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Wolfgang Amadeus Mozart: Four Horn Concertos And Concert Rondo
$18.99
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Lead time before shipment :
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Format : Set of Parts
(French Horn and Piano) Composed by Wolfgang Amadeus Mozart (1756-1791). For french horn and piano accompaniment. Schirmer Library, volume 1807. Format: set of performance parts (includes separate pull-out horn part). With solo part and piano reduction. Classical period. 127 pages. 9x12 inches. Published by Schirmer.
Instrumentation :
French Horn and Piano
Publisher :
Schirmer
Sheet music extract
Wolfgang Amadeus Mozart: Four Horn Concertos And Concert Rondo
$ 18.99
Sheet music extract
Wolfgang Amadeus Mozart: Four Horn Concertos And Concert Rondo
$ 18.99
Song List
:
Concerto #1, K. 412
Concerto #2, K. 417
Concerto #3, K. 447
Concerto #4, K. 495
Concert Rondo, K. 371
Seller information:
Sheetmusicplus
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Classics to Jazz Mozart
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Classics to Jazz * Mozart composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Jonathon Robbins. For jazz piano. This edition: Paperback. Collection. Jazz. Book. Text Language: English. 48 pages. Published by Santorella Publications
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Wolfgang Amadeus Mozart - Wunderkind Sonatas, Volume 1, K. 6-9
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Wolfgang Amadeus Mozart: Four Flute Quartets
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Wolfgang Amadeus Mozart: Piano Concerto No. 23 In A Major, K. 488
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Great Piano Works Wolfgang Amadeus Mozart The Mini Series
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Piano Concerto No. 23 in A, K. 488
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Overture to The Marriage of Figaro Full Score
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Wolfgang Amadeus Mozart: Piano Concerto #20 In D Minor, K. 466
2 Pianos, 4 hands
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Barenreiter
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Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Hans Engel, Horst Heussner. K. 466. For two pianos four-hands. Urtext of the New Mozart Edition. Format: piano duet score (2 copies necessary for performance). With duet notation and introductory text. Classical Period. D Minor. 62 pages. 9x12 inches. Duration 35m. Published by Baerenreiter-Ausgaben (German import).
(3)
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Wolfgang Amadeus Mozart: Piano Concerto No. 21 In C Major, K. 467
2 Pianos, 4 hands
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Barenreiter
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Wolfgang Amadeus Mozart: Piano Concerto In A Major, K. 414
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Wolfgang Amadeus Mozart: Piano Concerto In C Minor, K. 491
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Composed by Wolfgang Amadeus Mozart (1756-1791). K. 491. Piano duet score (2 cop...
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Sonata in C Major, K. 545
2 Pianos, 4 hands
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Alfred Publishing
By Wolfgang Amadeus Mozart. Arranged by Edvard Grieg. For Piano. This edition: 2...
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By Wolfgang Amadeus Mozart. Arranged by Edvard Grieg. For Piano. This edition: 2 copies required. Piano Duo (Two Pianos, Four Hands). Masterwork. Level: Advanced. 16 pages. Published by Alfred Publishing.
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Fugue (K. 426) and Sonata (K. 448) (Urtext)
2 Pianos, 4 hands
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Alfred Publishing
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Level: Intermediate / Advanced.
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Wolfgang Amadeus Mozart : Works for Piano Four Hands
2 Pianos, 4 hands
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Dover Publications
By Wolfgang Amadeus Mozart. Keyboard. Size 9 3/8 x 12 1/4. 160 pages. Published ...
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Piano Concerto No. 10 in E-Flat Major for Two Pianos, K. 365
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Piano Concerto No. 21 in C, K. 467
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By Wolfgang Amadeus Mozart. For Piano. This edition: 2 copies required. Piano Du...
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By Wolfgang Amadeus Mozart. For Piano. This edition: 2 copies required. Piano Duo (Two Pianos, Four Hands). Masterwork. Level: Advanced. 56 pages. Published by Alfred Publishing.
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Wolfgang Amadeus Mozart: The Best of Mozart: Piano: Instrumental Album
Piano solo
Hal Leonard
E-Z Play Today Volume 180-Wolfgang Amadeus Mozart's musical genius is adapted he...
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E-Z Play Today Volume 180-Wolfgang Amadeus Mozart's musical genius is adapted here in 20 classical favorites presented in our patented E-Z Play® Today notation. Includes: 'Ave Verum Corpus' 'Eine Kleine Nachtmusik' 'German Dance in C Major' 'Minuet' 'Piano Concerto No. 21 in C Major' 'Symphony No. 40 in G Minor' 'Turkish Rondo' and more.
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Wolfgang Amadeus Mozart: Concerto No.2 In D K314: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Leduc, Alphonse
Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of th...
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Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of the original Oboe Concerto in C which the composer reworked in 1778. The Concerto remains widely studied and performed on both instruments making it one of the more important Concerti in the woodwind repertoire. Concerto in D is in three movements; 1. Allegro aperto 2. Adagio non troppo and 3. Rondo: Allegretto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of G major. A Dutch flautist of the time Ferdinand de Jean commissioned Mozartfor four Flute quartets and three Flute concerti. However the composer who famously disliked the Flute only completed three quartets and one concerto. Instead of composing a second concerto Mozart rearranged his Oboe Concerto with substantial changes for it to fit with the Flute. De Jean did not approve yet the Concerto in D for Flute remains as popular to this day as the Concerto in C for Oboe.
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Wolfgang Amadeus Mozart: W.A. Mozart Concerto In G: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Leduc, Alphonse
Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in G was written by the com...
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Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in G was written by the composer in 1778. The Concerto remains widely studied and performed on the Flute making it one of the most important Concerti in the instrument's repertoire. Concerto in G is in three movements; 1. Allegro maestoso 2. Adagio ma non troppo and 3. Rondo: Tempo di Menuetto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of D major. A Dutch flautist of the time Ferdinand de Jean commissioned Mozart for four Flute quartets and three Flute concerti. However thecomposer who famously disliked the Flute only completed three quartets and two concertos. Instead of composing a second concerto Mozart rearranged his Oboe Concerto with substantial changes for it to fit with the Flute. This edition of Mozart's Concerto in G includes cadences by virtuosos Taffanel Gaubert and Bozza making for an unmissable version of the famed work.
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Wolfgang Amadeus Mozart: Charming Salzburg: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
Salzburg birthplace of Wolfgang Amadeus Mozart inspired Dutch composer Henk Ho...
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Salzburg birthplace of Wolfgang Amadeus Mozart inspired Dutch composer Henk Hogestein to write this musical tribute. Mozart was born in this charming Austrian town in January 1756. He was a musical prodigy - at the age of four he began receiving lessons from his father Leopold and at the age of six he was composing smart minuets and other short pieces. The composition Charming Salzburg is based on a theme from Mozart's opera Die Zauberflöte which he completed in 1791. The greatest composer of his day - the greatest of all time according to some - the brilliant Mozart wrote some of the world's best operas with Die Zauberflöte was his last.
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Wolfgang Amadeus Mozart: Le Nozze di Figaro: Concert Band: Score & Parts
Concert band
De Haske Publications
Overture-In 1786 Wolfgang Amadeus Mozart composed his wonderful opera Le Nozzi ...
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Overture-In 1786 Wolfgang Amadeus Mozart composed his wonderful opera Le Nozzi di Figaro. In the opera Count Almaviva tries to seduce the fiancée of Figaro his valet. Eventually through four acts full of complicated intrigue he is outwitted. In his music Mozart at times in a humorous way reflects the numerous social and erotic intrigues with both empathy and insight. The brilliant overture is just as vivacious and witty as the opera itself. Mozart delightfully anticipates the passion and playful love that is to come. The skillful transcription for concert band by the Japanese composer Tohru Takahashi certainly does justice to this enchanting music.
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Wolfgang Amadeus Mozart: Oboe Quartet in F K.370: Oboe: Instrumental Work
Oboe, Piano (duet)
Peters
arranged for Oboe and Piano-The Oboe Quartet in F major K. 370/368b was writte...
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arranged for Oboe and Piano-The Oboe Quartet in F major K. 370/368b was written by Wolfgang Amadeus Mozart in early 1781. The quartet originally arranged for oboe violin viola and cello is presented in this edition for Oboe with Piano accompaniment. In 1780 Mozart was invited to Munich to visit Elector Karl Theodor who had commissioned the opera Idomeneo for a carnival celebration. While in Munich Mozart renewed an acquaintance with Friedrich Ramm a virtuoso oboist in the Munich orchestra. It was for Ramm that Mozart composed the quartet in order to show off his virtuosity and the improvements that had been made to the oboe at that time. One way that this piece showed off theinstrument was the use of the 'high F' above the staff a note rarely played in any repertoire previously written for the oboe. This piece is a work of chamber music but it has elements that harken to other musical genres and requires a fair amount of virtuosity. Because of its large amount of virtuosic playing on the part of the oboe and the large degree to which the strings simply accompany the oboist it almost resembles a concerto but with only with four players instead of an entire orchestra. Despite this there are also a number of places within the work that require ensemble playing for example the famous 13-bar passage in the finale in which the oboe plays in common time against a 6/8 accompaniment.
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Wolfgang Amadeus Mozart: Le Nozze di Figaro: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
Overture-In 1786 Wolfgang Amadeus Mozart composed his wonderful opera Le Nozzi ...
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Overture-In 1786 Wolfgang Amadeus Mozart composed his wonderful opera Le Nozzi di Figaro. In the opera Count Almaviva tries to seduce the fiancée of Figaro his valet. Eventually through four acts full of complicated intrigue he is outwitted. In his music Mozart at times in a humorous way reflects the numerous social and erotic intrigues with both empathy and insight. The brilliant overture is just as vivacious and witty as the opera itself. Mozart delightfully anticipates the passion and playful love that is to come. The skillful transcription for concert band by the Japanese composer Tohru Takahashi certainly does justice to this enchanting music.
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Wolfgang Amadeus Mozart: Charming Salzburg: Brass Band: Score & Parts
Brass ensemble
De Haske Publications
Salzburg birthplace of Wolfgang Amadeus Mozart inspired Dutch composer Henk Ho...
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Salzburg birthplace of Wolfgang Amadeus Mozart inspired Dutch composer Henk Hogestein to write this musical tribute. Mozart was born in this charming Austrian town in January 1756. He was a musical prodigy - at the age of four he began receiving lessons from his father Leopold and at the age of six he was composing smart minuets and other short pieces. The composition Charming Salzburg is based on a theme from Mozart's opera Die Zauberflöte which he completed in 1791. The greatest composer of his day - the greatest of all time according to some - the brilliant Mozart wrote some of the world's best operas with Die Zauberflöte was his last.
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Wolfgang Amadeus Mozart: String Quartets Volume IV: String Quartet: Score and
String Quartet: 2 violins, viola, cello
G. Henle
Hoffmeister Quartet and Prussian Quartets-Over the next few years all 26 of Wol...
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Hoffmeister Quartet and Prussian Quartets-Over the next few years all 26 of Wolfgang Amadeus Mozart?s String Quartets will be published by Henle in an Urtext Edition of both score and parts. All previous editions have left much to be desired for example asconcerns the correct placement of dynamic markings.Henle?s edition made with the artistic collaboration of the Armida Quartet draws upon the large body of modern knowledge concerning Mozart philology andperformance practice. We begin with what are chronologically speaking the final four quartets: the so-called ?Hoffmeister? Quartet K. 499 and the three ?Prussian? Quartets K. 575 589 and 590.It is possible that the impulse behind the composition of these last three works was the Prussian King Friedrich Wilhelm II who was an excellent cellist. Modern cellists will find many beautiful melodies to enjoy in thesequartets.
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Wolfgang Amadeus Mozart: Serenade In C Minor: Wind Ensemble
Leduc, Alphonse
Wolfgang Amadeus Mozart's (1756-1791) Serenade In C Minor was written by the com...
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Wolfgang Amadeus Mozart's (1756-1791) Serenade In C Minor was written by the composer in 1782-83. The work remains widely performed by Wind Octets making it one of the most significant substantial works in the wind ensemble repertoire. David Walter's transcription of Serenade In C Minor also known as Serenade No. 12 is for Wind Quintet making the popular work even more accessible and versatile. Serenade In C Minor comprises four movements; 1) Allegro 2) Andante 3) Menuet and Trio and 4) Allegro. Thisedition of Mozart's Serenade In C Minor for Wind Quintet is essential to all ensembles looking for exciting yet traditional repertoire.
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Wolfgang Amadeus Mozart: String Quartets Volume IV: String Quartet: Study Score
String Quartet: 2 violins, viola, cello
G. Henle
Hoffmeister Quartet and Prussian Quartets-Over the next few years all 26 of Wol...
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Hoffmeister Quartet and Prussian Quartets-Over the next few years all 26 of Wolfgang Amadeus Mozart's String Quartets will be published by Henle in an Urtext Edition of both score and parts. All previous editions have left much to be desired for example asconcerns the correct placement of dynamic markings.Henle's edition made with the artistic collaboration of the Armida Quartet draws upon the large body of modern knowledge concerning Mozart philology andperformance practice. We begin with what are chronologically speaking the final four quartets: the so-called 'Hoffmeister' Quartet K. 499 and the three 'Prussian' Quartets K. 575 589 and590.
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Charlottes Musikalische Abenteuer Band 1
Divers
Schott
Charlotte, ailé un peu être, invite tous les enfants à passer une journée pl...
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Charlotte, ailé un peu être, invite tous les enfants à passer une journée pleine de musique avec elle. Chaque heure, elle rencontre un autre compositeur sur le beffroi et embarque sur différentes aventures où elle apprend également sur les genres musicaux (Orchestre symphonique, opéra, ballet) ou termes de théorie de la musique (indications de tempo, échelles, intervalles). En outre, le livre contient des anecdotes et des citations de la musiciens ainsi que des énigmes de musique intéressant attendent d'être résolu.Pour une journée entière, les jeunes lecteurs sont accompagnés par Charlotte joyeux qui est exalté par la musique ancienne et nouvelle. Qui est Charlotte va rencontrer le matin - et qui le soir ? Walther von der Vogelweide, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Robert Schumann, Piotr Ilitch Tchaïkovski, Claude Debussy ou même Charles Ives ? -Cet ouvrage richement illustré fournit des portraits de 15 compositeurs, du moyen âge à nos jours.Adjugé le Deutscher Musikeditionspreis 2008. / Divers
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Wolfgang Amadeus Mozart: Horn Concerto No 1 In D - KV412/514: French Horn:
Kevin Mayhew
Wolfgang Amadeus Mozart's Horn Concerto No. 1 in D major KV412/514 was written ...
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Wolfgang Amadeus Mozart's Horn Concerto No. 1 in D major KV412/514 was written in 1791. The work is in two movements: I. Allegro II. Rondo. Although numbered first this wasactually the last of the composer’s four horn concerti to be completed. Compared to the other three concertos it is shorter in duration (two movements rather than three) and is much simpler in regard to both range andtechnique.This publication has been edited by John Alley and Timothy Jones for Grade 7-8 Horn in F.
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Schon Lacht Der Holde Fruehling K. 583 (MOZART WOLFGANG AMADEUS)
Viola
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Le 'Köchel' indique toujours l'autographe d'air de...
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Par MOZART WOLFGANG AMADEUS. Le 'Köchel' indique toujours l'autographe d'air de Mozart tant apprécié, mais a étiqueté 'manquantes' depuis 1964. La 'Neue Mozart Ausgabe-' n'était donc plus en mesure de prendre en considération. Maintenant, cependant, le manuscrit a réapparu et a été utilisé comme une source authentique pour cette nouvelle édition (1997). préface 'Eine Aria in die Oper, der von Balbier Seviglien. Für MADAME Hoffer. 2 Violini, viole, 2 Clarinetti, 2 Fagotti, 2 Corni e Bassi. Schon lacht Frühling der Holde.' Cette entrée dans le catalogue de Wolfgang Amadeus Mozart travail manuscrite se trouve sous la date du 17 Septembre 1789. Toutefois, étant donné que la performance prévue d'un accord allemand de Barbier de Paisiello a été apparemment abandonné, Mozart semble avoir mis de côté la pièce sans l'achever. Josepha Hofer (née Weber), le plus jeune soeur Constanze Mozart, était d'avoir chanté cet air, destiné à Rosina. En tant que membre de la Freihaustheater Schikaneder, elle a chanté la Reine de la Nuit à la première représentation de la Flûte enchantée. En plus de la partie vocale, le score fragmentaires ne contient que la ligne de basse ainsi que des répliques instrumentales pour une orchestration avenir. La version de l'éditeur orchestralement complété, délivré par le même éditeur, est basé sur le manuscrit autographe conservé à la Österreichische Nationalbibliothek à Vienne. Cette autographe a été redécouvert qu'en 1988. Nous avons poursuivi nos efforts pour fournir un son mozartien dans la réalisation instrumentale de la partition tout en préparant cet arrangement pour soprano, clarinette et piano. Depuis la première clarinette tisse à plusieurs reprises autour de la partie de soprano dans thr version orchestrale, il semblait parfaitement naturel producc l'arrangement actuel. En outre, il apportera inévitablement à l'esprit de Franz Schubert Der Hirt auf dem Felsen (même clé, section du milieu en sol mineur). Nous tenons à remercier la Österreichische Nationalbibliothek à Vienne pour mettre des copies de la source à notre disposition. Franz Beyer Munich, printemps 1997/ Répertoire / Alto
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Schon Lacht Der Holde Fruehling K. 580
Voix Et Orchestre
Breitkopf & Härtel
Le 'Köchel' indique toujours l'autographe d'air de Mozart tant apprécié, mais...
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Le 'Köchel' indique toujours l'autographe d'air de Mozart tant apprécié, mais a étiqueté 'manquantes' depuis 1964. La 'Neue Mozart Ausgabe-' n'était donc plus en mesure de prendre en considération. Maintenant, cependant, le manuscrit a réapparu et a été utilisé comme une source authentique pour cette nouvelle édition (1997).préface'Eine Aria in die Oper, der von Balbier Seviglien. Für MADAME Hoffer. 2 Violini, viole, 2 Clarinetti, 2 Fagotti, 2 Corni e Bassi. Schon lacht Frühling der Holde.' Cette entrée dans le catalogue de Wolfgang Amadeus Mozart travail manuscrite se trouve sous la date du 17 Septembre 1789. Toutefois, étant donné que la performance prévue d'un accord allemand de Barbier de Paisiello a été apparemment abandonné, Mozart semble avoir mis de côté la pièce sans l'achever. Josepha Hofer (née Weber), le plus jeune soeur Constanze Mozart, était d'avoir chanté cet air, destiné à Rosina. En tant que membre de la Freihaustheater Schikaneder, elle a chanté la Reine de la Nuit à la première représentation de la Flûte enchantée.En plus de la partie vocale, le score fragmentaires ne contient que la ligne de basse ainsi que des répliques instrumentales pour une orchestration avenir. La version de l'éditeur orchestralement complété, délivré par le même éditeur, est basé sur le manuscrit autographe conservé à la Österreichische Nationalbibliothek à Vienne. Cette autographe a été redécouvert qu'en 1988. Nous avons poursuivi nos efforts pour fournir un son mozartien dans la réalisation instrumentale de la partition tout en préparant cet arrangement pour soprano, clarinette et piano. Depuis la première clarinette tisse à plusieurs reprises autour de la partie de soprano dans thr version orchestrale, il semblait parfaitement naturel producc l'arrangement actuel. En outre, il apportera inévitablement à l'esprit de Franz Schubert Der Hirt auf dem Felsen (même clé, section du milieu en sol mineur).Nous tenons à remercier la Österreichische Nationalbibliothek à Vienne pour mettre des copies de la source à notre disposition.Franz BeyerMunich, printemps 1997 / Voix Et Orchestre
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Wolfgang Amadeus Mozart: Le nozze di Figaro (Die Hochzeit des Figaro) KV492:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Complete Edition hardcover Opera buffa in four acts-Premièred at the Vienna ...
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Complete Edition hardcover Opera buffa in four acts-Premièred at the Vienna Hoftheater on 1 May 1786 Wolfang Amadeus Mozartâ??s and Lorenzo Da Ponteâ??s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozartâ??s music: on the contrary because of the extraordinary demands it placed on the orchestra (especially the woodwinds) the music even posed an obstacle to the workâ??s spread outside the German-speaking countries. At least equally responsible for the operaâ??s success was the librettist Lorenzo Da Ponte who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing.Many of the sources for Mozartâ??s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the â??New Mozart Editionâ?? volume was published. These include the autograph scores of acts 3 and 4 now held at the Biblioteka Jagiello ka in Kraków significant portions of the original sets of parts and acts 2 to 4 of the conductorâ??s copy from the first performance of 1786.These original sources now available again offer compelling solutions to several previously unresolved questions.Edition based on the Urtext of the â??New Mozart Editionâ?? reflecting the latest musicological researchWith findings from original sources now available againDetailed foreword (Ger/Eng)Full score (BA4565-01) Vocal score (BA4565-92) study score format 22.5 x 16.5cm
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Così Fan Tutte (MOZART WOLFGANG AMADEUS)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Overture. Par MOZART WOLFGANG AMADEUS. In 1786 Mozart composed his wonderful ope...
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Overture. Par MOZART WOLFGANG AMADEUS. In 1786 Mozart composed his wonderful opera Le Nozze di Figaro (KV 492). The Italian libretto, based on the play Le mariage de Figaro by Beaumarchais, was written by Lorenzo da Ponte who also made the libretti of Mozart’s opera’s Don Giovanni and Così fan tutte. In the opera Le Nozze di Figaro, Count Almaviva tries to seduce the fiancée of Figaro, his valet. Eventually, through four acts full of complicated intrigue, he is outwitted. In his music, Mozart at times in a humorous way reflects the numerous social and erotic intrigues with both empathy and insight. The brilliant overture is just as vivacious and witty as the opera itself. Mozart delightfullyanticipates the passion and playful love that is to come. The skillful transcription for concert band by Tohru Takahashi certainly does justice to this appealing music. / Niveau : 5 / Transcription / Répertoire / Concert Band
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Quis Te Comprehendat (MOZART WOLFGANG AMADEUS)
Choeur SATB, 2 Cors, Violon Solo, 2 Violons, Alto,
[Sheet music]
Carus Verlag
Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], b...
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Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin andthe organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. / Mottet / Répertoire / Choeur SATB, 2 Cors, Violon Solo, 2 Violons, Alto,
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Quis Te Comprehendat (MOZART WOLFGANG AMADEUS)
Choeur SATB, 2 Cors, Violon Solo, 2 Violons, Alto,
[Sheet music]
Carus Verlag
Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], b...
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Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin andthe organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. / Mottet / Répertoire / Choeur SATB, 2 Cors, Violon Solo, 2 Violons, Alto,
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Quis Te Comprehendat (MOZART WOLFGANG AMADEUS)
Choeur SATB, 2 Cors, Violon Solo, 2 Violons, Alto,
SATB, Strings
[Sheet music]
Carus Verlag
Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], b...
(+)
Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin andthe organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. / Mottet / Répertoire / Choeur SATB, 2 Cors, Violon Solo, 2 Violons, Alto,
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Quis Te Comprehendat (MOZART WOLFGANG AMADEUS)
Choeur SATB, 2 Cors, Violon Solo, 2 Violons, Alto,
[Sheet music]
Carus Verlag
Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], b...
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Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin andthe organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. / Mottet / Répertoire / Choeur SATB, 2 Cors, Violon Solo, 2 Violons, Alto,
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Quis Te Comprehendat (MOZART WOLFGANG AMADEUS)
Choeur SATB, 2 Cors, Violon Solo, 2 Violons, Alto,
[Sheet music]
Carus Verlag
Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], b...
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Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin andthe organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. / Mottet / Répertoire / Choeur SATB, 2 Cors, Violon Solo, 2 Violons, Alto,
2.39 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Quis Te Comprehendat (MOZART WOLFGANG AMADEUS)
Choeur SATB, 2 Cors, Violon Solo, 2 Violons, Alto,
[Sheet music]
Carus Verlag
Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], b...
(+)
Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin andthe organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. / Mottet / Répertoire / Choeur SATB, 2 Cors, Violon Solo, 2 Violons, Alto,
2.90 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items