Armando Ghidoni's Concert-Trio for B Flat Clarinet Cello and Piano. This is the score and parts.

Canta Canta! is a slow and expressive piece for Clarinet Cello and Piano by Thea Musgrave. This short song is taken from Cantata for a Summer's Day written in 1954 while the composer was a student in Paris. This is the score and parts.

Work for Double Woodwind Quintet based on the sixteenth century French popular song A l’ombre d’un buissonet first printed in La Couronne et Fleur (1536).

The title of Paul Mealor's Spectred Light refers to the ghostly lights sometimes seen at night or twilight over rivers or lakes.Tales of the ‘Spectred Lights’ can be found in numerous folk tales around the world and it is often depicted as a malicious character in these stories. In Welsh folklore it is said that the light is 'fairy fire' held in the hand of a ‘pwca’ - a small goblin-like fairy that leads lone travelers off the beaten path at night. As the traveller follows the pwca through the marsh the fire is extinguished leaving the man lost.This short work for Flute Clarinet and Piano is an attempt to depict through sound thisstrange phenomenon. The piece flickers into life and though a series of asymmetric variations leads the listener into a maze of aural colours. As the music reaches breaking point it disappears upwards and dissolves into metal wind-chimes. Out of this a short respite is heard before the music finally hurtles into its finale a blaze of virtuosity.Spectred Light was commissioned by and dedicated to virtuoso clarinetist Esther Lamneck.

An important and significant work written in London in 1942 and now published for the first time: 60 years later! The first movement is tuneful and full of those surprises Malcolm loves to introduce in his music. There are no shortage of jazz inspired ideas coloured always by that Arnold 'edge'. The second movement is a fiendish scherzo - full of amazing cross rhythms and of immense energy. The final movement is a March and the most emotionally charged. Clearly very strongly anti-war - severe and angry dissonances mocking fanfares angular and brutal melodic and rhythmic shapes. 'A very playable work...with plenty of interest for all the players. A greataddition to the repertoire!' AWTGrade: 8

for Flute Oboe Clarinet in Bb Bassoon and Horn in F-Alan Bullard's Dances for Wind Quintet were commissioned by the Marlborough Wind Quintet and first performed by them in the Purcell Room in June 1983. It was subsequently taken up by the Vega Wind Quintet who broadcast it on BBC Radio 3 and since then it has received numerous performances worldwide.

Armando Ghidoni's Badaluk-Concerto scored for Wind Quintet. This is the score and parts.

Celestial Pied Piper was commissioned as part of Faber Music's Millennium Series of new musical works. The score was completed in 2000 and first performed by The Composers Ensemble at St. Paul's Hall Huddersfield as part of the Huddersfield Contemporary Music Festival November 2000. The piece is scored for an ensemble of Clarinet and ten players.

Lennox Berkeley Three Pieces for clarinet edited by Thea King written for clarinet in A. Composed 1939.

Twenty varied pieces including folk songs and works by Dvorak Glazounov Blodek and Shostakovich. Selected by Jo Rees-Davies.

pour 4 clarinettes en sib-Published in 1984 Six Pièces d’Auditions de Jean-Michel Defaye (born 1932) is a set of 6 exercises for four clarinets in Bb. As a pianist composer producer and arranger Jean-Michel Defaye mainly created pieces for brass and wind instruments. He won the Premier Second Grand Prix de Rome in 1958 and the Belgian Queen Elizabeth composition competition in 1959.

Transcribed for Clarinet in B-flat and Cello-Bernstein often used the octatonic scale also very popular in jazz music as a basis for his compositions. Inspired by Chopin's mazurkas Bernstein originally composed these 'Variations' for recorder and cello in 1988-89.