Works for Piano and One Instrument - Horn (Violoncello), Flute (Violin), Mandolin

Five sonatas for brass instruments and Piano.For Trumpet in Bb (optional doubling on Flugelhorn) or Trumpet in C.This work was commissioned by Professor James Watson for the brass faculty of the Royal Academy of Music. It was composed between August and September 2008. It is the fifth in a series of six works for brass composed between 2006 and 2009: sonatas for Bass Tuba and Piano (2006) Bass Trombone and Piano (2006) Tenor Trombone and Piano (2007) Horn in F and Piano (2008) and Sinfonia Concertante for Bass Tuba Bass Trombone Tenor Trombone Horn Trumpet Brass and Percussion (2009). The first performance of the Sonata was given on 21 October 2009 at theRoyal Academy of Music by James Woods Davison (to whom the work is dedicated) and Timothy End.

Essential Repertoire for Piano-Core Classics is a collection of seven books of music from the piano canon selected and graded by leading educationalists. Drawn from ABRSM???s extensive back catalogue each volume contains a rich selection of engaging pieces to form the backbone of any pianist???s repertoire. From Bach to Beethoven Scarlatti to Schumann this series includes an abundance of much-loved pieces. All pieces have been carefully selected to ensure that each book is nothing short of a ???teacher???s toolkit??? ??? works that any teacher would want their pupils to learn as part of their musical journey. Each book is authoritatively graded with pieces gradually increasing in difficulty throughout. Thebooks are equally valuable for learners working towards a grade exam between grades or playing for leisure building technical skills and confidence. With an elegant and attractive design and an unrivalled range of repertoire this is an essential collection for piano teachers and learners alike. Core Classics is a collection of seven books of music from the piano canon selected and graded by leading educationalists. Drawn from ABRSM???s extensive back catalogue each volume contains a rich selection of engaging pieces to form the backbone of any pianist???s repertoire. From Bach to Beethoven Scarlatti to Schumann this series includes an abundance of much-loved pieces. All pieces have been carefully selected to ensure that each book is nothing short of a ???teacher???s toolkit??? ??? works that any teacher would want their pupils to learn as part of their musical journey. Each book is authoritatively graded with pieces gradually increasing in difficulty throughout. Thebooks are equally valuable for learners working towards a grade exam between grades or playing for leisure building technical skills and confidence. With an elegant and attractive design and an unrivalled range of repertoire this is an essential collection for piano teachers and learners alike.

This collection of 15 pieces, transcribed and edited by the Howells scholar Jonathan Clinch and published for the first time to coincide with Matthew Schellhorn?s recording of the complete piano music by Howells for Naxos, reveals a previously neglected aspect of this celebrated English composer.
The pieces chart the musical development of Howells, from his earliest known work The Arab?s Song, written when he was 16, to the Petrus Suite, completed in his 80s, as well as demonstrating his fascination with French music (Phantasy, Harlequin Dreaming) and the Tudor period (Pavane and Galliard).
The volume also includes the moving tribute to his friend and fellow composer Finzi: his rest. Comprising a wide array of pieces from characterful miniatures to more substantial suites, the collection will appeal to Howells devotees and lovers of 20th century English music, as well to as anyone seeking fresh and distinctive piano repertoire. / Partitions classique / Piano - instruments à clavier / Piano / NOVELLO

The pieces in this book are about ABRSM Grade 3-4 standard. Includes works by Cesar Franck Tchaikovsky Carl Nielsen and Enrique Granados among many others. Edited by Lionel Salter.

The seemingly endless invention of the 24 Preludes for Piano follows the key scheme employed by Bach in The Well-Tempered Clavier through a landscape of harmonic subtlety and craftsmanship of the most refined sort.York Bowen wasa British composer whose fifty-year career musical career spanned much of the 20th century. Bowen was not only a prolific composer he was also a pianist conductor Organist Violinist and Horn player. He premiered manyimportant works and his own music was featured many times at the Proms among other concert series and he had a host of critical champions. Sir Henry J Wood for instance believed Bowen had never received proper recognition andCamille Saint-Saens regarded him as the ‘finest of English composers’ early in his career. His compositional style changed little throughout his life so that his later oeuvre was less celebrated than his earlier works as musicfashion had moved on.

This berceuse or cradle song certainly manifests musically ‘rocking’ elements but in a style both Romantic and modern that is Bowen’s own creation. York Bowen was a British composer whose fifty-year career musical careerspanned much of the 20th century. Bowen was not only a prolific composer he was also a pianist conductor Organist Violinist and Horn player. He premiered many important works and his own music was featured many times at theProms among other concert series. Sir Henry J Wood believed Bowen had never received proper recognition and Camille Saint-Saens regarded him as the ‘finest of English composers’ early in his career.

Animations is a collection of pieces focusing on lively rhythms and sparkling articulate music – not all of it at faster tempos. There are goblins and grasshoppers gypsies and witches; Grieg and Goldschmidt co-exist with Horne and Hummel; there is entertaining and sometimes unfamiliar music by Scarlatti Schumann and Chopin. There is dance music a plenty as you would expect in an album devoted to movement and as well as a waltz and a mazurka there is a gigue by Reger and a galop by Casella. Piano Moods is an exciting new Piano series from Boosey & Hawkes. Each volume is devoted to a particular mood. The pieces chosen draw on Boosey& Hawkes' extensive collection of wonderful music as well as lesser-known gems from the past - some of them from surprising sources - and newly composed works.

A collection of Rawsthorne's works for Piano with an introduction and notes on each of the pieces as well as a foreword by John McCabe. The book features 17 pieces for Solo Piano and four duets for Piano Four Hands.

Fifty etudes from the works of Berens Bertini B rgmuller Czerny Duvernoy Heller K?hler Le Couppey Lemoine L?schhorn Streabbog.

Lower Intermediate to Intermediate-103 arrangements of must-know classical standards by 41 composers at the lower intermediate to intermediate level. BACH: Air on the G String · Arioso · Jesu Joy of Man's Desiring · Sheep May Safely Graze · Sleepers Awake BEETHOVEN: Theme from Symphony No. 5 · Theme from Symphony No. 6 · Theme from Symphony No. 7 · Ode to Joy from Symphony No. 9 BIZET: Themes from Carmen · Farandole from L'Arlésienne Suite No. 2 BOCCHERINI: Minuet from String Quintet BORODIN: Polovetsian Dances from Prince Igor BRAHMS: Hungarian Dance · Lullaby · Theme from Symphony No. 1 · Theme from Variations on a Theme by Joseph Haydn CLARKE: Trumpet Voluntary (The Prince of Denmark's March) DVORÁK: Themes from Symphony No. 9 ELGAR: Nimrod from Enigma Variations · Pomp and Circumstance March No. 1 FAUR??: Pavane · Pie Jesu · Sicilienne GOUNOD: Ave Maria adapted from Prelude in C Major by JS Bach GRIEG: Anitra's Dance from Peer Gynt Suite · Morning from Peer Gynt Suite · Solveig's Song from Peer Gynt Suite · Theme from Piano Concerto HANDEL: Harmonious Blacksmith · Bourrée from Music for the Royal Fireworks · Largo (Ombra mai fu) from Serse · Where'er You Walk from Semele · Hornpipe from Water Music HOLST: Jupiter Chorale from The Planets HUMPERDINCK: Evening Prayer from Hansel and Gretel MAHLER: Adagietto from Symphony No. 5 MASSENET: Meditation from Thaïs MENDELSSOHN: Nocturne from A Midsummer Night's Dream MOZART: Theme from Clarinet Concerto · Minuet from Don Giovanni · Allegro from Eine kleine Nachtmusik · Theme from Piano Concerto No. 20 · Theme from Piano Concerto No. 21 · Theme from Symphony No. 40 MUSSORGSKY: Promenade from Pictures at an Exhibition OFFENBACH: Can-Can from Orpheus in the Underworld · Barcarolle from The Tales of Hoffmann PACHELBEL: Canon in D PAGANINI: Caprice No. 24 from 24 Caprices PARRY: Jerusalem PONCHIELLI: The Dance of the Hours from La Gioconda PUCCINI: O mio babbino caro from Gianni Schicchi · Themes from Madama Butterfly PURCELL: Rondeau from Abdelazar ROSAS: Over the Waves ROSSINI: Themes from The Barber of Seville · Theme from William Tell SCHUBERT: Ave Maria · Serenade · Theme from Symphony No. 8 (Unfinished) · Theme from Symphony No. 9 · To Music · The Trout · SEMTANA: The Moldau from My Homeland SOUSA: The Liberty Bell · The Stars and Stripes Forever · The Washington Post STRAUSS I: Radetzky March STRAUSS II: Emperor Waltz · On the Beautiful Blue Danube · Tales from the Vienna Woods · Tritsch-Tratsch Polka · Viennese Blood · Wine Women and Song TCHAIKOVSKY: Themes from 1812 Overture · Marche slave · Dance of the Reed Flutes from The Nutcracker · Waltz of the Flowers from The Nutcracker · Theme from Piano Concerto No. 1 · Theme from Romeo and Juliet Theme from Swan Lake · Theme from Symphony No. 5 · Theme from Symphony No.6 VERDI: Grand March · La donn

Chant Lointain is a piece for F Horn and Piano by Eugène Bozza. Written for intermediate players this melodious work is divided into three distinct parts: Slow (6/8) Allegro moderato (4/4) and Slow (6/8). Really energetic  Chant Lointain sees the Piano and the Horn answering to each other. The piece lasts a total of four minutes during which the Horn appears as a really majestic instrument. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composedseveral operas chamber works and ballets among others.

Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza's compositions were well-received by audiences New Orleans being popular in the bass brass repertoire. This Bozza piece for bass brass with Piano accompaniment was written in 1962. It was orginally composed for Bass Saxhorn but since the instrument was falling into obscurity Bozza also adapted it for Bass Trombone and Tuba. NewOrleans is influenced by the jazz culture of the city. As music educationalist Paul Griffiths has written of Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.' New Orleans for Bass Trombone Tuba or Bass Saxhorn and Piano remains popular in the repertoire of the instruments and is often included in audition syllabuses making it essential to aspiring performers of bass brass.

Music Minus One Piano-This luscious quintet is scored for piano oboe clarinet horn and bassoon. Mozart's magnificent orchestration of the winds with piano creates a warm and glowing texture of sound and each instrument emerges at times for a prominent position. Cast in three movements: Largo/Allegro moderato Larghetto and Rondo/Allegretto. Truly one of the great works in this format and wonderful fun to practice and perform. Includes complete solo Piano part printed on high-quality ivory paper and a compact disc containing a complete performance of the quintet with soloist then performed again minus the soloist. Performed by Harriet Wingreen piano Accompaniment: New Art WindQuintet

Cor En Fa Et Piano-Contemporary Italian-French composer Armando Ghidoni brings together influences of both Italy and France in his music. Also as an expert on jazz the harmonies and rhythms of the composer's works reflect a huge diversity Poésie Gaîté for French Horn and Piano being no exception. Ghidoni is significant within the contemporary French music school and his works are regularly chosen as set pieces for leading national and international competitions. Poésie Gaîté reflects Ghidoni's mastery of a range of instruments and is suitable for intermediatestandard Horn players. With a typical performance lasting about 5 minutes and 15 seconds  Poésie Gaîté is an exciting addition to the French Horn repertoire.