Composée par Tchaikovsky Piotr Ilyich / Defaye Jean-Michel la partition Tchaikovsky-Digest est éditée par les célèbres éditions françaises Robert Martin sous la référence SL10037.De ce fait, si vous êtes un grand amateur de Trombone et encore plus de Trombone vous trouverez dans cette pièce tout ce que vous cherchez. Alors plus que quelques clics et cette partition vous appartiendra!!! / Trombone / Partition

for Violin and Piano-Following the publication of the Valse-Scherzo we continue Henle's edition of Tchaikovsky's complete works for violin and piano with the enchanting Sérénade mélancolique op. 26. This was Tchaikovsky's first concertante work forviolin the beginning of a path that was to lead to his Violin Concerto three years later. He composed the Sérénade mélancolique in 1875 for violinist Leopold Auer originally for violin and orchestra but later also in a versionfor violin and piano. Since the autograph sources are lost this Henle edition is based on the Russian first editions which even in Tchaikovsky's lifetime were issued in a number of revised versions. The editor RussianTchaikovsky scholar Alexander Komarov brings exemplary clarity to the confused state of the sources while Ingolf Turban unlocks the notation of the violin part with his accomplished fingerings and bowings.

Tchaikovskys ballet The Nutcracker is a fairy-ballet in two acts three tableaux and was composed in 1891/2. It is based on The Nutcracker and the Mouse King a story by E. T. A. Hoffmann (1816). Mark Freeh has arranged this Tchaikovsky classic for big band.Brass Band Grade 4: Advanced Youth and 3rd SectionDuration: 12 minutes

L'interpretation des plus grandes ?uvres des grands compositeurs est desormais accessible grâce a une collection dans laquelle les pieces sont selectionnees, organisees selon des niveaux de difficulte progressifs et accompagnees de toute une serie de supports tels que des explications historiques et litteraires de chaque ?uvre, des indications techniques pour les pianistes, des doigtes, etc. Un excellent moyen de decouvrir le grand repertoire pour piano et un outil pedagogique utile. Ce premier recueil de la collection comprend des ?uvres de Tchaikovsky tirees de l'Album pour enfants, telles que La Poupee malade et La Marche des soldats de bois, particulierement adaptees aux eleves debutants. Elle est suivie d'une selection tiree des Saisons, qui comprend l'un des chefs-d'?uvre de Tchaïkovski, la Barcarolle (Juin). Le volume se termine par une partie particulierement interessante pour piano a quatre mains.
1. The Sick Doll [Pjotr Iljitsj Tchaikovsky]
2. March of the Wooden Soldiers [Pjotr Iljitsj Tchaikovsky]
3. The New Doll [Pjotr Iljitsj Tchaikovsky]
4. Playing Hobby Horses [Pjotr Iljitsj Tchaikovsky]
5. April: Snowdrops [Pjotr Iljitsj Tchaikovsky]
6. October: Autumn Song [Pjotr Iljitsj Tchaikovsky]
7. May: Starlit Night [Pjotr Iljitsj Tchaikovsky]
8. June: Barcarolle [Pjotr Iljitsj Tchaikovsky]
9. December: Christmas [Pjotr Iljitsj Tchaikovsky]
10. The Pine-Tree Swings by the Gate [Pjotr Iljitsj Tchaikovsky]
11. Merry Katya [Pjotr Iljitsj Tchaikovsky]
12. Under the Green Apple Tree [Pjotr Iljitsj Tchaikovsky]
13. Song of the Volga Boatmen [Pjotr Iljitsj Tchaikovsky]
14. There Was No Wind [Pjotr Iljitsj Tchaikovsky]
/ Partitions classique / Piano - instruments à clavier / Piano / RICORDI

'Six Pieces' Op. 19 is the first collection of piano pieces by Tchaikovsky which contributed significantly to his growing renown as most important Russian composer apart from Anton Rubinstein. Famous contemporary pianists like Nikolai Rubinstein and Hans von Bülow performed Rêverie du soir (Op. 19 No. 1) or Thème original et variations (No. 6) in their concerts in the 1870s. Commissioned by his Moscow publisher P. I. Jurgenson Six Pieces Op. 19 was composed by Tchaikovsky in the summer and autumn of 1873 i.e. during his time as professor of theory at the Moscow Conservatoire.Bülow had entered 'little changes' in his own copy of the first edition ofVariations Op. 19/6. There is however no documentary proof which of Bülow's changes Tchaikovsky eventually included in the Nouvelle édition revue et corrigée par l?auteur of Op. 19 published only in 1890. The present new edition therefore contains both versions of the Variations. Tchaikovsky's version of the first edition can be found in the appendix of the present volume Bülow's version expressly adopted by Tchaikovsky is presented together with Nos. 1-5 in the main text of the volume on the basis of the Nouvelle édition revue et corrigée par l?auteur from 1890.

Scène rustique russe-Tchaikovsky composed the Russian rural scene 'Dumka' in just a few days in late February 1886. 'Dumka' is originally the name of an epic and historical South West Slavic folk song of a melancholy nature. In Tchaikovsky's Op. 59 the elegiac andante cantabile forms the framework of the fast middle section in which brief formulaic thoughts newly varied and increasing in virtuosic intensity display fireworks of pianistic brilliance. Being his only 'Morceau de Concert' this piece occupies a special place among the piano works of Tchaikovsky. As a pianist who rarely gave concerts and occasionally complained about the lack of interest from the keyboardtitans of his time (Franz Liszt Hans von Bülow and the brothers Anton and Nikolaj Rubinstein) in his music. Tchaikovsky certainly regarded the piece as a chance to make his music known outside of Russia. So the French subtitle of the piece may rather be understood as a concession to the French audience.

An original and exciting collection of anthems and other choral pieces written for the Orthodox Church and inspired by the Church in Russia, selected by Ralph Allwood. Partly because of the re-emergence of the Church in the former Soviet Union, interest in Christian musical sources alternative to the great body of the Anglican and other Western Christian traditions has grown sharply in recent years. Though the works presented here may be unfamiliar, they are all masterly. Designed to appeal to choirs of various levels, the collection includes a Kontakion and Ikos for the funeral service, anthems by Great Russian Romantics: Tchaikovsky, Rachmaninov, Grechaninov - and composers from our age: Stravinsky, Schnittke, or Arvo Part speaking for a tradition outside the Orthodox Church, as well as settings of the Lord's Prayer in both Russian and English by John Tavener. / Chant Et Piano

from Symphony No. 2-The colorful tuneful march from Tchaikovskys second symphony considered to be one of his most joyous works makes an ideal teaching piece with its distinctive dotted 8th/16th note figure throughout. The nickname “LittleRussia” wasgiven to the symphony based on its use of Ukrainian folk songs.

Pathétique-Peter Tchaikovsky (1840-1893) composed the 6th Symphony between February and August 1893. The first performance in St Petersburg on 16 October 1893 at the First Symphony Concert of the Russian Musical Society was conducted by the composer. Tchaikovsky subsequently added the title Pathétique to the work. The first performance of the 6th Symphony in Moscow on 4 December 1893 after the death of the composer at the Second Symphony Concert of the Russian Musical Society was conducted by Vasili Safonov. The work is dedicated to Vladimir Lvovich Davidov the son of Tchaikovsky's sister. This edition prepared by the Russian composer and musicologist Viktor Ekimovsky is based onearlier publications and contains editorial comments with regard to printing errors and slips of the composer's pen.

Wonderful World of Tchaikovsky for Violin and Piano-Russian composer Pyotr Ilyich Tchaikovsky’s works included symphonies concertos operas ballets chamber music and a choral setting of the Russian Orthodox Divine Liturgy. Some of these are among the most populartheatrical music in the classical repertoire. He was the first Russian composer whose music made a lasting impression internationally which he bolstered with appearances as a guest conductor later in his career in Europe and theUnited States.Arranged by Andrew Moore for intermediate level Violin and Piano The Wonderful World Of Tchaikovsky includes Barcarolle Daydream Love theme from Romeo andJuliet Old French song Tears Theme from second movement of Symphony No 5 and Waltz from Swan Lake.

Tchaikovsky is best known for his purely instrumental compositions. However we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin) composed in 1877-1878 was not called an opera by Tchaikovsky himself but ?lyric scenes?. The work is entirely dominated by lyricism. However there are two moments that contrast sharply with this lyricism: two ball scenes for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant this arrangement features the aforementioned waltz which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.

Tchaikovsky is best known for his purely instrumental compositions. However we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin) composed in 1877-1878 was not called an opera by Tchaikovsky himself but ?lyric scenes?. The work is entirely dominated by lyricism. However there are two moments that contrast sharply with this lyricism: two ball scenes for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant this arrangement features the aforementioned waltz which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.

Arrangeur: Charles Salinger. Par TCHAIKOVSKY PYOTR ILYICH. One of the important works likely to appear on any clarinetist's audition list is Tchaikovsky's homage to his music idol, Mozart. To commemorate the 100th anniversary of Mozart's Don Giovanni, Tchaikovsky chose a number of the master's lesser-known pieces, wrapping them in his own signature arranging and orchestration. Clarinetist Charles Salinger has created his own transposition of the clarinet part for Clarinet in A, now an indispensable tool in the clarinetist's arsenal. Northeastern Music now makes this part readily available./ Répertoire / Clarinette en La