Baroque Guitar Anthology - Volume 3

12 Guitar and Lute Pieces-Graded collection of Baroque repertoireFor students with 8-9 years playing experienceComplete with play-along CDThe fourth and final volume in the Baroque Guitar Anthology series contains 12 original pieces by composers of the 17th and 18th centuries transcribed for guitar by co-author Stuart Willis. Including pieces by Bach Weiss Kellner and Corbetta amongst others it presents a carefully selected range of works and as with the other volumes in the series is ideal for any players interested in gaining an insight into the richness and variety of the Baroque guitar and lute repertoire.The book contains composer biographies andteaching notes on all of the works and is accompanied by CD recording of all pieces performed by Jens Franke. Suitable for students of c.8-9 years of playing experience or those of grades 7-8 level.

12 Original Works & Transcriptions-The fourth and final volume in this successful series 'Romantic Guitar Anthology' is a graded repertoire book suitable for advanced students of c. 8-10 years of playing experience. Well-established teaching pieces by leading 19th Century composers Sor and Coste are presented alongside more rarely available works by José Ferrer and Johann Kaspar Mertz. This volume includes several pieces which would make effective and charming concert pieces.Composer biographies and extensive teaching notes on each piece are included together with a CD recording of all the works in the anthology performed by the series editor Jens Franke.Also available: Baroque GuitarAnthology: Vol 1 – ED 13357 Vol 2 – ED 13437Vol 3 – ED 13446Vol 4 – ED 13489Romantic Guitar Anthology: Vol 1 – ED 13110 Vol 2 – ED 13111 Vol 3 – ED 13112Bewährte Unterrichtsstücke der führenden Komponisten Sor und Coste aus dem 19. Jahrhundert finden sich darin ebenso wie seltenere Werke von José Ferrer und Johann Kaspar Mertz. Dieser Band enthält mehrere Stücke die sich als wirkungsvolle und reizvolle Konzertstücke eignen würden.Ergänzt wird die Ausgabe durch Komponistenbiografien und umfangreiche Unterrichtshinweise zu jedem Stück sowie eine CD mit allen Werken dieser Sammlung in einer Einspielung des Herausgebers der Reihe Jens Franke.

Century Spain. Par KOONCE FRANK. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. * A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. * A companion volume to The Baroque Guitar in Spain and the New World (MB21122). * Intended to help bridge the gap between scholarly editions and performance editions. * An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open firststring as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuelathat were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions byproviding a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology, edited for modern guitar, from the seven books forvihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World (MB21122) Intended to help bridge the gap between scholarly editions and performance editions Anintroduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. / Niveau : Intermédiaire / Tablatures / Guitare Tablatures

25 Guitar and Lute Pieces The author of the successful Romantic Guitar Anthology series, Jens Franke, returns with a new collection of pieces from the 17th and 18th centuries. The first volume of the Baroque Guitar Anthology contains 25 beautiful and rarely available pieces transcribed for guitar by co-author Stuart Willis, including works by Gaspar Sanz, David Kellner and Robert De Visée. The book includes composer biographies and teaching notes on each piece, together with a CD recording of all works performed by Jens Franke. Suitable for students of c.2-3 years of playing experience, or grades 1-2 level. Contenu - Introduction - Sanz: Marionas - Sanz: Villano - Sanz: Espanoleta - Sanz: Torneo - Anon.: Folie d'Espagne - Anon.: Ouvrez-moy la porte, petite Nannon - Le Cocq: Menuet - Anon.: Entree - Anon.: Menuet - Anon.: Sarabande - Anon.: Gigue d'Angleterre - Anon.: Sarabande - De Visée: Menuet - Derosier: Sarabande - Derosier: Gigue - Le Cocq: Sarabande - Mouton: Prelude - Kellner: Sarabande - Kellner: Double - Le Cocq: Menuet - Le Cocq: La Burlesque - Le Cocq: Gigue - Anon.: Sarabande - Anon.: Prelude - De Visée: Gigue - Teaching Notes - About the Composers