| Jazz Ensemble Director's Manual C.L. Barnhouse
SKU: CL.070-1976-99 Composed by Lawn. Jazz Instruction. Extra CD. C.L. Ba...(+)
SKU: CL.070-1976-99 Composed by Lawn. Jazz Instruction. Extra CD. C.L. Barnhouse #070-1976-99. Published by C.L. Barnhouse (CL.070-1976-99). Completely revised in 1995. Now includes the most up-to-date information available for jazz educators. New charts, lists and bibliographies have been included as well as a complete chapter on Computers, Technology and Jazz Education. This text is a must for the director with little experience with jazz ensembles or for those wanting to update their skills in areas necessary to create a comprehensive jazz program in your school system. The Jazz Ensemble Director’s Manual has been the text of choice in many college jazz classrooms and the new revisions will enhance its continued use. This book is literally loaded with charts, drawings, forms, photographs, tables and music examples and will be a source of information for years to come. It includes a compact disc recording that allows you and your students the opportunity to hear as well as see the musical examples in the Phrasing and Articulation chapter. Every practical aspect of establishing a solid jazz program is covered, ranging from the basics of starting an ensemble to effective rehearsal techniques that get the most from your students. From a musical perspective, this text will give you an in-depth understanding of jazz chord notation, phrasing and articulations. It includes a chapter on the jazz combo which presents information on the setting up of a combo in addition to suggested repertoire considered standard for combo training. The publisher index has been revised to reflect recent changes in publishing areas and the extensive bibliography of selected materials for jazz improvisation has been updated to include recent publications. This text had it all...now with a revised edition available, it has even more! Contains Chapters On: Starting a Jazz Ensemble Program, Jazz Ensemble Instrumentation, The Jazz Combo, Selecting the Music, Ensemble Set- Up, The Jazz Ensemble Conductor, Rehearsal Psychology and Techniques, Phrasing and Articulation, Contest and Concert Preparation, Sound Reinforcement, Understanding Chord Notation, The Rhythm Section, Teaching Basic Jazz Improvisation, Computer Technology and Jazz Education. $9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Producer's Manual Hal Leonard
SKU: HL.333751 All You Need to Get Pro Recordings and Mixes in the Pro...(+)
SKU: HL.333751 All You Need to Get Pro Recordings and Mixes in the Project Studio. Book. Recording/Music Business. Softcover. 352 pages. Published by Hal Leonard (HL.333751). ISBN 9780956446015. UPC: 884088657093. 8.5x9.5x0.942 inches. Sound on Sound editor Paul White delivers the definitive guide to recording and mixing in the project studio. Featuring 350+ full-color pages packed with pro techniques, practical photos, detailed illustrations and hands-on walk-throughs, The Producer's Manual brings together everything you need to take a mix from initial recording to final master. From vocals and drums to guitars, bands, and acoustic instruments, this is all you need to get great recordings. Choose the right mic, review classic recording techniques, learn how to tame spill and get the most from performers. The book features 101-style in-depth guides to dynamics and compression, reverb, pitch correction, studio acoustics, monitoring, and more. You'll also learn how to master your own material when the budget doesn't stretch to professional mastering. The Producer's Manual is supplemented by tricks and insights gleaned from over 20 years in the industry and interviews with some of the biggest producers, including Tony Visconti, Alan Parsons, and many more. $39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Practical Guide for Recruitment and Retention Hal Leonard
Instrumental SKU: HL.155645 Music Achievement Council. Resource. Softcove...(+)
Instrumental SKU: HL.155645 Music Achievement Council. Resource. Softcover. 24 pages. Published by Hal Leonard (HL.155645). ISBN 9781495056727. UPC: 888680601249. 8.5x11.0x0.123 inches. The Music Achievement Council. Recruiting for beginning instrumental music is a year-round job. This book is the most complete manual on recruiting and retention for beginning instrumental music, compiled from ideas and practices of music teachers, music retailers and the music products industry. This booklet describes recruiting methods being used successfully today by directors in schools throughout the country. Some methods differ widely, but all are techniques that have been tested in action and are proven to work. The content here reflects the combined experience of successful educators and school music retailers. That is why this is a practical guide to recruiting and retention for veteran teachers, beginning teachers and future teachers. One key person not in this booklet is you. It is up to you to add your personality and style to the techniques explained. You can do this by: rewriting the sample letters * designing your own forms * setting up schedules that fit your school system * giving everything your personal touch. The yearly cycle presented in this book is designed to increase the number of students recruited and keep them in the program. Two methods to improve retention run through this booklet: don't miss any prospective students, especially the good ones - high quality is one of the keys to retention; don't try to avoid dropouts - rather, strive to improve retention. $14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Historical Performance Practice in Organ Playing Carus Verlag
SKU: CA.6001100 Modern and Contemporary Music. Edited by Jon Laukv...(+)
SKU: CA.6001100 Modern and Contemporary Music. Edited by Jon Laukvik. Buch-Reihen bei Carus: Historical Performance practice on keyboard instruments. Book. Carus Verlag #6001100. Published by Carus Verlag (CA.6001100). English. Now finally in English too: The third part of the organ method Historical Performance Practice in Organ Playing follows on from part two with contributions by Guy Bovet (on Jehan Alain), Hans-Ola Ericsson, Anders Ekenberg, Markus Rupprecht (Olivier Messiaen), Hans Fagius (Maurice Durufle), Jeremy Filsell (Marcel Dupre), Bernhard Haas (Arnold Schonberg, Ernst Krenek, John Cage, Gyorgy Ligeti, and others, plus the latest developments) and Armin Schoof (neoclassicism). As in the first two parts of the organ method, here too a representative selection of composers is discussed. Alongside mainly personal recollections (e.g. from Hans Fagius) there are analytical essays (including by Jeremy Filsell). Bernhard Haas has organised one section of his text as an introduction to the playing techniques and aesthetics of new music, beginning with pieces which are easy to play. This English edition contains new chapters by Kevin Bowyer (The Development of New Organ Music in Britain / Contemporary Organ Music in North America). Laukvik's organ method Historical Performance Practice in Organ Playing has now become established as a standard work. It is aimed at organists who want to incorporate the latest thinking on historical performance practice into their interpretations of works. The three volumes provide a practical introduction in a detailed, scholarly and comprehensible form, by giving organists as precise a picture of the interpretative traditions and aims of previous and modern/ contemporary eras as possible. The editions are aimed not only at organists, but also at organ teachers who are looking for a manual to use in their teaching. $115.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Edizione Nazionale delle Opere di Giacomo Puccini. II. Instrumental music; 2.1 Works for organ: Sonate, Versetti, Marce (vol. II/2) Organ Carus Verlag
Solo Organ SKU: CA.5600300 Vol. II/2. Composed by Giacomo Puccini....(+)
Solo Organ SKU: CA.5600300 Vol. II/2. Composed by Giacomo Puccini. Edited by Virgilio Bernardoni. Complete editions / Selected works: Edizione Nazionale delle Opere di Giacomo Puccini. Free organ music. Full score (complete edition / selected edition). 148 pages. Carus Verlag #CV 56.003/00. Published by Carus Verlag (CA.5600300). ISBN 9790007188047. The organ is the instrument on which the young Giacomo Puccini began his career as a musician. Through the rediscovery of a considerable number of hand-written pieces, which he composed after 1870 as part of his duties as organist in the churches of Lucca, several primary sources are now available. These give an insight into the beginnings of his musical activities which have only been known about from anecdotes from his first biographers until now. Puccini's organ repertoire includes works which were typical for liturgical organ music at that time: sonatas for the main sections of the mass, versets which were substituted for Gregorian chant, marches, which were played after the mass (exceptionally even waltzes), and even a pastorale for Christmas time. This music was written with the sound of instruments made in Tuscany in mind. These have just one manual, a 8 foot Principale register and a small pedalboard always coupled to the manual. In addition there were several solo stops divided into bass and soprano.Puccini contributed with originality to the renewal of Italian organ practice, which began in his day to discard its operatic style in favor of a style more suited to the liturgy. $221.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Conversational Recorder Teacher's Manual GIA Publications
SKU: GI.G-9033T Composed by John M. Feierabend and Rachel Grimsby. Conver...(+)
SKU: GI.G-9033T Composed by John M. Feierabend and Rachel Grimsby. Conversational Solfege. Music Education. 208 pages. GIA Publications #9033T. Published by GIA Publications (GI.G-9033T). ISBN 9781622773954. With its commitment to creating independent musical thinkers through the use of folk songs, Conversational Recorder is a visionary approach to recorder that builds music literacy and independence. This highly anticipated component of John M. Feierabend’s Conversational Solfege is a dynamic and engaging method that seamlessly coordinates with Levels 1 and 2 of the curriculum, an innovative 12-step “ear-before-eye” approach to teaching music literacy. Central to Conversational Recorder are two hundred online audio tracks with coordinating Guided Practice Activities at the beginning of each unit. The online tracks walk students step by step through decoding patterns and songs and are perfectly suited for at-home assignments and virtual instruction. Each of the thirteen units in this resource presents a new rhythm or melody challenge that is reinforced using a series of short musical patterns and songs. To ensure aural mastery before instrumental application, students follow a three-step procedure: (1) sing first, (2) sing while fingering on recorder, and (3) play on recorder. The teacher’s manual includes dozens of recorder activities (techniques) along with an overview of the method, instructions for how to use the online tracks, and tips for teaching fingering, tonguing, and breathing. The appendices also contain sample lesson plans, resources for assessment, fingering charts, and information for teaching recorder to students with disabilities. Conversational Recorder is an ideal program for incorporating recorder instruction into the elementary music classroom. John M. Feierabend, PhD, has spent decades compiling songs and rhymes from the memories of the American people in hopes that these treasures will be preserved for future generations. He is a leading authority on child development in music and movement and served as Professor and Chair of the Music Education Department of the Hartt School of the University of Hartford. Rachel Grimsby is an Assistant Professor of Music Education at Illinois State University and has over fifteen years of experience teaching elementary general music. She is a co-author of First Steps in Music with Orff Schulwerk and Feierabend Fundamentals, and her research interests include professional development for in-service teachers and paraprofessionals as well as teaching music to students with disabilities. $49.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 21 Bebop Exercises Voice solo [Sheet music + CD] Hal Leonard
For Vocalists and Instrumentalists. By Steve Rawlins. Instrumental Jazz. Book an...(+)
For Vocalists and Instrumentalists. By Steve Rawlins. Instrumental Jazz. Book and CD package. Size 9x12 inches. 48 pages. Published by Hal Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| An American Approach to World Percussion Percussion [DVD] Alfred Publishing
(A Practical Method for the Development of Jazz Applications to Hand Percussion ...(+)
(A Practical Method for the Development of Jazz Applications to Hand Percussion Instruments). Composed by Tom Teasley. For World Percussion. Book; DVD; Method/Instruction; Percussion - Miscellaneous Educational Books and Manuals. Jazz; World. 28 pages. Published by Alfred Music
$16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Drum Circle: A Guide To World Percussion (book Only) Percussion [Sheet music] Alfred Publishing
Drum Circle. (A Guide to World Percussion). By Chalo Eduardo and Frank Kumor. Fo...(+)
Drum Circle. (A Guide to World Percussion). By Chalo Eduardo and Frank Kumor. For World Percussion. Method/Instruction; Percussion - Miscellaneous Educational Books and Manuals. Book. 76 pages. Published by Alfred Music Publishing
$11.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Tschaikowsky Pi Cajkovskij-studien Bd6 Schott
(HC) SKU: HL.49033148 Cajkovskijs Harmonielehre von 1871/72. Compo...(+)
(HC) SKU: HL.49033148 Cajkovskijs Harmonielehre von 1871/72. Composed by Magolt. Edited by Thomas Kohlhase. This edition: Hardback/Hard Cover. Book. Edition Schott. 176 pages. Schott Music #ED 9525. Published by Schott Music (HL.49033148). ISBN 9783795704681. 7.0x9.5x0.535 inches. German. It is not widely known that the popular composer Petr Ilyich Tchaikovsky was also a music critic, nor that he was professor of musical theory and harmony, instrumentation and free composition at the Moscow Conservatoire (1866-1878). His teaching there bore fruit in the form of the 'Manual for the practical mastering of harmony' printed in Moscow in 1872. This textbook played an important part in Russian musical training: it was written before the manuals by Rimsky-Korsakoff and Arensky and is thus the very first originally Russian book of harmonic theory, which may be of interest and of some use to readers today. $38.00 - See more - Buy online | | |
| Oboemotions Oboe GIA Publications
(What every oboe player needs to know about the body). By Stephen Caplan. For ob...(+)
(What every oboe player needs to know about the body). By Stephen Caplan. For oboe. Method book/text book
$33.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sounds Good Breitkopf & Härtel
SKU: BR.EB-9411 The Art of Pedagogical Arrangement - The Practice Manu...(+)
SKU: BR.EB-9411 The Art of Pedagogical Arrangement - The Practice Manual for School, Music School, Music Society and Ensembles. Composed by Felix Janosa Jorg Sommerfeld. Edition Breitkopf. Music pedagogy. Sheet Music. Breitkopf and Haertel #EB 9411. Published by Breitkopf and Haertel (BR.EB-9411). ISBN 9790004188859. 0 x 0 inches. German. In preparing arrangements for conducting ensembles, for schools and music schools, you don't need the tricks of the pros, but specific arranging strategies tailored to your own ensemble, your own group. So, although the vast majority of arrangements are educationally motivated, lacking so far has been a reference book on educational arranging. Sounds Good, combining decades of didactic experience on the part of composer Felix Janosa and music educator Jorg Sommerfeld, is the first standard work on the technique and strategy of pedagogical arranging: a compendium, both inspiring with its compact as well as comprehensive approach, while also valuably time-saving with its well-developed systematic working methods and efficient working techniques. Numerous examples for duos, trios, class music-making, for inclusive ensembles, school orchestras, big bands, choirs, combos, intercultural ensembles and many more application fields offer a huge fund of practical ideas. A compact educational instrument guide describes which skills and abilities can be expected from beginners and at which point in time. Also covered is the topic of arranging without notes or with computers and electronics.Sounds Good contains over 200 music examples, most of them also accessible as digital files. It further offers 30 practice projects with sample solutions; numerous tables and overviews serve as a useful resource for the everyday, teaching-staff arrangers. And, last but not least, Sounds Good is an exciting foray into the most diverse fields of music education.It's hard to imagine what I might have become if this work had existed earlier. But it's never too late.... Gotz Alsmann
Arranging for your students: in school and music school - methodical and practice-orientedsonorous and impressive - profound instrumental didacticsinternally differentiated - from duo through to orchestrawith acoustic and electronic instrumentsin all genres30 practicing projects with sampling solutionsdigital supplemental material (XML)tables and overviews as sources for the everyday arranging routine. $66.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| New Directions for Strings (Double Bass D Position Book I) Double Bass [Sheet music + CD] FJH
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathleen Horvath, Robert D McCashin. Instructional book and accompaniment CD for double bass. Series: New Directions for Strings. 56 pages. Published by The FJH Music Company Inc.
$11.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| New Directions for Strings (Viola Book I) Viola [Book + CD] FJH
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathleen Horvath, Robert D McCashin. Instructional book and accompaniment CD for viola. Series: New Directions for Strings. 56 pages. Published by The FJH Music Company Inc.
(1)$11.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| New Directions for Strings (Violin Book I) Violin [Book + CD] - Beginner FJH
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathleen Horvath, Robert D McCashin. Instructional book and accompaniment CD for violin. Series: New Directions for Strings. 56 pages. Published by The FJH Music Company Inc.
$11.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| New Directions for Strings (Cello Position Book I) Cello [Book + CD] - Beginner FJH
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathleen Horvath, Robert D McCashin. Instructional book and accompaniment CD for cello. Series: New Directions for Strings. 56 pages. Published by The FJH Music Company Inc.
$11.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Flamenco Improvisation: Volume 1 Guitar notes and tablatures Sher Music Company
Modal Improvisation and Melodic Construction in the Flamenco Environment. Com...(+)
Modal Improvisation and
Melodic Construction in the
Flamenco Environment.
Composed by Enrique Vargas.
387 pages. Published by Sher
Music Company
$46.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Projects Stainer and Bell
SKU: ST.B805 Composed by Patric Standford. Books & Study Scores. (KS3/GCS...(+)
SKU: ST.B805 Composed by Patric Standford. Books & Study Scores. (KS3/GCSE:A1/AL). Book. Stainer & Bell Ltd. #B805. Published by Stainer & Bell Ltd. (ST.B805). ISBN 9790220215292. Listening, composing and performing are the foundation of Projects, Patric Standford's exciting composition manual that meets the varied demands of 'A-level' and undergraduate courses. Former head of Composition at Bretton College of Higher Education, respected composer and tireless advocate of new music, Standford begins unashamedly with melody. Through a study of historical examples, students quickly learn to write their own, then master rhythm, harmony and the construction of canons before creating original pieces for melody instruments, keyboard, and percussion ensemble. With a wealth of illustrations and full of good sense, Standford's practical text ensures a constant helping hand for the young composer, showing how music of the past and present, carefully observed, can unlock the novice's imagination. Beautifully produced, Projects combines a sound respect for the fundamentals of music-making with the one element essential for its success - enjoyment. $17.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Conversational Recorder Package GIA Publications
SKU: GI.G-9033 Teacher's Manual + Student Book. Composed by John M...(+)
SKU: GI.G-9033 Teacher's Manual + Student Book. Composed by John M. Feierabend and Rachel Grimsby. Conversational Solfege. Music Education. Book. 1 pages. GIA Publications #9033. Published by GIA Publications (GI.G-9033). ISBN 9781622775606. With its commitment to creating independent musical thinkers through the use of folk songs, Conversational Recorder is a visionary approach to recorder that builds music literacy and independence. This highly anticipated component of John M. Feierabend’s Conversational Solfege is a dynamic and engaging method that seamlessly coordinates with Levels 1 and 2 of the curriculum, an innovative 12-step “ear-before-eye” approach to teaching music literacy. Central to Conversational Recorder are two hundred online audio tracks with coordinating Guided Practice Activities at the beginning of each unit. The online tracks walk students step by step through decoding patterns and songs and are perfectly suited for at-home assignments and virtual instruction. Each of the thirteen units in this resource presents a new rhythm or melody challenge that is reinforced using a series of short musical patterns and songs. To ensure aural mastery before instrumental application, students follow a three-step procedure: (1) sing first, (2) sing while fingering on recorder, and (3) play on recorder. The teacher’s manual includes dozens of recorder activities (techniques) along with an overview of the method, instructions for how to use the online tracks, and tips for teaching fingering, tonguing, and breathing. The appendices also contain sample lesson plans, resources for assessment, fingering charts, and information for teaching recorder to students with disabilities. Conversational Recorder is an ideal program for incorporating recorder instruction into the elementary music classroom. John M. Feierabend, PhD, has spent decades compiling songs and rhymes from the memories of the American people in hopes that these treasures will be preserved for future generations. He is a leading authority on child development in music and movement and served as Professor and Chair of the Music Education Department of the Hartt School of the University of Hartford. Rachel Grimsby is an Assistant Professor of Music Education at Illinois State University and has over fifteen years of experience teaching elementary general music. She is a co-author of First Steps in Music with Orff Schulwerk and Feierabend Fundamentals, and her research interests include professional development for in-service teachers and paraprofessionals as well as teaching music to students with disabilities. $62.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Jazz Conception -- Study Guide Advance Music
SKU: AP.1-ADV14730 A Manual for Teachers and for Self-Study. Compo...(+)
SKU: AP.1-ADV14730 A Manual for Teachers and for Self-Study. Composed by Jim Snidero. All Instruments Method or Collection; Improvisation; Method/Instruction; Play-Along. Advance Music: Jazz Conception. Jazz. Book and CD. Advance Music #01-ADV14730. Published by Advance Music (AP.1-ADV14730). UPC: 805095147308. English. The Jazz Conception: Study Guide shows through detailed analysis how to get inside the creative process of creating a jazz solo, providing a wealth of ideas and practice suggestions for the serious jazz educator and for self learners. Adapted compatible editions are available for alto/baritone, tenor soprano saxophones, trumpet, trombone, flute, clarinet, guitar, piano, bass, and saxophone section. English Edition. German Edition is item #01-14738. $28.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Conversational Recorder Student Book GIA Publications
SKU: GI.G-9033S Composed by John M. Feierabend and Rachel Grimsby. Conver...(+)
SKU: GI.G-9033S Composed by John M. Feierabend and Rachel Grimsby. Conversational Solfege. Music Education. Book. 136 pages. GIA Publications #9033S. Published by GIA Publications (GI.G-9033S). ISBN 9781622773947. With its commitment to creating independent musical thinkers through the use of folk songs, Conversational Recorder is a visionary approach to recorder that builds music literacy and independence. This highly anticipated component of John M. Feierabend’s Conversational Solfege is a dynamic and engaging method that seamlessly coordinates with Levels 1 and 2 of the curriculum, an innovative 12-step “ear-before-eye” approach to teaching music literacy. Central to Conversational Recorder are two hundred online audio tracks with coordinating Guided Practice Activities at the beginning of each unit. The online tracks walk students step by step through decoding patterns and songs and are perfectly suited for at-home assignments and virtual instruction. Each of the thirteen units in this resource presents a new rhythm or melody challenge that is reinforced using a series of short musical patterns and songs. To ensure aural mastery before instrumental application, students follow a three-step procedure: (1) sing first, (2) sing while fingering on recorder, and (3) play on recorder. The teacher’s manual includes dozens of recorder activities (techniques) along with an overview of the method, instructions for how to use the online tracks, and tips for teaching fingering, tonguing, and breathing. The appendices also contain sample lesson plans, resources for assessment, fingering charts, and information for teaching recorder to students with disabilities. Conversational Recorder is an ideal program for incorporating recorder instruction into the elementary music classroom. John M. Feierabend, PhD, has spent decades compiling songs and rhymes from the memories of the American people in hopes that these treasures will be preserved for future generations. He is a leading authority on child development in music and movement and served as Professor and Chair of the Music Education Department of the Hartt School of the University of Hartford. Rachel Grimsby is an Assistant Professor of Music Education at Illinois State University and has over fifteen years of experience teaching elementary general music. She is a co-author of First Steps in Music with Orff Schulwerk and Feierabend Fundamentals, and her research interests include professional development for in-service teachers and paraprofessionals as well as teaching music to students with disabilities. $14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Organ Works Organ Breitkopf & Härtel
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 84 pages. Breitkopf and Haertel #EB 9306. Published by Breitkopf and Haertel (BR.EB-9306). ISBN 9790004187708. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles. $45.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ Breitkopf & Härtel
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 192 pages. Breitkopf and Haertel #EB 9415. Published by Breitkopf and Haertel (BR.EB-9415). ISBN 9790004188897. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles. $90.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ Breitkopf & Härtel
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 84 pages. Breitkopf and Haertel #EB 9305. Published by Breitkopf and Haertel (BR.EB-9305). ISBN 9790004187692. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. Contains the Critical Commentary of the subvolumes I/1 and I/2. $50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ Breitkopf & Härtel
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 108 pages. Breitkopf and Haertel #EB 9304. Published by Breitkopf and Haertel (BR.EB-9304). ISBN 9790004187685. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. The corresponding Critical Commentary is contained in Volume I/2 (EB 9305). $50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| 18th Century Continuo Playing Piano solo [Sheet music] Barenreiter
A Historical Guide to the Basics. By Christensen, Jesper Boje. For Piano. Collec...(+)
A Historical Guide to the Basics. By Christensen, Jesper Boje. For Piano. Collection (hard bound). Published by Baerenreiter-Ausgaben (German import).
(1)$61.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Drums from Brazil Advance Music
World Percussion SKU: AP.1-ADV13026 Rebolo, Hand Repique, Tantan, and ...(+)
World Percussion SKU: AP.1-ADV13026 Rebolo, Hand Repique, Tantan, and Multiple Percussion. Composed by Luiz Roberto Cioce Sampaio. Method/Instruction; Percussion - Miscellaneous Educational Books and Manuals; Technique Musicianship. Advance Music. Latin; World. Book and DVD. Advance Music #01-ADV13026. Published by Advance Music (AP.1-ADV13026). ISBN 9783954810093. UPC: 805095130263. English. This instructional multimedia set contains a book and DVD designed to help master classic Brazilian rhythms for percussion instruments. Starting out with warm-ups and groove patterns, this method presents the popular samba, bossa nova, and baião styles as well as exciting varieties of Afoxé, Xaxado, Marchinha, Xote, and Samba in 7/8 for the experienced player. For each style, the DVD includes sample performances that can be used when learning and practicing hand coordination and technique.
Drums from Brazil is suitable for an autodidactic approach but can also be employed by teachers for one-on-one or group instruction. The author is one of Brazil's most in-demand percussionists and percussion teachers, performing with ensembles from symphony orchestras to samba schools. He works as a private tutor and is credited with the invention of the Ceramofone, a percussion instrument made of ceramics and played with sticks. $41.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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