SKU: HL.14041529
ISBN 9781849388214.
Lord Berners (1883-1950) was one of the most idiosyncratic and fascinating personalities in British music. He became a pioneer in the avant-garde when he wrote his first music whilst living in Rome as adiplomat during World War 1; Balanchine choreographed his first two ballets and Ashton the next three; in 1931 he had the first exhibition of his paintings; in 1934 he published the first volume of his autobiography, FirstChildhood, and two years later his first novel, The Camel -- and three more novels came out in 1941. On top of all this during the 1930s, known as 'the versatile peer', he increasingly gained a reputation as an eccentric,which he realised was good for publicity.A wry humour pervades everything, as in these three sets of piano duets. Berners' songs and piano music, too, are as full of whimsical references as those of Erik Satie -- he hasbeen called the English Satie and the Ronald Firbank of music. Berners was not prolific but whatever he did was stamped with his own fastidious accomplishment. He may not have been the last eccentric but his music, writingand painting combine to make him one of the most rewarding.
SKU: CY.CC3181
ISBN 9790530119099. 8.5 x 11 in inches.
The Four Duets, BWV 802-805 are part of a larger collection, the Clavier-ubung III sometimes called the German Organ Mass. They were first published in 1739, mostly likely intended to be performed on the organ, as they have a range from C2 to C6; playable on almost any organ from that era. However, they could have been performed on any keyboard of the time. Musically they are more complex than the Two Part Inventions, and their purpose was most likely to take two-part counterpoint to the max. * Fugue 1 is a double fugue in E minor * Fugue 2 is a fugue in F major written as a da capo aria (ABA) * Fugue 3 in G major is light and dance-like * Fugue 4 in A minor is a fugue in strict counterpoint Ralph Sauer has once again done an extraordinary job of finding great music for our instrument and transcribing it in the most beautiful way possible. Appropriate for advanced performers. Each player has their own part as well as a study score. The 2nd part may be performed on a tenor with f-attachment or a bass trombone.
