In this book bass master Ron Carter illustrates the basic concepts of creating bass lines while you play along to the online audio tracks with an all star rhythm section.

Essential Tools for Jazz Improvisation. Sher Music Co.?s highly-regarded book, The Blues Scales: Essential Tools for Jazz Improvisation is now available in bass clef. As Michael Brecker said, ?This is an excellent addition to the growing number of books dedicated to mastering the art of jazz improvisation. Useful to beginners as well as advanced players, The Blues Scales admirably addresses the vocabulary of the blues ? the ?root of jazz.? ? Step-by-step exercises to get beginning students able to quickly solo using the two basic Blues Scales. ? Extensive dictionary of classic Major and Minor Blues Scale phrases. ? Help with transposing the ideas learned into other keys. ? Numerous ways to expand the Blues Scales to make them even more useful. ? Appendices for advanced players showing how the masters of jazz use the Blues Scales in their own playing.

Une collection d'ensemble de duos, de trios et de quartets pour deux, trois ou quatre instruments bas de clef comprenant des trombones, des bassons, des violoncelles, des barytons ou toute combinaison mélangée. / Instruments En Fa / 56 pages / Partition

Apprendre à jouer du blues dans plusieurs styles-jazz, latine, fusion, rock et funk, dans toutes les clés avec les instructions étape par étape, conseils pratiques et un CD de jeu-le long. Même si vous êtes débutant complet, ce guide pédagogique facile à comprendre obtiendrez vous improviser en peu de temps. Vous apprendrez comment créer des solos de tueurs en utilisant des centaines de grandes licks inclus - Get the sound of the blues sous vos doigts et dans vos oreilles - améliorer votre sound, le phrasé et la rythmique à travers des études techniques et exercices rythmiques - Rejoignez dans une variété de styles avec la section rythmique sur le CD du jeu-le long. / Instruments En Fa / 124 pages / Partition Cd

Ce livre/cd permet aux bassistes de tous niveaux d'étudier le langage du jazz. Il contient 21 solos qui sont enregistrés sur le CD par Mike LeDonne (Piano), Peter Washington (Basse) et Kenny Washington (Batterie). Deux enregistrements par morceaux : une version complète une version sans la partie solo. / Guitare Basse

Way Down Yonder In New Orleans-Do You Know What It Means. Par BOLLING CLAUDE. Parties séparées pour flûte, guitare, piano, basse et batterie de cet extrait de 'Cross over U.S.A.', qui rassemble de grands airs populaires américains interprétés de façon inimitable par Claude Bolling./ Recueil / Tout Instrument

In this information-packed DVD bassist Ed Friedland reveals the technical and stylistic details behind professional jazz upright performance. Through live band demonstrations and detailed step-by-step analysis Ed shows you how to: develop stylistic left and right-hand techniques for maximum tone and sustain; arrange scale and arpeggio patterns for greater range and efficiency whether walking or soloing; deal with typical live performance challenges performance protocol stock intros endings trading fours and more; play classic stylistic variations including Latin jazz up-tempo tunes the ?two-feel ? ballads 3/4 time and more. Ed's practical direct teaching style offers easy-to-understand explanations and methodical demonstrations of each topic. The accompanying booklet includes notated versions of each example for added clarity.

14 Jazz And Funk Etudes written by musician Bob Mintzer includes practice and performances materials in various styles used in Jazz

Discover new ways to advance your bass improvisation skills through systematic practice techniques chord/scale studies and innovative theory concepts. Whether you play electric acoustic or upright bass this book/CD pack will take your playing to the next level and beyond. The accompanying audio CD features 34 piano play-along tracks to further hone your ears and fingers. Covers: practical techniques improvisation concepts jazz theory chord studies scale patterns arpeggios and standard notation (no tab).

Bass Clef Edition-Saxophonist John Coltrane was one of the most innovative creative and influential jazz artists of the 20th Century. Both stylistically and harmonically he opened doors for others to follow.This book willfocus on the first period of Coltrane's career when he was with Miles Davis and the jazz vocabulary he used. First to help the student better understand Coltrane's bebop style of improvising the authorsdiscuss the use of guide tones bebop scales three to flat nine targeting and other techniques. Then the text presents numerous one- two- and three-measure jazz lines in Coltrane's style grouped by the harmony overwhich they can be used.The accompanying play-along CD provides the rhythm parts for each section including a track for each section that modulates through the cycle of fourths helping you master the phrases in allkeys.By combining various lines musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions turnarounds and other harmonic situations. Incorporate these essential jazzlines into your vocabulary and you will be able to create your own lines in the style of John Coltrane.

More Than A Fake Book-Charles Mingus was a pioneer figure in modern jazz. Besides a virtuoso bass player who played with the top jazz musicians for four decades he was also an accomplished pianist bandleader and composer. Songs include 'Fables OfFaubus' 'Sue's Changes' 'Better Get Hit In Your Soul' and 'Weird Nightmare'.

12 Stücke in populären Stilen-Twelve stimulating original pieces in popular styles for Double Bass and Piano or Keyboard accompaniment. Graded in order of difficulty these compositions are designed to improve solo technique and character whilst developing articulation and rythmic nuances. Part of the successful Microjazz series this book by Christopher Norton is not only fun but a valuable resource for any developing Double Bassist. ABRSM Double Bass Syllabus.

C-Bass Instruments-This CD (including music booklet) has not especially been worked out for the use in musical education. It is on the contrary an audio CD which has been recorded for sale as a trio CD under my name. Mixing the recordings at the studio however gave us the idea to offer this CD Legal Paradizer also as a play along CD. For this reason I have never taken a pedagogic approach to the musical conception of the pieces performed which in my opinion is exactly what makes these recordings so unique. The structure of none of the pieces is for instance as simple as that of the tunes on some other play along CDs. Therefore I have taken the liberty of adding a short explanationand/or comment on every piece meant to make it easier for you to follow the road map of the tunes. Additionally I have explained some stylistic features to help you interprete the individual pieces. Working with my students has shown me how much fun it can be to also offer groove and funk oriented music on a CD to play along. In most of the pieces you do not necessarily have to follow the changes; you should rather develop simple ideas in time. A real strong emphasis is here placed on the term groove.