Complete Works for Lute. Vol. 6: Prelude BWV 999 - Fugue BWV 1000. Baroque Lute version

Orchestral Excerpts for Flute with Piano Accompaniment has transformed the literature and become the standard excerpt book since its release in 1995. The original collection presents excerpts as you'll see them on auditions and orchestra stands, enhanced with Baxtresser's insightful commentaries on preparing each excerpt. Prefatory essays and piano accompaniments add further resources to best prepare for auditions and life as an orchestra player. Orchestral Excerpts for Flute, Volume 2 with Piano Accompaniment provides all the same features for thorough preparation of another 56 excerpts drawn from 27 works including Tchaikowsky ballets, Strauss tone poems, John Williams film scores, and a wealth of essential repertoire from Bach through Stravinsky. DedicationA Letter to my Dear Flutist FriendsNotes for the PianistTo the PianistsWith My AppreciationWhy This New Book?Learning and Studying Excerpts TodayHow to Use This BookFlute Parts – The Music You Will UseLearning to Take a Successful AuditionPersonal PreparationThe Audition – To Win or to LearnPlaying in an OrchestraPlaying in Opera and Ballet OrchestrasAcknowledgmentsAbout Jeanne BaxtresserAbout the Collaborative EditorsBACHJOHANN SEBASTIANMass in B MinorBWV 232Part IVNo. 24Benedictusbars 1-12BARTOKBELAConcerto for OrchestraMvt. Ibars 1-35Mvt. IVbars 1-25Mvt. IVpickup to bar 136 through 151Mvt. Vbars 26-148BEETHOVENLUDWIG VANSymphony No. 7 in A MajorOp. 92Mvt. Ibars 38-88Mvt. IIbars 131-183BERLIOZHECTORSymphonie FantastiqueOp. 14Mvt. I2 bars before [2] through [3]Mvt. I4th bar of [5] through 3rd bar of [6]Mvt. III1½ bars before [37] through 5th bar of [38]GOUNODCHARLESPetite SymphonieMvt. IIbars 1-29Mvt. IIbars 60-89MAHLERGUSTAVSymphony No. 9Mvt. I2 bars before Misterioso through 3rd bar of Nicht mehr so langsamMvt. Ibeat 4 of Sehr zögernd through 3rd bar after Wieder a tempoSymphony No. 10Mvt. Vbars 27-45MOZARTWOLFGANG AMADEUSThe Magic FluteK. 620Act INo. 8Finalebars 1-24 of “Wie stark ist nicht dein Zauberton!”Act IINo. 21Finalebars 1-10PISTONWALTERThe Incredible Flutist“The Flutist,” Lento after [E] through end of soloRIMSKY-KORSAKOVNICOLAIScheherazadeMvt. II3 before [Q] through 13th of [Q]Mvt. IIIpickups to 8 before [B] to 1 before [B]Mvt. IIIpickups to [M] through [N]Mvt. IV4th bar of [T] through Più strettoSCHUMANNROBERTSymphony No. 1“Spring,” Op. 38Mvt. Ibars 14-23Mvt. Ibars 158-193Mvt. IVbars 174-206SHOSTAKOVITCHDMITRISymphony No. 5Op. 47Mvt. I[13][15]Mvt. I[39] through 3rd bar of [41]Mvt. IIpickup to 6 bars before [59]through 8th bar of [60]Symphony No. 6Op. 54Mvt. I[16] through 3rd bar of [18]Mvt. I4 bars before [23] through [26]Mvt. I3 bars before [27] through 7th bar of [27]Symphony No. 15Op. 141Mvt. Ibar 1 through 4 bars after [4]Mvt. I8th bar of [46] through [50]STRAUSSRICHARDDer RosenkavalierOp. 59Act I4 bars before [230] through [233]Act I[251][253]Don JuanOp. 20Bar 1 through [B][K] through 3rd bar of [L]Ein HeldenlebenOp. 406 bars before [14] through [14]3rd bar of [15] through 8th bar of [15]2nd bar before [41] through 11th bar of [41]Symphonia DomesticaOp. 538 bars before [22] through [24]STRAVINSKYIGORThe FirebirdPas de Deux (Firebird and Ivan Tsarevitch)1945 version1 bar before [25] through 4th bar of [33]“Appearance of the Thirteen Enchanted Princesses,” 1910 version4 bars before[52] through 2nd bar of [53]Jeu de CartesVariation IV: [75][79]Symphonies of Wind Instruments2 bars before [6] through [9]3 bars before [14] through 3rd bar of [26][28] to the 3rd bar of [37]TCHAIKOVSKYPETER ILYITCHThe NutcrackerOp. 71Act IIChinese DancecompleteDance of the Mirlitonsbar 1 to [C]Sleeping BeautyOp. 66Act IIINo.25Pas de QuatreSwan LakeOp. 20Act IIINo. 19Pas de Six [32][33]Act IIINo. 19[35][36]WILLIAMSJOHNHarry Potter and the Prisoner of AzkabanSuite for Orchestra“Hagrid’s Friendly Bird,” bars 127-151Star WarsSuite for OrchestraPrincess Leia’s themepickup to bar 15 through bar 33War HorseDartmoor1912bars 1-15Dartmoor1912pickup to bar 131 through bar 144 / Flûte traversière / Theodore Presser Company

Prelude, Fugue and Allegro BWV 998. Baroque Lute version Editors: Hopkinson Smith Publication Date: 2009 Series: Silva de Sirenas. Music for Lute, Theorbo and Baroque Guitar Pages: pp. 16

Chopin's works for piano and strings were usually made for a specific occasion, and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello, the last work by the composer intended for publication, a work reflecting his current style, highly reflective, the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski, L. Bronarski and J. Turczyński. Table of contents: Chopin Fryderyk Grand Duo Concertant for Cello and Piano Chopin Fryderyk Polonaise Brillante Op. 3 for Cello and Piano Chopin Fryderyk Sonata Op. 65 for Cello and Piano Chopin Fryderyk Trio Op. 8 for Violin, Cello and Piano Chopin Fryderyk Variations for Flute

Methode Elementaire en deux volumes-La flûte imaginative is a Flute method for beginners in two volumes written by Éric Ledeuil (born 1970) a performer composer conductor and a professor. The method also contains a CD that will help to play with a Piano accompaniment on some melodies. This first part of La flûte imaginative will teach the Flute beginner to produce the sound to play notes and then melodies with rhythms. Commented exercises along the book will help to get the right positioning to obtain the right sound. Some workshops to develop creativity and get more familiar with composition are also part of this method. La flûte imaginative is a really complete method that will help all beginners to get through the first learning stages.

12 Guitar and Lute Pieces-Graded collection of Baroque repertoireFor students with 8-9 years playing experienceComplete with play-along CDThe fourth and final volume in the Baroque Guitar Anthology series contains 12 original pieces by composers of the 17th and 18th centuries transcribed for guitar by co-author Stuart Willis. Including pieces by Bach Weiss Kellner and Corbetta amongst others it presents a carefully selected range of works and as with the other volumes in the series is ideal for any players interested in gaining an insight into the richness and variety of the Baroque guitar and lute repertoire.The book contains composer biographies andteaching notes on all of the works and is accompanied by CD recording of all pieces performed by Jens Franke. Suitable for students of c.8-9 years of playing experience or those of grades 7-8 level.

Although Robert Schumann absolutely loved to play a duet he wrote only few works for Piano duet. Created in 1848 Bilder aus dem Osten Op. 66 was one of the best-known and most frequently played works in the Piano duet literature until the 20th century. But the Polonaises Op. 3 by the 18-year-old composer following the example of Franz Schubert and even exceeding him in harmonic boldness and tonal ingenuity already show the self-taught Schumann on the way to his own style. After volume 1 which contains the easier works composed for music teaching purposes volume 2 now contains the charming yet hardly known Ballszenen Op. 109 inaddition to the two above-mentioned works. The new edition of the Wiener Urtext Edition based on the musical text of the New Schumann Complete Edition (edited by Joachim Draheim and Bernhard Appel) provides for the first time a reliable original text based on the sources especially for the 8 Polonaises which had been inadequately edited up to now. The appendix contains the popular Fantasiestücke Op. 73 (originally for Clarinet and Piano) edited by the composer and future Schumann researcher Friedrich Gustav Jansen. The arrangement published in 1851 had been revised and thus been authorized by Schumann himself.

String Quartets Complete Vol.2 is an impressive collection of 17 of Mozart's String Quartets includes works such as Adagio & Fugue in C minor for Strings K546 Flute Quartet No. 1 in D major K285 Flute Quartet No. 4 in A major K298 Oboe Quartet in F major K370 Serenade No. 13 in G major K525 'Eine kleine Nachtmusik' String Quartet No. 2 in D major K155 String Quartet No. 3 in G major K156 String Quartet No. 4 in C major K157 String Quartet No. 5 in F major K158 String Quartet No. 6 in B flat major K159 String Quartet No. 7 in E flat major K160 and more.

The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre

For Soprano Flute Oboe and Violin.Volte-face is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performed separately or in anycombination. When the complete set is played the following order of performance is recommended:Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — Along uponThe durationof Wessex Heights is about an hour.

For Soprano Flute Oboe and Violin.duration: 3'30'Volte-face is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performedseparately or in any combination. When the complete set is played the following order of performance is recommended:Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — AlonguponThe duration of Wessex Heights is about an hour.Parts.

The volume 'Klassik für Kinder' provides young flute players with a selection of 26 easy works for lessons and concerts. The selected pieces range from the Baroque era via the Classical period to the Romantic era. Apart from original pieces, the editors have deliberately included easy arrangements of well-known masterpieces as well in order to facilitate access to the classical concert literature.The pitch range found in the pieces (not higher than E6) can be easily mastered by pupils from the second year of tuition. The collection is particularly suitable to work on various aspects of interpretation and musical performance.The enclosed CD contains all pieces as a complete version (for listening) and as pure piano accompaniment (for playing along).The 'Klassik für Kinder' series is also available for violin, clarinet, piano, guitar, and most recently for violoncello as well. / Flûte Et Piano