Format : Score and Parts
SKU: HL.4004295
UPC: 888680068813. 9.0x12.0x0.026 inches.
Inspired by the mysterious stone formations of Stonehenge, Ancient Stone Circles creates an atmosphere of ancient times using modal melodies, rich scoring and exotic percussion. You'll hear the huge stones being transported, follow a Druid procession, and feel the awe and wonderment of this mystical place. Dur: 2:15.
SKU: HL.280831
UPC: 888680888718. 6.75x10.5x0.02 inches. English.
Nico Muhly's A Great Stone for treble semichorus and SATB choir unaccompanied. When Joseph had taken the body, he wrapped it in a clean linen cloth, And laid it in his own new tomb, which he had hewn out in the rock: and he rolled a great stone to the door of the sepulcher and departed. Matthew 27 vv.59 60 King James Version (1611).
SKU: MB.95381
ISBN 9780786603213. UPC: 796279023641. 8.75 x 11.75 inches.
Whispering Stones won the award for ??Best Recording? from the Washington Area Music Association and has continued to be a favorite with fans of fingerstyle guitar music throughout the world. The book features Celtic-inspired original and traditional tunes performed on solo acoustic guitar with the occasional addition of flute, mandolin, cello, piano, or bells. The tunes appear in the same order as in the recording. Al Petteway is an award-winning fingerstyle guitarist and composer. His many ??Wammie? awards from the Washington Area Music Association include ??Artist of the Year? and ??Musician of the Year?. Al??s playing fuses Celtic/British ideas and tunings with American themes and drive. Acoustic Guitar Magazine praised his ??concise, clean arrangements similar to John Renbourn??s better work??. In notation and tablature.
SKU: HL.14035517
UPC: 884088812454. 8.5x11.75x0.067 inches.
Composer's Notes: The last few years I have become increasingly involved in some peculiar mathematical formulas called “fractals”. These formulas, used in the fast growing field of “Chaos theory”, are relatively simple, but they generate fascinating and surprisingly “organic” patterns when shown graphically on a computer screen, or played as music. One should think that such a mathematical approach would lead to sterile and 'theoretical' music. The sound world of Stonewave, however, is not one you would associate with math books. The steady, insistent pulse, and the use of sequences put squarely up against each other or divided by long rests suggest an invisible ritual. A ritual for what? Well then, let it be a ritual for the exorcism of some 'evil spirits' which now ride our part of the world under the name of Liberalism, making people the servants of the Market Forces instead of vice versa. Stonewave is therefore an incantation, as it seems that only divine forces can save European culture from a political system that proclaims the Jungle Law as the guiding principle in social and cultural life. Rolf Wallin.
SKU: HL.14043170
12.0x8.25x0.43 inches.
On 23 June 2013 Peter Maxwell Davies 's Capstone , for organ, received its world premiere performance at the City of London Festival. Commissioned by St Paul's Cathedral, Capstone was performed at the Cathedral by its organist, Simon Johnson.
SKU: HL.14035516
UPC: 884088812461. 10.5x14.0x0.3 inches.
SKU: HL.48184701
UPC: 888680840761. 9.0x12.0x0.094 inches.
“Composed in 1942, Titelouze?s tombstone by Marcel Dupré is a set of sixteen chorals for Organ. Based on liturgical rhythms, these chorals are rated easy and medium in term of difficulty. This musical memorial to Jehan Titelouze, an organist who lived at the period of the Spanish Armada (16th century), is a pedagogical work with melody mainly based on Gregorian music. These sixteen studies, all very different and very progressive are: 1. Creator Alme Siderum (3 voices ? manuals only) 2. Jesu Redemptor Omnium (3 voices ? manuals only) 3. A solis Ortus Cardine (3 voices) 4. Audi Benigne Conditor (3 voice) 5. Te Lucis Ante Terminum (4 voices) 6. Coelestis Urbs Jerusalem (4 voices) 7. As Regias Agni Dapes (4 voices) 8. Veni Creator Spiritus (4 voices) 9. Vexilla Regis (4 voices) 10. Pange Lingua (3 voices) 11. Ave Maris Stella (4 voices) 12. Iste Confessor (4 voices) 13. Lucis Creator Optime (4 voices) 14. Ut Queant Laxis (5 voices) 15. Te Splendor et Virtus (5 voices) 16. Placare Christe Servullis (Toccata) Each choral of this set is really colourful and can be considered a masterpiece.”.
SKU: HL.8750088
UPC: 884088365325. 6.75x10.5 inches.
The mystery and majesty of Yellowstone is perfectly portrayed in this choral tone poem that celebrates the beauty of this American treasure. An ideal concert and festival work, it may be performed by voices and piano or with the optional orchestration. Available separately: SATB, SAB, SSA, ChoirTrax CD. Chamber Orchestra score and parts available digitally (fl1, fl2, ob, bn, tpt, hn, tbn, bar, timp, vn1, vn2, va, vc, db). Duration: ca. 3:20.
SKU: HL.8750090
UPC: 884088365349. 5x5 inches.
SKU: HL.4007467
UPC: 196288050070. 9.0x12.0 inches.
Keystone tells the story of the Odeon of Vriezenveen, a town in the Netherlands. “Odeon” is the name of ancient Greek and Roman buildings used for activities such as singing, music and poetry. This was the name chosen in 1998 by several members of the 'Vriezenveense Harmonie' for the cultural ceter they decided to have built. The piece starts slowly with the bass instruments, then speeds up in a counterpoint passage where the main motif moves from one set of instruments to another. After a slow section, the music speeds up again to reach a majestic chorale symbolising the splendid Odeon.
SKU: LO.99-2897L
UPC: 000308130249.
No Stone Could Hold Him is a spirited witness to the ministry, passion, death, and resurrection of Jesus, the Rock of our Salvation. Written by celebrated composer Lloyd Larson, this powerful work is filled with scripture-based images of Jesus as A Rock in a Weary Land, even when tempted by Satan to turn these stones to food; as the Solid Rock on which we stand through Winds of Change and Shifting Sand; as Jerusalem's triumphant King who commands the rocks to keep silent; as the Cornerstone of our faith, betrayed and crucified; and as the risen Savior whom no stone could hold in the tomb. Inspired by these images, the music is bold and enlivening with rousing original music alongside energetic spirituals and gospel songs. This dramatic work is an exceptional choice for Easter worship with its seven choruses and options for duets and solos. It can also be performed during the Lenten season or Holy Week by omitting the final chorus.
