Bach J.s. - Complete Keyboard Transcriptions Of Concertos By Baroque Composer - Piano

This volume reprints, complete and unabridged, Bach's 7 complete concerti for solo keyboard and orchestra in full score from the authoritative Bach-Gesellschaft edition. Musicians, students, and Bach devotees will applaud this easy-to-read, inexpensive playing edition of classic works. Content : Concerto in D Minor (BWV 1052) Allegro, 1. Adagio, 17. Allegro, 22. Concerto in E Major (BWV 1053) [Allegro], 41. Siciliano, 55. Allegro, 60. Concerto in D Major (BWV 1054) [Allegro], 75. Adagio e piano sempre, 91. Allegro, 95. Concerto in A Major (BWV 1055) Allegro, 101. Larghetto, 110. Allegro ma non tanto, 115. Concerto in F Minor (BWV 1056) [Allegro], 125. Largo, 132. Presto, 134. Concerto in F Major (BWV 1057) [Allegro], 141. Andante, 164. Allegro assai, 168. Concerto in G Minor (BWV 1058) [Allegro], 185. Andante, 193. Allegro assai, 198.

Following the acclaimed, award-winning publication of The Notebooks for Anna Magdalena Bach 1722

Kantate zum Reformationsfest [Rekonstruktion: Reinhold Kubik]-J.S. Bach's Ein feste Burg ist unser Gott for SATB and Orchestra.Bach's Reformation cantata based on what is probably Martin Luther's most famous hymn evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716 now missing which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730 Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on in the 1730s or 1740s Bach replaced the introductory chorale movement with achorale setting which was unique spacious and motet-like in its style; this uniquely in this respect incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets timpani as playing score) by Wilhelm Friedemann Bach are available.

J. S. Bach's French Overture In B Minor BWV 831 was published along with the Italian Concerto as the second half of the Clavier-Übung II in 1735. This suite in B minor was originally scored fortwo-manual Harpsichord and is the longest Keyboard suite ever composed by Bach with eleven movements.An earlier version of this work exists in the key of C minor (BWV 831a); the work was transposed into B minorto complete the cycle of tonalities in Parts One and Two of the Clavier-Übung.The term overture refers to the fact that this suite starts with an overture movement replacing the allemande found in Bach's otherKeyboard suites. There are optional dance movements both before and after the Sarabande and another unusual aspect of this work is the inclusion of an extra movement after the Gigue. This is an 'echo' a piece meant to exploit theterraced loud and soft dynamics of the two-manual Harpsichord. Other movements also have dynamic indications (piano and forte) which are not often found in Keyboard suites of the Baroque period.This Henle Urtext Editiondoes not include fingering.

Grand choix de belles pièces, difficile de trouver un grand nombre ailleurs. Inclus sont clavecin toccatas, Capriccio sur le départ de son frère bien-aimé, Aria variata 'alla Maniera Italiana 'et les 6 Petits Préludes, ainsi que de nombreuses compositions moins connues - plus de 40 en tout. Autorité Breitkopf and Härtel édition.Réimpression de sélections de Werke Johann Sebastian Bach, Série 3, 36, 42, 43, et 44, Breitkopf and Härtel, Leipzig, 1890, 1894 et 1897. / Piano

Compiled and edited by Helen Marlais Succeeding with the Masters is a series dedicated to the authentic keyboard works of Baroque Classical Romantic and 20th Century masters.This series provides a complete and easily accessible method for learning and performing the works of the masters. Each book presents the works in historical perspective for the student and provides the means and the motivation to play these pieces in the correct stylistic musical and technical manner. The easily understandable format of practice strategies and musical concepts make this series enjoyable for both students and teachers.To ensure authenticity all of these pieceshave been extensively researched. Teachers will find a wealth of excellent repertoire that can be used for recitals festivals competitions and state achievement testing. Many of these original compositions may be new to you while others will be familiar. This series brings together an essential and comprehensive library of the pedagogical repertoire of the great composers.Succeeding with the Masters: Baroque Era - Volume Two is a groundbreaking collection of 25 graded repertoire pieces by J.S. Bach G.F. Handel and D. Scarlatti.