Corrente #1

SKU: HL.48182409

Corrente Quattro No 1 And 2.

SKU: TM.640-6209SET

No. 7 Preludio (Largo) – Allemanda (Allegro) – Sarbanda (Andante) – Giga (Presto); No. 8 Preludio (Largo) – Corrente (Allegro) – Grave – Giga (Allegro); No. 9 Preludio (Allegro) – Adagio – Allemanda (Allegro) – Corrente (Presto); No. 10 Preludio (Adaio) – Allemanda (Allegro) – Gavotta (Presto)l; No. 11 Preludio (Andante) – Corrente (Allegro) – Giga (Allegro) – Gavotta (Presto); No. 12 Folia No. 1 Adagio – No. 2 Andante – No. 3 Allegro – No. 4, No. 5, No. 6, No. 7, No. 8, No. 9 Adagio, No. 10 Vivace, No. 11 Allegro, No. 12 Larghetto, No. 13 Allegro, No. 14, No. 15 Adagio, No. 16 Allegro, No. 17, No. 18, No. 19, No. 20.

SKU: IS.FVC4457EM

ISBN 9790365044573.

August Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study of composers such as Debussy, Wagner and Strauss; this interest gave him the reputation of a revolutionary within the confines of the very traditionalist conservatory. However, this was not where Baeyens’ exploration of musical language was to end. The 1956 Piranesi Suite for flute and cello, written three decades after Baeyens’ graduation from the Flemish Conservatory, marks an intriguing phase of his composition. Baeyens tended towards older forms - the Suite, for example, is a five-movement work, though each movement is drawn through a more modern glass; it’s hardly usual to hear a Sinfonia, Toccata, Moto Perpetuo, Aria, and Corrente together. The resemblance towards older forms breaks down as the music is further examined; the Sinfonia is full of transposed, repetitive melodies that play off each other with sly rhythmic twists (much in the manner of Stravinsky), the Toccata is a powerful solo cello showpiece, and the Aria is a delicate flute melody winding above bitonal cello pizzicato. The final Corrente, belying its name, brings the piece to a close with an accelerating back-and-forth of melody and accompaniment.

SKU: GI.G-10291

ISBN 9781574635317.

Although many of the greatest composers from the Baroque, Classical, and Romantic periods did not write for marimba, their works are still available and are perfectly suited for this instrument. Many of these works were written for violin and contain bowings and fingerings that assist in the stylistic interpretation for violin but do not apply to marimba. To that end, Tammy Chen has arranged a collection of outstanding pieces that work perfectly for marimba. To aid the performer in developing a musical interpretation of these master works, she added stylistic markings including phrasing, articulations and musical directives. Below are the compositions included from the Violin Sonatas and Partitas by one of the world’s greatest composers, Johann Sebastian Bach. Giga from Partita No. 3 Double #1 from Partita No. 1 Giga from Partita No. 2 Presto from Sonata No. 1 Allegro from Sonata No. 2 Allemanda from Partita No. 2 Preludio from Partita No. 3 Allegro Assai from Sonata No. 3 Menuetto I. from Partita No. 3 Menuetto II. From Partita No. 3 Corrente from Partita No. 1 Bourrѐe from Partita No. 3 Bourrѐe from Partita No. 1 Gavotte en Rondeau from Partita No. 3 Corrente from Partita No. 2 Largo from Sonata No. 3 Double #2 from Partita No. 1 Double #4 from Partita No. 1 Sarabanda from Partita No. 2 Double #3 from Partita No. 1 Fuga from Sonata No. 1 Andante from Sonata No. 2 Cantabile from Sonata No. 1 Siciliano from Sonata No. 1 Ciaccona from Partita No. 2 Learn more about this new resource from the authors in this short video below:  .

SKU: HF.FH-2819

ISBN 9790203428190. 9 x 12 inches.

1. Allemande; 2. Balletto; 3. Danza I; 4. Mascherada; 5. Madrigal; 6. Corrente francaise; 7. Danza II; 8. Corrente.

SKU: HH.HH332-FSP

ISBN 9790708092919.

The sonata in D minor captures the traditional mood of this key: serious minded and a little plaintive. The second of its four movements, a corrente like fast movement in triple metre, reminds one of Vivaldi in its insistence on a tiny, constantly repeated musical figure. In the other movements, however, Bitti shows a more typical side of his style where the free spinning out of melody, exquisitely shaped, dominates over strict repetition.

SKU: LM.P02873

ISBN 9790230328739.

CORELLI : Gavotta - Gavotta - Sarabanda - FRESCOBALDI : Corrente - GRAZIOLI : Allegro (Sonate en Sol maj.) - Finale (Sonate en Sol maj.) - PASQUINI : Sonata - PESCETTI : Allegretto - ROSSI : Andantino - SANTELLI : Preludio - SCARLATTI A. : Aria - Minuetto - Tema con variazioni - SCARLATTI D. : Allegro - Presto - ZIPOLI : Sarabanda.