SKU: RM.STRA03441-CO
SKU: RM.BEET01013-BA
ISBN 9790231010138.
SKU: RM.BEET01013-CO
SKU: RM.BEET03499-CH
SKU: RM.BEET03499-BA
ISBN 9790231034998.
SKU: RM.BEET03499-CO
SKU: RM.STRA03441-BA
ISBN 9790231034417.
Mli I - Mli II - Mla - G - CB + Mlo - Perc - CR.
SKU: AP.48168
UPC: 038081556864. English.
A celebration of the 250th anniversary of the birth of iconic composer Ludwig van Beethoven. This cleverly inspired arrangement stylistically intertwines strains from three of his most popular works with the traditional Happy Birthday to You. Intuitive fermatas and familiar meter changes provide teaching opportunities, and the initial statement of Happy Birthday is ideal to keep in the folders should a planned or impromptu rendition be needed. A quarter millennium of popularity! (2:15) This title is available in MakeMusic Cloud.
SKU: AP.48168S
UPC: 038081556871. English.
A celebration of the 250th anniversary of the birth of iconic composer Ludwig van Beethoven. This cleverly inspired arrangement stylistically intertwines strains from three of his most popular works with the traditional Happy Birthday to You. Intuitive fermatas and familiar meter changes provide teaching opportunities, and the initial statement of Happy Birthday is ideal to keep in the folders should a planned or impromptu rendition be needed. A quarter millennium of popularity! (2:15) This title available in MakeMusic Cloud.
SKU: AP.41177S
UPC: 038081483610. English.
A favorite if there ever was one, this melody is perfect for first position playing. All instruments first play the melody in its entirety, followed by a section harmonized in the style of Beethoven. (1:30) This title is available in MakeMusic Cloud.
SKU: AP.48159
UPC: 038081559056. English.
Let your audience travel south of the border and experience these Caribbean sounds without having to leave home. Accentuating articulations and dynamic contrasts will enhance the authenticity of this piece. A vibrant Latin gem! (2:00) This title is available in MakeMusic Cloud.
SKU: AP.38296
UPC: 038081440743. English.
From Grieg's Holberg Suite, Op. 40, this setting of the first movement is exciting and a true celebration of sound. It is easy to rehearse and will come together rather quickly. It may be used as an opener or closer in the program. Enjoy this authentic-sounding short version from the beginning to the breathtaking finish. Regal in nature, this arrangement will be a cherished addition to the beginning band repertoire, suitable for contest and concert settings. Bravo! (2:30) This title is available in MakeMusic Cloud.
SKU: KN.8490
UPC: 822795084900.
Scored in G and D, this simplified version of Beethoven's 9th Symphony theme features dramatic crescendos, clear bowing indications, and some pizzicato work for cellos and basses. It also assigns some lead material to 2nd/3rd Violins and violas, and finishes strong with a short ritard. A classic frequently included in Christmas performances. Duration 2:00.
SKU: FJ.B1870
English.
Experience sheer bluesy delight with this skillfully-crafted arrangement of The Blue Danube waltz. This modern New Orleans take on the old Viennese classic will instantly connect with your audience while making 3/4 time and swing feel accessible for even the youngest players. Elvis may have left the building, but Strauss is in the house!
About FJH Beginning Band
Appropriate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.
SKU: FJ.B1870S
SKU: CF.BAS20F
ISBN 9780825854668. UPC: 798408054663. 8.5 X 11 inches. Key: D major.
About Carl Fischer Beginning String Orchestra Series
This series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:
SKU: CF.BBS40
ISBN 9780825820571. UPC: 798408020576. 9 X 12 inches. Key: Eb major.
SKU: CF.BAS16
ISBN 9780825851735. UPC: 798408051730. 8.5 X 11 inches. Key: D major.
SKU: CF.BPS43F
ISBN 9780825861406. UPC: 798408061401. 9 X 12 inches. Key: Bb major.
Named after an English Rugby team, this exciting new piece for beginners by popular composer Sean O'Loughlin is a real winner. It uses ony the first 6 notes Bb-G and nothing more difficult than a quarter note in the winds, but it dynamic and fresh with a very memorable melody.
SKU: CF.BPS47F
ISBN 9780825864322. UPC: 798408064327. 9 X 12 inches. Key: Bb major.
A traditionally styled March for the very youngest bands, North Point March uses only the first six notes of the B-flat major scale. Using this simple framework, Compello has created a very fine piece for introducing the American march-style to young people, and provided them with a particularly hummable tune in the trio.
SKU: CF.BPS35
ISBN 9780825858536. UPC: 798408058531. 9 X 12 inches. Key: Bb major.
Now you can teach the Bb scale in a fun way Your audiences will love this cute piece that features the trombone section with idiomatic glissandi. Great to liven up a concert!
SKU: CF.BAS24
ISBN 9780825854736. UPC: 798408054731. 8.5 X 11 inches. Key: D major.
An excellent tool for teaching cooperation to beginning string orchestra, this piece features bold contemporary harmonies with simple rhythms and a light and uplifting feel that is sure to keep the interest of your students. All of the melodic and harmonic structures are based on the first 6 notes from the D Major scale giving the beginning student a manageable tonal and technical framework. Sure to be a hit at concerts or festivals!
SKU: CF.BPS33F
ISBN 9780825855344. UPC: 798408055349. 9 X 12 inches. Key: Bb major.
This glorious holiday piece is sure to become a classic. The tune Simple Gifts is the main theme heard throughout the piece and is intertwined with short snippets of several beloved Christmas carols. It is simple enough for any beginning band to play, but sounds quite sophisticated. Don't miss the opportunity to provide a joyous ending to your first holiday concert!
SKU: CF.BPS41F
ISBN 9780825861369. UPC: 798408061364. 9 X 12 inches. Key: C minor.
Set in a Roman style, this aggressive Joseph Compello piece is sure to be one of your band's favaorites. It is a full and powerful piece that is much easier to play than it sounds.
SKU: CF.BPS45F
ISBN 9780825864285. UPC: 798408064280. 9 X 12 inches.
This is a dramatic work with an atmospheric, somewhat foreboding opening and a vigorous Allegro. Cleverly written, Enchanted Village is a rather stern piece (in natural minor) that succeeds in sounding more difficult than it is, despite being confined to the basic six notes first learned by beginning players. There are effective contrasts between legato and marcato playing that provide excellent teaching opportunities.
SKU: CF.BPS34F
ISBN 9780825855368. UPC: 798408055363. 9 X 12 inches. Key: Bb major.
Your young band is sure to receive high acclaim when they play this nifty two-step march. It is composed of just half notes and quarter notes, but there are several accidentals and a key change to keep things interesting and band members learning. This chipper tune will be an audience favorite!
SKU: CF.BAS6F
ISBN 9780825845116. UPC: 798408045111. 8.5 X 11 inches. Key: D major.
This is an ideal piece for early string orchestra. Although it can be played by any student.
SKU: CF.BAS5
ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.
SKU: CF.BPS32
ISBN 9780825855313. UPC: 798408055318. 9 X 12 inches. Key: Bb major.
Krazy Klock Rock is a novelty percussion solo for temple blocks or woodblock(s). As the title suggests, the sound of the solo should give the impression of a ticking clock. This amusing tune incorporates elements of rock and swing, all tied together by the sound of the ticking clock. A fun piece on any program, Krazy Klock Rock is sure to be a winner with your young band.
SKU: CF.BPS35F
ISBN 9780825858543. UPC: 798408058548. 9 X 12 inches. Key: Bb major.