Contemporary-A-Cappella-Publishing

Finally a setting of this Charlie Brown Christmas classic that doesn't require a children's choir! The sweetly sentimental Tenor 1 melody floats over and dips into a woven texture of rich jazz harmonies.

Take a rock and roll hajj back to the psychedelic '60s on Steppenwolf's Magic Carpet. Packed with energy this arrangement makes for a great show opener closer or encore.

Based on the Eva Cassidy recording this honest emotional ballad features light arpeggiated textures and soaring harmonies supporting a gorgeous heartfelt soprano melody with occasional duet/trio lines.

Originally made famous by Kay Starr this arrangement transforms the song into a playful barbershop swing with the melody in the Tenor 2 line and lots of right homophony.

This song has now been covered over one hundred times by a range of artists in a range of styles. This edition has been arranged for SSAA by Deke Sharon.

If it wasn't written by Sting this haunting melody could easily be a traditional English folk song. The melody moves through all four women's parts with the background texture changing in each verse ranging from arpeggiated polyphony to warm close harmony.

One of the great female rock anthems of all time this Pat Benetar classic makes a great last song or encore and will have the audience bobbing their heads and screaming for more.

Looking for something to spice up your Christmas program? How about an Elvis classic? With plenty of swagger and swing the tenor solo sits over a bed of playful doo-woppy harmonies. Got no sleigh with reindeer got no sack on myback you're gonna see me comin' in a big black Cadillac!

Playful sweet melodic... this arrangement brings out all of the best elements of this Beatles ditty with the melody bouncing between the various voices. When your singers are sixty-four they'll still be humming along to this timeless classic!