The Renaissance Guitar: Guitar: Book & CD

In this book Dr. Lily Afshar has clearly laid out the music and fingerings for 48 beginning to intermediate-level pieces by Aguado Bach Carcassi Milan Mertz Sor and other Renaissance through nineteenth-century composers. While many of these selections are set in first position for ease of reading they are effective for teaching different rhythms and arpeggio techniques as well as for learning to play simple intervals and three and four-note chords. These compositions were carefully chosen for their use in developing finger independence in both hands and can be used to advance rest stroke free stroke arpeggio and tremolo techniques. Dynamic markings have beenadded for interpretation if not originally indicated in the originals so in addition to learning positions and note locations along the fretboard you???ll have to pay attention to dynamic and tempo changes. Written in standard notation only this book is ideal for private study as a teaching and student recital sourcebook or for inclusion in the syllabus for a high school or first-year collegiate guitar program.

Description The Renaissance Guitar The first in this book-and-CD anthology of solos, duets and songs covering four centuries of composers for the Guitar and Lute family. Songlist Air(John Dowland) Almain [Cutting, Francis] Alman [Johnson, Robert] As I Went To Walsingham (Anon) Ballet (Elias Mertel) Branle De Bourgogne (Adrien Le Roy) Branle Gay (Jean Baptiste Besard) Come Heavy Sleep (John Dowland) Drewrie's Accordes (Anon) Entree De Luth (Robert Ballad) Fantasia (Alonso De Mudarra) Fantasia (Miguel De Fuenllana) Fantasia [Dowland, John] Fantasia(Anon) Galliard (Alfonso De Mudarra) Galliard (Philop Rosseter) Galliard To The Flatt Pavin (John Johnson) Galliard( Anthony Holborne) Go From My Window (Anon) Greensleeves (Francis Cutting) Guardame Las Vacas (Luis De Narvaez) La Rossignol (Anon) Lady Hammond's Alman (John Dowland) Lady Hunsdon's Alman (John Dowland) Lesson For Two Lutes [Anon] Melancholy Galliard [Dowland, John] Morenica Da Me Un Beso (Juan Vasquez) Mr. Southcote's Pavan (Thomas Ford) Mrs. Anne Harecourt's Galliard (Francis Pilkington) Mrs. Taylor's Galliard (Philip Rosseter) My Love Hath Vowed (Thomas Campion) Never Weather-beaten Sail [Campion, Thomas] Of My Complaints Could Passions Move (John Dowland) Pavan (Luis Milan) Queen Elizabeth Galliard [Dowland, John] Recercate Concertante (Francesco Da Milano & Joanne Matelart) Rest Sweet Nymphs [Pilkington, Francis] Shall I Come Sweet Love To Thee (Thomas Campion) Sonnet(Enriquez De Valderrabano) Spagnoletta (Anon) Tanz (Georg Fuhrmann) Tarleton's Resurrection [Dowland, John] The Cobbler (Anon) The Flatt Pavin (John Johnson) The King Of Denmark's Galliard (John Dowland) The Night Watch (Anthony Holborne) The Parlement (Anon) The Round Battle Galliard [Dowland, John] Toda Mi Bida Os Ame (Luis Milan) Toy (Francis Cutting) Toy For Two Lutes (Thomas Robinson) Volt (Anon) When From My Love (John Bartlet) When To Her Lute Corinna Sings (Thomas Campion) Wilson's Wilde (Anon)

24 Transcriptions for Guitar-For guitar players who want to expand their repertoire: This collection provides a fantastic introduction to the works of John Dowland containing the easiest of his compositions arranged in their order of difficulty. Dowland ranks among the outstanding figures in the history of 16th- and 17th-century European lute music. Martin Hegel arranged the works originally composed for lute so that they can now be played on the guitar at an intermediate level. The edition is suited for both teaching and playing in one's spare time. Dowland for Guitar is part of the Schott Guitar Classic series. The editor Martin Hegel is dedicated toexpanding the guitar repertoire in a varied and sensible way and making popular works of music history accessible even to guitar players at an intermediate level. His transcriptions ranging from easy to intermediate are perfectly adapted to the characteristics of the guitar. They present an opportunity to guitar players to experience classics and masterpieces on their own instrument: be it contrapuntal masterpieces by Johann Sebastian Bach and symphonic music by Mozart ? or be it lute music from the Renaissance era.

The Beginner Guitarist has been born out of 20 years of teaching experience. Although specifically designed as a teacher’s aid it can also be used for independent study.Topics like posture tuning andphrasing are not prescribed being left to the judgement of the teacher. With the exception of right and left-hand fingering advice this approach is used throughout the series. The entire series has the goal of being a measuredand progressive tutor. Ideas are usually introduced one at a time to avoid overloading the student.Book Four builds on the ideas and techniques explored in the first three books. It begins with anextensive look at the key of A major initially in second position but moving through other positions and finishing with an exercise in thirds and a duet.The remainder focuses on triplets and compound time beginning withtriplet exercises in 2/4 before moving on to 6/8. The book then features swing rhythms before finishing with a Habanera Renaissance pieces and a modern piece in multiple time signatures.About the author: NigelTuffs is an instrumental teacher with more than 20 years of experience in all areas of guitar teaching. Originally a member of several rock bands he completed an honours degree at the Colchester Institute specialising incomposition and performance and has since worked extensively as a chamber musician in guitar ensembles as an accompanist and also as an educator.

A collection of 32 pieces for the solo classical Guitar that capture the stately spirit and elegance of the Renaissance. The music has been carefully selected from authentic sources and the book includes plenty of historical detail and performance notes.Pieces include many ancient melodies from Ireland and Scotland ideal for the repertoire of the intermediate guitarist with their simple rhythms and modal tonalities. A CD of demonstrations is included performed by Allan Alexander to help you achieve and accurate and authentic performance.

Chaque guitariste a besoin d'une solide collection de pièces classiques pour réaliser avec succès lors des mariages, soirées privées, restaurants et autres lieux. Le grand livre de la Classical Guitar Solos dans TAB est votre billet pour jouer l'une de ces occasions avec la facilité. Avec plus de 150 arrangements pour guitare solo des pièces les plus connues classiques, cette collection comporte à la fois la notation musicale standard et tablature pour rendre l'apprentissage des morceaux rapides et faciles. Il comprend des compositions de diverses parties du monde et de nombreuses périodes de l'histoire de la musique --- de la Renaissance au ragtime. Avec plus de 400 pages de musique, vous serez prêt pour chaque concert solo qui vient à votre rencontre. / Guitare

Carrière d'enregistrement de big Bill Broonzy duré de 1927 jusqu'à sa mort en 1958. Son répertoire est bien enregistré, de solos et de duos de jouer ensemble. Il a été redécouvert tout comme la ' folk-Renaissance ' a commencé au début des années 1950. Big Bill Broonzy était un maître de la guitare de blues ragtime et de pays dont le jeu a été mis en évidence par une forte basse pulsante et lignes mélodiques de plomb. Dans cette leçon audio complète de nouveau, Woody Mann explore les idées, techniques et styles de ce musicien légendaire qui a influencé des générations de guitaristes. Les CD contiennent trois heures pleine d'instruction mettant en vedette une instruction note par note, phrase par phrase. Sélections comprennent : House loyer Stomp - Brownskin Shuffle - Moppine Blues - Hey, Hey - Worryin'You Off My Mind - Pipe poêle Stomp - et samedi soir frotter. Ecrit en tablature et notation standard. Prévoit 3 CD / Guitare (Fingerpick) / 24 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75