed numerous performances as a new staple for bands, Pann has created a major three-movement magnum opus, a triptych of sound paintings, as he would describe it. My Brother's Brain encapsulates a lifetime appreciation of both uniqueness and similarity in a younger brother, through three stages of growth (child, facing demons, grace). Symphony for Winds My Brother's Brain was a joint commission by more than two dozen wind ensembles throughout the United States. For advanced ensembles.
SKU: BT.EMBZ14887
English-Hungarian.
Aulos to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ágnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z. 14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures(imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition.The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. Aulos to a certain degree continues Orbáns easy piano pieces for children, which he composed for Ágnes Lakoss piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z. 14742). Yet on thisoccasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least threeyears. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures (imitation, fugue, stretto, inversion, augmentation and diminution,double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbáns explanations are not text-book-like atall, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purposethey are equally individual, witty and inspired pieces of music that are a joy to play.
SKU: BT.EMBZ14888
Aulos to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ágnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z. 14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures(imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition.The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. Aulos is composed for more advanced students who have studied piano for at least three years. Aim is a systematic presentation of different polyphonic genres and compositional procedures (imitation, fugue, stretto, inversion, augmentation anddiminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies withdemonstrative illustrations the polyphonic procedure he introduces. Orbáns explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - whilethey perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play.
SKU: BT.EMBZ14779
The arranger of this work (a well-known Hungarian composer living in Romania) writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration ofstubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece in Transylvania. At that time, I asked the composer, Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartókian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello. The arranger of this work, the well-known Romania-based Hungarian composer Cs ky Boldizsár writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinateone, may refer to its ostinato character, this is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the lattersuggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubbornresistance , defiance to the point of exhaustion, was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece here in Transylvania (Romania).Der Bearbeiter des Werkes, der renommierte ungarische Komponist aus Rumänien, schreibt: Dieses Stück reizte immer schon meine Phantasie, sogar in vielerlei Hinsicht. Als erstes sein Name. Der deutsche Titel ‚Hartnäckiger' kann auf den ihm innewohnenden ostinativen Charakter hinweisen, was der Liszt'schen Programm-Konzeption näher kommt, das französische ,obstiné' steht jedoch eher dem Wort ‚dickköpfig' nah. Das sind nur geringfügige Unterschiede, mir ist das dennoch wichtig, weil aus Letzterem die Darstellung eines Verhaltens, der in Tanzgesten ausgedrückte, zur Bewegung abstrahierte innere emotionale Zustand eines Tänzers durchscheint, und das ist eine überaus beeindruckendeErklärung. Die Demonstration des bis zur Erschöpfung reichenden Trotzes, der störrischen Kraft erscheint bei Liszt selten. Der zweite Aspekt: Zu Beginn der 70er Jahre spielte bei uns Zoltán Kocsis das Stück. Schon damals (und seitdem) frage ich den Komponisten:.
SKU: BT.DHP-1115166-400
ISBN 9789043136242. 9x12 inches. English-German-French-Dut ch.
This book is a compilation of the best pieces from the series Play 'em Right!. The series features six separate books in jazz, rock and Latin styles, the best of which have now been combined into one edition. Forty pieces have been newly arranged, and both demonstration and play-along tracks are included on CD. Now, what can go wrong? Let's Play 'em Right! Elk deel uit de populaire serie Play’em Right bevat stukken in een bepaalde stijl als jazz, rock of latin. De ruim veertig leukste stukken werden geselecteerd, opnieuw bewerkt en op cd opgenomen. Play’em Right!Dieses Buch präsentiert das Beste aus Play ‘em Right!: Die einzelnen Bücher dieser beliebten Reihe enthalten jeweils Stücke in einem Musikstil, wie Jazz, Rock und Latin - nun sind die schönsten Titel in allen drei Stilarten in einer Ausgabe zusammengefasst. Gut vierzig Stücke wurden ausgewählt, neu bearbeitet und auf eine CD aufgenommen, die außerdem noch Begleitungen zum Mitspielen enthält. Play ‘em right! La collection Play'em Right! est composée de six ouvrages distincts, écrits dans les styles Jazz, Rock et Latin. Le recueil The Best of Play'em Right! rassemble une compilation des quarante meilleurs titres nouvellement arrangés. Sur le CD joint au recueil, chaque morceau est interprété une première fois titre de démonstration, puis une seconde fois avec l‘accompagnement uniquement, pour pouvoir jouer live“. Et maintenant, faites-vous plaisir !Questa collana propone il meglio della serie Play 'em Right!, libri che contengono brani in vari generi musicali come jazz, rock e latin. Ora il meglio di questi libri è disponibile in The Best of Play 'Em Right!. Oltre 40 titili sono stati scelti, nuovamente arrangiati e incisi su CD con gli accompagnamenti e con una traccia play-along.
SKU: BT.DHP-1115169-400
ISBN 9789043136563. 9x12 inches. English-German-French-Dut ch.
This book is a compilation of the best pieces from the series Play 'em Right!. The series features six separate books in jazz, rock and Latin styles, the best of which have now been combined into one edition. Forty pieces have been newly arranged, and both demonstration and play-along tracks are included on CD. Now, what can go wrong? Let's Play 'em Right! Elk deel uit de populaire serie Play??em Right bevat stukken in een bepaalde stijl als jazz, rock of latin. De ruim veertig leukste stukken werden geselecteerd, opnieuw bewerkt en op cd opgenomen. Play??em right!Dieses Buch präsentiert das Beste aus Play ??em Right!: Die einzelnen Bu?cher dieser beliebten Reihe enthalten jeweils Stu?cke in einem Musikstil, wie Jazz, Rock und Latin - nun sind die schönsten Titel in allen drei Stilarten in einer Ausgabe zusammengefasst. Gut vierzig Stu?cke wurden ausgewählt, neu bearbeitet und auf eine CD aufgenommen, die au?erdem noch Begleitungen zum Mitspielen enthält. Play ??em right! La collection Play??em Right! est composée de six ouvrages distincts, écrits dans les styles Jazz, Rock et Latin. Le recueil The Best of Play??em Right! rassemble une compilation des quarante meilleurs titres nouvellement arrangés. Sur le CD joint au recueil, chaque morceau est interprété une première fois titre de démonstration, puis une seconde fois avec l??accompagnement uniquement, pour pouvoir jouer live??. Et maintenant, faites-vous plaisir !Questa collana propone il meglio della serie Play 'em Right!, libri che contengono brani in vari generi musicali come jazz, rock e latin. Ora il meglio di questi libri è disponibile in The Best of Play 'Em Right!. Oltre 40 titili sono stati scelti, nuovamente arrangiati e incisi su CD con gli accompagnamenti e con una traccia play-along.
SKU: BT.DHP-1115164-400
9x12 inches. English-German-French-Dut ch.
This book is a compilation of the best pieces from the series Play 'em Right!. The series features six separate books in jazz, rock and Latin styles, the best of which have now been combined into one edition. Forty pieces have been newly arranged, and both demonstration and play-along tracks are included on CD. Now, what can go wrong? Let's Play 'em Right! Elk deel uit de populaire serie Play??em Right! bevat stukken in een bepaalde stijl als jazz, rock of latin. De ruim veertig leukste stukken werden geselecteerd, opnieuw bewerkt en op cd opgenomen. Play??em Right!Dieses Buch präsentiert das Beste aus Play ??em Right!: Die einzelnen Bu?cher dieser beliebten Reihe enthalten jeweils Stu?cke in einem Musikstil, wie Jazz, Rock und Latin - nun sind die schönsten Titel in allen drei Stilarten in einer Ausgabe zusammengefasst. Gut vierzig Stu?cke wurden ausgewählt, neu bearbeitet und auf eine CD aufgenommen, die au?erdem noch Begleitungen zum Mitspielen enthält. Play ??em right! La collection Play'em Right! est composée de six ouvrages distincts, écrits dans les styles Jazz, Rock et Latin. Le recueil The Best of Play'em Right! rassemble une compilation des quarante meilleurs titres nouvellement arrangés. Sur le CD joint au recueil, chaque morceau est interprété une première fois titre de démonstration, puis une seconde fois avec l??accompagnement uniquement, pour pouvoir jouer live??. Et maintenant, faites-vous plaisir !Questa collana propone il meglio della serie Play 'em Right!, libri che contengono brani in vari generi musicali come jazz, rock e latin. Ora il meglio di questi libri è disponibile in The Best of Play 'Em Right!. Oltre 40 titili sono stati scelti, nuovamente arrangiati e incisi su CD con gli accompagnamenti e con una traccia play-along.
SKU: BT.DHP-1115165-400
ISBN 9789043145596. 9x12 inches. English-German-French-Dut ch.
SKU: BT.EMBZ14898
Aulos to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ágnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z. 14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures(imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition. The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. The volumes and the CD are also available separatly.
SKU: PO.UME05P
ISBN 9781877564956.
A Tedious Brief Scene: Bottom's Dance (2011) is a fine example of Holmes work from her career as a composer and educator in New Zealand for over 25 years. Holmes was inspired to depict the character Bottom from Shakespeare's A Midsummer Night's Dream in writing this lighthearted work. It is highly engaging and energetic with elements of minimalist techniques of layered melodic ostinati, and jazz-influenced and non-tonal harmony. Like the character and scene from Shakespeare's play, the music oscillates between moments of poignancy and boisterous self-confidence. It incorporates a variety of accented rhythmic patterns, changing metres and delicate melodic material, which gives pianists an opportunity to demonstrate their individual and combined talents as a chamber ensembles. It is suitable for performance by secondary students of approximately Grade VIII and above (ABRSM / Trinity).It is now available for purchase as a study score and/or performance set (parts only). This listing is the performance set of parts only.
SKU: ST.Y299
ISBN 9790220223556.
Equinox was written in late 2011 as a showcase for the euphonium quartet Euphony, who gave the premiere at the opening concert of the 'Festival of Brass' at the Royal Northern College of Music in January 2012. Since then, Euphony have played the work extensively, including a performance at the International Tuba Euphonium Conference in June 2012, at the Brucknerhaus Concert Hall in Linz, Austria. The word 'equinox' is derived from the Latin aequi (equal) and nox (night). It is the name given to the twice-yearly occasion when the earth's axis is inclined neither away from nor towards the sun, so that day and night are of the same duration. With this in mind I structured the work from two thematic groups, consisting of sections of equal length. The first, which is heard after a brief introduction, is marked Energico, and its character is marked by sustained, lyrical lines unfolding over an accompaniment of rapid and deftly articulated rhythmical phrases. The second section, slow and expressive, offers the strongest contrast both in mood and tempo. By a further association of ideas, this sharp distinction of material could be thought of as representing the frenzy of daytime in comparison with the tranquillity of night. In the third and final section, figures from both the preceding sections are brought together in a vigorous finale, the interplay of the four parts intended to demonstrate the capabilities of the euphonium to the full. Equinox was the winning entry in the 2012 Stainer & Bell Award for Brass Composition, held at the Royal Welsh College of Music & Drama.
SKU: HL.48021285
ISBN 9781458471598. UPC: 884088658458. 6.75x10.5 inches.
Text: Eric CrozierPublisher: Boosey & HawkesDifficulty level: 3Saint Nicolas (note the name has no 'H' in it!) was written for the centenary of Lancing College in Sussex, the independent secondary boarding school on the south coast of England which Peter Pears had attended in his teens. It has a vast chapel intended by its founder, Revd Nathaniel Woodard, as the cathedral for all the schools of his extensive foundation known collectively as 'Woodard' schools. St. Nicolas is famous for many legendary miracles and for being the original 'Santa Claus'. Crozier's libretto is designed to tell the story of his life, to recount some of his most celebrated acts and to give the audience/congregation the opportunity of joining in two beautiful hymns at key moments: 'All people that on earth do dwell' and 'God moves in a mysterious way his wonders to perform'. The narration is all done by the choir, though the tenor sings first-person narratives as well in his role as the mature Nicolas. The young Nicolas is sung by a boy in movement II. There is a dramatic moment at the end of this movement when the boy's voice does a tumble and the tenor proclaims in the voice of Nicolas as a young man: 'God be glorified'.The third movement is an accompanied recitative in which the soloist sings of Nicolas devoting himself to God through the agonies and torment of the many distractions and temptations of life. His faith wins through and he sings a final touching phrase: 'and Love was satisfied'. The sea whips up a storm in the next movement: 'He journeys to Palestine'. It threatens to overturn the ship and drown everyone on board. There is wailing from the sopranos and altos of the semi-chorus and agonised calls from the tenors and basses to 'man the pumps'. Finally, Nicolas begs God to let the storm cease and offers thanks for their safe delivery. Britten creates a palpable sense of relief in the final pages.In the fifth movement, 'Nicolas comes to Myra and is chosen Bishop', the choir sings chorale-like phrases welcoming him as their new Bishop. They go through his ceremonial dressing with all the accoutrements of his office, the mitre, crozier (nice pun on the librettist's name), robe and ring. An energetic chorus 'Serve the faith and spurn his enemies' leads to the first great hymn - a wonderfully climactic moment. Britten's arrangement is suitably uplifting.The final movement tells of Nicolas' death and the work ends with the other great hymn: 'God moves in a mysterious way'. This work demonstrates to me Britten's generosity of spirit and his natural feeling for enriching the repertoire at all levels of attainment. What a gift!Duration: 50 minutesPaul Spicer, Lichfield, 2011.
SKU: BT.DHP-1115120-070
ISBN 9789043142441. 9x12 inches. English-German-French-Dut ch.
The De Haske String Orchestra Series offers attractive pieces especially composed and arranged for string orchestras. Students and teachers are treated to a great variety of musical styles. Each part presents a challenge to the player. The Viola part can be replaced by a 3rd Violin part, and the Double bass part can be replaced by a 2nd Cello part. The Piano part is mainly meant for support, but it occasionally adds new motifs as well.
Carnival of Strings is a delightful collection of dances for beginner string orchestras.De De Haske String Orchestra Series biedt u aantrekkelijke, speciaal voor strijkorkest gecomponeerde en gearrangeerde werken. De stukken zijn geschreven in verschillende stijlen: van klassiek en folk tot moderne, populaire muziek. Iedere partij is zo geschreven dat elke speler in het orkest een uitdaging heeft. De partij voor altviool kan door een derde viool worden vervangen. De partij voor contrabas kan ook door een tweede cello worden gespeeld. De pianopartij dient als ondersteuning, maar voegt soms ook nieuwe motieven toe aan de muziek.
Carnival of Strings presenteert een leuke verzameling dansmuziek voor beginnende stijkorkesten.Die De Haske String Orchestra Series bietet attraktive, speziell fu r Streichorchester komponierte und arrangierte Stu cke in einer stilistischen Vielfalt von Klassik u ber Folk bis zu modernen U-Musikstilen. Jede Stimme stellt dabei besondere Herausforderungen an die Spieler. Die Violastimme kann durch eine dritte Violine und der Kontrabass durch ein zweites Cello ersetzt werden. Die Klavierstimme dient zur Unterstu tzung, fu gt aber zuweilen auch neue Motive hinzu.
Carnival of Strings präsentiert eine reizvolle Sammlung von Tänzen fu r Anfänger-Streichorcheste r. Titel wie Coconut Calypso und Waltz Away versprechen Stilvielfalt undSpielspaß! De Haske String Orchestra Series : Les compositions et les arrangements réunis sous ce label sont en parfait accord avec le niveau ciblé, et proposent des styles très variés. Chaque publication est accompagnée d'un compact disc contenant la version de démonstration des œuvres publiées dans cette collection. L’instrumentation est toujours la même : Violons 1 & 2, Alto (ou Violon 3), Violoncelle, Contrebasse (ou Violoncelle 2) et Piano.
Carnival of Strings met en évidence quatre délicieuses danses, dans un charmant arrangement pour Orchestre Cordes.De Haske String Orchestra Series è una nuova raccolta pensata per i suonatori di archi principianti. Le composizioni e gli arrangiamenti raccolti sotto questa etichetta sono perfetti per chi inizia a suonare e prongono stili variegati. La strumentazione è sempre la stessa: violino 1 & 2, viola (o violino 3), violoncello, contrabbasso (o violoncello 2) e piano. Con CD.Carnival of Strings propone quattro deliziose danze in un piacevole arrangiamento per quartetto d'archi.
SKU: LP.765762011335
UPC: 765762011335.
Blast off on an intergalactic adventure in the newest release from best-selling children's music creator Celeste Clydesdale! Join Rudy Rachel and Riley aboard the space shuttle Discovery as they travel through space and discover all the indescribable things in creation that were made by the hand of God. With help from various stars planets a cantankerous robot and the wise and patient Flight Commander Mr. Houston they learn that the God who created the stars and the heavens is the same God that loved the world so much that He sent His son to die for them wants to have a relationship with them and that with Him nothing is impossible. An accompaniment DVD with videos for three songs and a spaced-themed video loop has been created to aid in performance as well as a Digital Resource Kit and Demonstration DVD to help with teaching and choreography. This year gather your students and Blast Off together to discover the God of Creation!
SKU: HL.6620116
ISBN 9781423441267. UPC: 884088246419. 9x12 inches. Maria Martinez and Ed Roscetti.
The World Beat Rhythms series is a great exploration of different rhythmic styles from around the world. The hybrid compositions and rhythms in this book/CD pack are influenced by the popular blues, jazz, rock, and hip-hop styles in the United States. In these pages, students and educators will find instruction on techniques used for each percussion instrument, scores, rhythm indexes, percussion breaks and more, along with audio examples of each rhythm demonstrated on its respective instrument on the accompanying CD.
