A clear and accurate edition of Soler's double organ concertos which for years went no further than the walls of the Escorial Monastery but are today justifiably famous.Two copies are supplied per order.

Herbert Howells ceased using opus numbers at about Op. 40 but each of the three Psalm-Preludes making up his second set is dated. Published in 1940 they were first performed as a set by William O. Minay at a recital for the Organ Music Society given in Christ Church Woburn Square in March 1939.

Jehan Alain (1911-1940) was a French organist and composer. His Litanies for Organ was composed in 1937 and is a sublime addition to the instrument's repertoire. Alain studied with Organ virtuosos Guilmant and Vierne and was primarily an organist and composer of religious music. Whilst at the Paris Conservatoire he won many prizes and his composition catalogue comprises some 140 works. Alain's Litanies is his most famous work and is prefaced with the text; 'When in its distress the Christian soul can find no more words to invoke God's mercy it repeats endlessly the same litany....for reason hasreached its limit; only faith can take one further...' From lively and comical pieces to sensitive and unexpected works Alain's pieces are diverse in musicality. Moreover the composer exploits Organ techniques making Litanies an exciting and varied piece for advanced level organists.

The basic musical material of 'Pari intervallo' by Arvo Pärt consists of two parts which move exactly parallel to each other so that the interval between them is always the same- hence the title. 'Pari Intervallo' is reminiscent of achorale prelude which might be prefaced with the lines from Romans 14/8: 'lf we live we live to the Lord and if we die we die to the Lord.'Now for the first time available as a single edition for organ.

Judith Weir's The Tree Of Peace was composed in 2016 for Organ. Commissioned in loving memory of Richard Axtell (1952-2015) talented and much-loved organist at the Parish of St. Andrew West Tarring. 'It'senormously inspiring to see the Master of the Queen's Music turning her attention to the organ once again. Judith Weir's The Tree Of Peace is a short piece commissioned in memory of the organist Richard Axtell... Despite thesimplicity of the music it carries all the hallmarks of Weir's unmistakeably refined idiom.' - Stephen Farr Choir and Organ Jan 2018 From the Master of the Queen's Music Judith Weir comes The Tree ofPeace which was commissioned in memory of Richard Axtell organist of the parish church in West Tarring West Sussex. It was given its first performance there by Charles Harrison on the 17 June 2017. It lasts some 4 minutes andproves to be a thoroughly engaging piece in her customary refined idiom. It is in three main sections with a graded increase of tempo throughout. Thematic material is presented at the start cantabile. The central sectionprovides an energetic development marked animato leading to the conclusion molto mosso which gives the theme as in the opening but in augmentation. Throughout I feel an orchestral sense of colour and interrelationships inthe music - and have found it delightful to play. A modest two manual and pedal instrument with some contrasted quiet colours available will suffice and the technical demands are by no means severe. A delightful addition to therepertoire of short self-contained delightful pieces. - Organists' Review Duration: Approx 4 minutes.

Louis Vierne (1870 1937) was a student of César Franck. From 1892 he represented Charles-Marie Widor at St.-Sulpice (Paris) before he was nominated in 1900 as titular organist at Notre-Dame (Paris). To the circle of his students belong Nadia Boulanger and Maurice

Preludes and Fugues was written originally for solo accordion (Op. 95). The version of organ (Op. 95b) was written in 2012 and premiered by Kalevi Kiviniemi at the St. Albans International Organ Festival on 14th July 2013.

Orgelbogen - 17 Preludes and Chorale Fantasies (1955- 2014) by Per Nørgård. Edited by Ivan Hansen. A review in the July/August issue of Choir and Organ magazine stated that Orgelbogen is comprised of 'rigorous works in and uncompromising idiom by a major figure far removed from the world of the Anglican organ loft and choir stalls' concluding that '[a]nyone with an interest in contemporary composition for organ should investigate this - it's a beacon of clear-minded compositional integrity. A review in the May-July 2016 edition of 'The Organ' Magazine states that 'the inherentquality' of this publication makes it 'very strongly recommended to organists of all ages and technical accomplishment.'

Nico Muhly's O Antiphon Preludes for Organ.First performed by James McVinnie during a Meditation for Christmas at Westminster Abbey on 19 December 2010.Duration: 25 minutes

Forbarm dig! / Have Mercy! BVN 337 for Organ solo by Rued Langgaard (1947).Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition.

Thema Variationen und Fuge-Inspired by Benjamin Britten's The Young Person’s Guide To The Orchestra Harald Feller wrote this work for Organ and narrator. By combining musical technical and tonal possibilities of the Organ he wants to arouse the listener's interest and enthusiasm for Organ music and make it accessible to a wide (not just young) audience.This work of about 20 minutes' duration can also be performed without narrator.

Organisazione Populare Nr.4 Op. 352 for Organ solo was composed by Niels Viggo Bentzon. Manuscript copy.

Cette pièce fut composée en 2004 pour l’anniversaire de la libération de Paris. Elle évoque la traversée de la Normandie par les chars du général Leclerc et cite quelques mesures de la célèbre marche de la 2° D.B.