Two Trios in E-flat major and B-flat major, H. 377-378 for 2 Violas and Bass

Here are six of the most studied, performed, and recorded trios for piano, violin, and cello. They include the popular trio in D Major, Op. 70, No. 1, which was named the Ghost trio by Beethoven's student, Carl Czerny, who thought the eerie second movement suggested the specter of Hamlet's father. Additional works include the trio in E-flat Major, Op. 1, No. 1; the trio in G Major, Op. 1, No. 2; the trio in C Minor, Op. 1, No. 3; the trio in E-flat Major, Op. 70, No. 2; and the trio in B-flat Major, Op. 97, also known as the Archduke trio. These works are reproduced from the authoritative Breitkopf and Härtel editions. Durable but inexpensive, this edition features a sturdy binding that allows pages to remain open on music stands for years of use and enjoyment. Reprinted from the definitive 19th-century Breitkopf

Compositeur : Beethoven, Ludwig van Instrumentation : Piano Trio Editeur Musicologique : Raphael, Günter Couverture Reliée Contenu : Trio D-dur op. 70,1 [Ghost-Trio] D major op. 70,1 Trio E flat major op. 70,2 Trio B flat major op. 97 Trio G major op. 121a [Variations on the Song Ich bin der Schneider Kakadu] G major op. 121a

Compositeur : Schubert, FranzInstrumentation : Piano, 4-handsEditeur Musicologique : Kahl, WilliCouverture ReliéeContenu : Divertissement à la Hongroise g minor op. 54 D 818Divertissement on a French motif b minor op. 84,1 D 823Divertissement on a French motif e minor op. 63,1 D 823Divertissement on a French motif e minor op. 84,2 D 823Grand funeral March c minor op. 55 D 8596 Grandes Marches et Trios E flat, g, h, D, E flat, E op. 40 D 8194 Ländler E flat major, A flat major, C minor, C major D 8143 Marches Militaires D major, G major, E flat major op. 51 D 7336 Polonaises D minor, F major, B flat major, D major, A major, E major op. 61 D 824Grand Duo C major op. post. 140 D 812Variations on an Original Theme A flat major op. 35 D 813

QUINTET in C Major for 2 Violins, Viola and 2 Violoncellos, Op. 163 QUARTETS for 2 Violins, Viola and Violoncello N°1 N°2 in C Major N°3 in B-flat Major N°4 in C Major N°5 in B-flat Major N°6 in D Major N°7 in D Major N°8 in B-flat Major, Op. 168 N°9 in G Minor N°10 in E-flat Major, Op. 125 No. 1 N°11 in E Major, Op. 125 No. 2 N°12 (Quartett-Satz) in C Minor N°13 in A Minor, Op. 29 N°14 in D Minor (Death and the Maiden) N°15 in G Major, Op. 161 TRIOS for Violin, Viola and Violoncello In B-flat Major In B-flat Major

Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Harpe (Ou Piano)