Violin Play-Along Volume 39-Play-Along Violin: Italian Songs- Volume 39 has been designed to help you play your favourite songs quickly and easily.Also included is an accompanying CD that lets the player listen to how the Violin should sound then play along using the separate backing tracks.

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. Memorable melodies along with more Bluesier sounding melodic lines have been created over the various chord progressions used in these various Latin styles.

Beau Solo is a collection of 12 Cajun Fiddle tunes transcribed from Michael Doucet’s CD of the same name.Selections include: Grand Tasso Valse Acadienne One-Step d’Amedee Valse a Pop McGee BluesAcadiens Grand Mamou Chez Varise Connor La Betaille Gigue d’Acadie Two-Step d’Ambrose La Valse d’Auguste Breaux and Wade’s Waltz.

Edward Huws Jones? popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band.The violin edition includes optional easy violin part and guitar chords whilst the complete edition also includes both keyboard and violin accompaniments. Either format is highly flexible which means themusic can be played as solos duets or trios as well as with larger ensembles.Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.

Edward Huws Jones’ popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band.The violin edition includes optional easy violin part and guitar chords whilst the complete edition also includes both keyboard and violin accompaniments. Either format is highly flexible which means themusic can be played as solos duets or trios as well as with larger ensembles.Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.

30 easy pieces-Fun Factory for Violin features enjoyable old and new tunes for the beginner violinist. The easiest tunes can be found at the beginning of the book and more challenging material is presented the further on you progress. Rumba waltz tango and the bossa nova styles are all included in this book so the pupil will encounter new genres as they work through the material. On the accompanying CD - which is full of imaginative ideas and sounds - there is a complete performance of each piece followed by a play-along version with the accompaniment only.

A beautiful and wide-ranging collection of 41 great tunes from all over Argentina. This collection features tangos milongas chamamés chacareras zambas and gatos as well as earlier styles and new compositions. Many pieces are presented as duets and there is the opportunity for the solo violinist to play along with the Guitar or Bandoneón and second Violin accompaniment on the MP3 backing tracks. Summaries of the individual tunes and detailed notes on the music of Argentina enable you to get the best out of this exciting and colourful music. A CD of all pieces played by Ros Stephen accompanies the publication which is suitable for grade 3 and above.MP3 play-along tracks can be downloaded from the Schott Music website.

Brazil offers a great and luxurious musical variety not only for its large extension of land but also for the multiple cultural interchange established along centuries among the several peoples which contributed to the formingof its rich and varied musical map. From that triple (though not always conscious) alliance among the native Indigenous the European colonizer and the African (those latter brought here as slave workers) resulted a 'Brazility'feeling which is common to every country side despite the distances that separate them: joyous melancholic nostalgic or ritual Brazilian music is always the most authentically expression of its people their happiness andsorrows. This work is an effort to display some Brazilian popular melodies arranged for violin and piano. The themes chosen coming from the country as well as urban areas are part of a repertoire quite familiar to everyBrazilian some of them already belonging for centuries to Brazil's memory. No intention of producing a scientific or musicological work has been nourished by the arrangers. What guided them in the choice of the songs presented inthis book was above all a poetic sense and deep love for the music of their country. Enclosed are 19 violin solos on historic Brazilian themes. A free piano accompaniment is available free online.

Discipline / Instrument : violon et piano ou 2 violons
Genre : Variété - jazz
Média : Partition
Nombre de pages : 20 11 19
Date de parution : 15/01/2010
Ce qui me plaît particulièrement dans les danses latino-américaines de Sergio Arriagada, c'est le coté festif, lumineux de ses mélodies.
Le jeu du violon devient alors incisif, syncopé, parfois avec un brin de nostalgie.
Pourquoi avoir fait un arrangement pour deux violons ?
Nous n'avons pas toujours à disposition un pianiste pour accompagner. Dans ce style de musique, il me semble très important de ressentir la rythmique, et l'accompagnement y contribue largement - et puis cela permet aussi aux violonistes de jouer ensemble sur de multiples lieux de diffusion...
Sara Chenal