Format : Sheet music
Description One of the most magical aspects of music lies in its ability to provide strength and comfort during sombre or saddening events. This thoughtful collection of works for funeral or memorial services has been specially chosen to create a mood of serenity and reflection. Each piece is presented for solo Piano, including music by Bach, Mendelssohn and others. Songlist Abide With Me [Monk, William Henry] Adagietto (Symphony No.5 In C Sharp Minor) [Mahler, Gustav] Adagio [Albinoni, Tomaso] Adagio For Strings Op.11 [Barber, Samuel] Amazing Grace Arioso [Scarlatti, Alessandro] Ave Maria [Bach, Johann Sebastian] [Gounod, Charles] Ave Maria [Schubert, Franz] Ave Verum Corpus K.618 [Mozart, Wolfgang Amadeus] Bist Du Bei Mir (Be Thou With Me) [Bach, Johann Sebastian] Elegie [Massenet, Jules] Entr'acte (Rosamunde) [Schubert, Franz] I Know That My Redeemer Liveth (Messiah) [Handel, George Frideric] I Would Beside My Lord (St Matthew Passion) [Bach, Johann Sebastian] In Paradisum (Requiem Op.48) [Faure, Gabriel] In Tears Of Grief (St Matthew Passion) [Bach, Johann Sebastian] Jesu, Joy Of Man's Desiring (Cantata BWV 147) [Bach, Johann Sebastian] Lacrymosa (Requiem K.626) [Mozart, Wolfgang Amadeus] Largo (Symphony No.9 In E Minor 'From The New World' Op.95) [Dvorak, Antonin] Largo (Xerxes) [Handel, George Frideric] Now That The Sun Hath Veil'd His Light [Purcell, Henry] O For The Wings Of A Dove [Mendelssohn, Felix] O Rest In The Lord (Elijah) [Mendelssohn, Felix] O Sacred Head Surrounded (St Matthew Passion) [Bach, Johann Sebastian] Panis Angelicus [Franck, Cesar] Pavane Pour Une Infante Defunte [Ravel, Maurice] Pie Jesu (Requiem Op.48) [Faure, Gabriel] Prayer [Beethoven, Ludwig Van] Prayer [Weber, Carl Maria Von] Remembrance [Schumann, Robert] Sheep May Safely Graze [Bach, Johann Sebastian] The Lord Is My Shepherd The Lord's Prayer [Malotte, Albert Hay]
SKU: GI.G-10297
UPC: 785147029717. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass. Misal Romano, tercera edición
A versatile Mass setting for use throughout the liturgical year, Mass of the Sun of Justice / Misa Sol de Justicia is fully bilingual, singable entirely in English or in Spanish, or any pastoral combination of both languages. At its core, this setting is built on assembly-minded melodies. Much of the choral writing is two-part, albeit spelled out in four voices, whereby the basses frequently double the soprano melody, and the alto and tenor lines essentially share a single harmony in their respective ranges, splitting only at cadence points for a fuller effect. Optional descants and divisi further expand the voicing possibilities. The additional instrumentation is particularly spirited, further enhancing these sung texts for solemn occasions. “Sun of justice” is a term used to reference Christ with respect to his second coming, as found in the ancient “O” antiphons. This title appears in the Lectionary among the Alleluia options for the common of the Blessed Virgin Mary, and is, in fact, assigned to the feast of Our Lady of Guadalupe, celebrated within the Advent season. As such, the music is “Advent-like” in nature—joyful and filled with hope. ~~~~~ Una Misa versátil para usar durante todo el año litúrgico, Mass of the Son of Justice / Misa Sol de Justicia es completamente bilingüe, se puede cantar completamente en inglés o en español, o en cualquier combinación pastoral de ambos idiomas. En esencia, este arreglo se basa en melodías para la asamblea. Gran parte de la escritura coral es de dos partes, aunque escrito para cuatro voces, por lo que los bajos con frecuencia duplican la melodía de soprano, y las líneas de alto y tenor comparten esencialmente una sola armonía en sus respectivos rangos, dividiéndose solo en los puntos de cadencia para una melodía más completa. Los discante y divisi opcionales amplían aún más las posibilidades de sonorización. La instrumentación adicional es particularmente animada, mejorando aún más estos textos cantados para ocasiones solemnes. Sol de justicia es un término que se usa para referirse a Cristo con respecto a su segunda venida, como se encuentra en las antífonas O antiguas. Este título aparece en el Leccionario entre las opciones de Aleluya para el común de la Santísima Virgen María y, de hecho, está asignado a la fiesta de Nuestra Señora de Guadalupe, celebrada dentro del tiempo de Adviento. Como tal, la música es en esencia de adviento—alegre y llena de esperanza. ~~~~~ Preview select songs from this mass setting in the video below:.
SKU: FG.55011-431-9
ISBN 9790550114319.
Einojuhani Rautavaara reworked his touching song from the opera Aleksis Kivi for cello and piano in 2000, to commemorate his late composer colleague Lepo Sumera. The melody is solemn and calm, in the style of chanson sans paroles - fit for many occasions.
SKU: GI.G-10314
ISBN 7851471031413. English, Latin. Text Source: Antiphons tr. Charles Thatcher, verses, The Grail, 1963.
Entrance Antiphons for the Church Year contains thirty antiphon texts from the Graduale Simplex, translated from Latin and set to newly composed music. The psalm verses appointed for these antiphons are taken from the Grail translation (1963). As with the Responsorial Psalm of the Mass, the assembly sings the antiphon after its intonation by the cantor/choir, repeating it after each verse of the psalm. The number of psalm verses which are sung may vary according to need. The singing of the doxology, Glory to the Father, while recommended, is optional. In several cases (e.g., Christmas and Easter), the assembly sings a refrain—a simple acclamation in Latin—and the actual antiphon text is sung by the cantor/choir. The antiphon functions as a first and final verse. It is thought that liturgical singing in the early Church consisted in part of such short acclamatory phrases. Many of the antiphons in this collection are proper to a specific Sunday, solemnity, or feast. The rest are seasonal in nature and, like the common Responsorial Psalms of the Lectionary, may be chosen according to what seems best for the occasion. The antiphons of Christmas Day and Easter Sunday could be used at daily Masses during their octaves. Notations in the scores of some antiphons suggest alternate occasions when they are appropriate. Regarding performance, these compositions were conceived with flexibility in mind. Assembly participation and instrumental accompaniment are assumed. SATB choral singing is effective, but not necessary. Discrete use of descants where provided can lend an air of festivity. Psalm verses might be sung by an entire choir, by a small group or cantor, or a combination of both.