Concerto for Violin No. 22 in A minor, G. 97

Violin(s) and Piano Reduction-Collection of three concertos for the Violin edited and fingered by Eduard Herrmann. Includes a Piano accompaniment Violin part and Violin 2 part for the Concerto For Two Violins In D Minor BWV 1043Concertosincluded: A minor Concerto BWV 1041; E Major Concerto BWV 1042; Concerto for Two Violins in D minor BWV 1043.

14 famous classical pieces, original version + jazzy arrangement Instrument : piano Type : edition with CD Nombre de Pages : 80 14 famous themes from music history, from Bach to Offenbach, each with its own jazzy interpretation - just as in Vol. 1. This edition shows that 'classical music' and jazz are not that distant from one another after all. Just imagine Grieg's Piano Concerto played on a bandoneon - and you have got the perfect tango! Brahms' Hungarian Dance No. 1 is also ideal as a salsa ('Hungarian Salsa No.1'). Schubert's trout suffers a terrible fate, here it may continue to live in a lively ragtime ('Fish Rag'). With Mozart, the night is merry and friendly. but 'A Black Night Music' shows its dark side. The accompanying CD provides examples and suggestions as to how all of these pieces can be interpreted. Content : Schubert, The Trout - Korn, Fish Rag - Grieg, Kobold - Korn, Coolbold - Grieg, Piano Concerto a Minor (Beginning of 1st Movement) - Korn, Tango Concertante - Brahms, Hungarian Dance No. 1, Korn, Hungarian Salsa No. 1 - Schubert, Symphony in B Minor Unfinished (Beginning of 1st Movement) - Korn, Endless - Händel, Halleluja (from Messiah) - Korn, Halleluja Rock - Paganini, La Campanella (Rondo-Thema from 2nd Violin Concerto) - Korn, Campanella Swing - R. Schumann, Knecht Ruprecht - Korn, Santa Claus in Bobby's House - J. S. Bach, Air (from Orchestral Suite No. 3) - Korn, Air in Blue - Mozart, A little Night Music (Excerpt from 4th Movement) - Korn, A Clack Night Music - Offenbach, Cancan - Korn, Nacnac - J. Strauss jr., The Blue Danube - Korn, On the Beautiful Blue Mississippi - Beethoven, Grande Sonate Pathétique (Introction to the 1st movement) - Korn, Echoes of the Pathétique - Chopin, Valse op. 69 Nr. 2 - Korn, Senor Siminor

Friedrich Seitz (1848 1918) was one of the best-known and most sought-after violinists of his day. The Student Concerto Op.12 starts with a resolute allegro in G minor followed by a gentle adagio in E-flat major and flows into a cheerful dance-like final move-ment in G major. In order to play this violinists must be able to master 1st to 3rd positions.The series forms an ideal continuation of the Sassmannshaus 'Early Start' string methods but can also be used to supplement any other string tutor.

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Concerto for Violin and Orchestra a minor BWV 1041 qui a été écrite pourViolon Et Piano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 671. / Violon Et Piano / Partition

Violin 2-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor

Double Concerto in a minor op.102-The cellist Robert Hausmann had actually requested a Cello concerto - but Brahms paired the Cello with a Violin in his 'Double Concerto'. The unusual work has already been available as part of the newBrahms Complete Edition for several years.Using Brahms? original Piano reduction Johannes Umbreit has produced a playable Piano setting that optimally renders the colourfulness of the score. The fingerings andbowings for the string parts have been supplied by the experienced soloists Frank Peter Zimmermann and Heinrich Schiff. The orchestral parts based on the Complete Edition are available from Breitkopf & Härtel (PB/OB 16104).

Violin Concerto #1 In A Minor, Op.3 #6. Par VIVALDI ANTONIO. Standard violon étudiant répertoire - magistralement enseigné par Zakhar Bron. Le tournage d\'une classe de maître dans la salle blanche du palais Sheremetjev à Saint-Pétersbourg. DVD avec la partie de violon Solo, préparé et annoté par Zakhar Bron. Zakhar Bron est un violoniste exceptionnelle et enseignant de renommée mondiale qui a reçu de nombreux prix et professeurs, plusieurs de ses étudiants, tels que Vadim Repin, Maxim Vengerov, Erik Schumann et Mayuko Kamino, appartiennent à l\'élite mondiale des solistes de violon. / Niveau : Intermédiaire / Classic - Methods / Méthode / Violon

Set Wind Instruments-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor

The 'A Minor' (BWV 1041) 'E Major' (BWV 1042) and 'D Minor' (BWV 1043) concertos. Bach-Gesellschaft edition.